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Credibility and the Incredible
Disassembling the Celebrity Figure: Credibility and the Incredible questions the credibility of celebrity brands, exploring how fandoms depend on perceptions and representations of authenticity. It asks how authenticity is projected by global celebrities, and how fans consume these carefully curated personas, and explores how the media breaks down barriers between celebrities and fans. It presents a discussion of celebrities as brands, exploring how their images are maintained after they pass away. It also offers analysis of the ways in which historical figures are later reconstructed as celebrities, and explores how their images are circulated and consumed across contemporary media. Ultimately, the book examines authenticity in celebrity culture by looking at fandom, media representation, branding and celebrity deaths.
Contributors are Marie Josephine Bennett, Lise Dilling-Nielsen, Kylo-Patrick R. Hart, Mingyi Hou, Renata Iwicka, Ephraim Das Janssen, Magdalen Wing-Chi Ki, Celia Lam, Mirella Longo, Aliah Mansor, Jackie Raphael and Millicent Weber.
Contributors are Marie Josephine Bennett, Lise Dilling-Nielsen, Kylo-Patrick R. Hart, Mingyi Hou, Renata Iwicka, Ephraim Das Janssen, Magdalen Wing-Chi Ki, Celia Lam, Mirella Longo, Aliah Mansor, Jackie Raphael and Millicent Weber.
Credibility and the Incredible
Disassembling the Celebrity Figure: Credibility and the Incredible questions the credibility of celebrity brands, exploring how fandoms depend on perceptions and representations of authenticity. It asks how authenticity is projected by global celebrities, and how fans consume these carefully curated personas, and explores how the media breaks down barriers between celebrities and fans. It presents a discussion of celebrities as brands, exploring how their images are maintained after they pass away. It also offers analysis of the ways in which historical figures are later reconstructed as celebrities, and explores how their images are circulated and consumed across contemporary media. Ultimately, the book examines authenticity in celebrity culture by looking at fandom, media representation, branding and celebrity deaths.
Contributors are Marie Josephine Bennett, Lise Dilling-Nielsen, Kylo-Patrick R. Hart, Mingyi Hou, Renata Iwicka, Ephraim Das Janssen, Magdalen Wing-Chi Ki, Celia Lam, Mirella Longo, Aliah Mansor, Jackie Raphael and Millicent Weber.
Contributors are Marie Josephine Bennett, Lise Dilling-Nielsen, Kylo-Patrick R. Hart, Mingyi Hou, Renata Iwicka, Ephraim Das Janssen, Magdalen Wing-Chi Ki, Celia Lam, Mirella Longo, Aliah Mansor, Jackie Raphael and Millicent Weber.
Dogs in Medieval and Early Modern Art, Literature, and Society
Volume Editor:
The ubiquity of references to dogs in medieval and early modern texts and images must at some level reflect their actual presence in those worlds, yet scholarly consideration of this material is rare and scattered across diverse sources. This volume addresses that gap, bringing together fifteen essays that examine the appearance, meaning, and significance of dogs in painting, sculpture, manuscripts, literature, and legal records of the period, reaching beyond Europe to include cultural material from medieval Japan and Islam. While primarily art historical in focus, the authors approach the subject from a range of disciplines and with varying methodology that ultimately reveals as much about dogs as about the societies in which they lived.
Contributors are Kathleen Ashley, Jane Carroll, Emily Cockayne, John Block Friedman, Karen M. Gerhart, Laura D. Gelfand, Craig A. Gibson, Walter S. Gibson, Nathan Hofer, Jane C. Long, Judith W. Mann, Sophie Oosterwijk, Elizabeth Carson Pastan, Donna L. Sadler, Alexa Sand, and Janet Snyder.
Contributors are Kathleen Ashley, Jane Carroll, Emily Cockayne, John Block Friedman, Karen M. Gerhart, Laura D. Gelfand, Craig A. Gibson, Walter S. Gibson, Nathan Hofer, Jane C. Long, Judith W. Mann, Sophie Oosterwijk, Elizabeth Carson Pastan, Donna L. Sadler, Alexa Sand, and Janet Snyder.
Dogs in Medieval and Early Modern Art, Literature, and Society
Volume Editor:
The ubiquity of references to dogs in medieval and early modern texts and images must at some level reflect their actual presence in those worlds, yet scholarly consideration of this material is rare and scattered across diverse sources. This volume addresses that gap, bringing together fifteen essays that examine the appearance, meaning, and significance of dogs in painting, sculpture, manuscripts, literature, and legal records of the period, reaching beyond Europe to include cultural material from medieval Japan and Islam. While primarily art historical in focus, the authors approach the subject from a range of disciplines and with varying methodology that ultimately reveals as much about dogs as about the societies in which they lived.
Contributors are Kathleen Ashley, Jane Carroll, Emily Cockayne, John Block Friedman, Karen M. Gerhart, Laura D. Gelfand, Craig A. Gibson, Walter S. Gibson, Nathan Hofer, Jane C. Long, Judith W. Mann, Sophie Oosterwijk, Elizabeth Carson Pastan, Donna L. Sadler, Alexa Sand, and Janet Snyder.
Contributors are Kathleen Ashley, Jane Carroll, Emily Cockayne, John Block Friedman, Karen M. Gerhart, Laura D. Gelfand, Craig A. Gibson, Walter S. Gibson, Nathan Hofer, Jane C. Long, Judith W. Mann, Sophie Oosterwijk, Elizabeth Carson Pastan, Donna L. Sadler, Alexa Sand, and Janet Snyder.
Grandfather and Granddaughter in VOC Time, 1710-1720
Author:
To my dear Pieternelletje describes a ten-year period in the lives of Pieternella van Hoorn and her grandfather Willem van Outhoorn, former governor-general of the Dutch East Indies. Eleven years old, Pieternella left for Amsterdam and the only contact possible was by mail.
Numerous letters have survived and combined with contemporaneous documents, most of them never published before, they offer a vivid and clear picture of their private life and feelings, forming a most welcome addition to official VOC-history.
Van Outhoorn not only acted as Pieternella’s mentor while she tried to adjust to her new but unknown fatherland, but also sent her numerous exquisite presents, the greater part of which has been traced and described in full, thus offering new insight in the cultural history of Asia.
Numerous letters have survived and combined with contemporaneous documents, most of them never published before, they offer a vivid and clear picture of their private life and feelings, forming a most welcome addition to official VOC-history.
Van Outhoorn not only acted as Pieternella’s mentor while she tried to adjust to her new but unknown fatherland, but also sent her numerous exquisite presents, the greater part of which has been traced and described in full, thus offering new insight in the cultural history of Asia.
Grandfather and Granddaughter in VOC Time, 1710-1720
Author:
To my dear Pieternelletje describes a ten-year period in the lives of Pieternella van Hoorn and her grandfather Willem van Outhoorn, former governor-general of the Dutch East Indies. Eleven years old, Pieternella left for Amsterdam and the only contact possible was by mail.
Numerous letters have survived and combined with contemporaneous documents, most of them never published before, they offer a vivid and clear picture of their private life and feelings, forming a most welcome addition to official VOC-history.
Van Outhoorn not only acted as Pieternella’s mentor while she tried to adjust to her new but unknown fatherland, but also sent her numerous exquisite presents, the greater part of which has been traced and described in full, thus offering new insight in the cultural history of Asia.
Numerous letters have survived and combined with contemporaneous documents, most of them never published before, they offer a vivid and clear picture of their private life and feelings, forming a most welcome addition to official VOC-history.
Van Outhoorn not only acted as Pieternella’s mentor while she tried to adjust to her new but unknown fatherland, but also sent her numerous exquisite presents, the greater part of which has been traced and described in full, thus offering new insight in the cultural history of Asia.
The Influence of Japanese Sexual Imagery on Western Art
Author:
At its height in the late nineteenth and early twentieth centuries, Japonisme had a tremendous impact on Western art. In this publication, author Ricard Bru approaches the cultural phenomenon of Japonisme from an innovative standpoint. He presents an in-depth discussion of the influence of Japanese printed erotic imagery by ukiyo-e masters such as Kitagawa Utamaro, Katsushika Hokusai, and Utagawa Hiroshige on European artists, including Edgar Degas, Auguste Rodin, Henri de Toulouse-Lautrec, Gustav Klimt and Pablo Picasso, as well as writers, critics, and collectors, such as Edmond de Goncourt, Joris-Karl Huysmans, and Émile Zola. With over 160 color illustrations sourced from public and private collections, Erotic Japonisme demonstrates the rich artistic dialogue that existed between Europe and Japan.
The Influence of Japanese Sexual Imagery on Western Art
Author:
At its height in the late nineteenth and early twentieth centuries, Japonisme had a tremendous impact on Western art. In this publication, author Ricard Bru approaches the cultural phenomenon of Japonisme from an innovative standpoint. He presents an in-depth discussion of the influence of Japanese printed erotic imagery by ukiyo-e masters such as Kitagawa Utamaro, Katsushika Hokusai, and Utagawa Hiroshige on European artists, including Edgar Degas, Auguste Rodin, Henri de Toulouse-Lautrec, Gustav Klimt and Pablo Picasso, as well as writers, critics, and collectors, such as Edmond de Goncourt, Joris-Karl Huysmans, and Émile Zola. With over 160 color illustrations sourced from public and private collections, Erotic Japonisme demonstrates the rich artistic dialogue that existed between Europe and Japan.
A Short Introduction to Their History, Bibliography and Format
Understanding Japanese Woodblock-Printed Illustrated Books offers a wider understanding and appreciation of the illustrated books produced in Japan between 1603 and 1912. It is a valuable tool for scholars of early modern Japanese art and literature and a broad range of other disciplines who wish to integrate the content of Japanese illustrated books into their teaching and research. As a handbook aimed at collectors, curators and librarians, it is also an essential resource to assist in evaluating, describing and conserving the books in their care. The background essays, a detailed glossary and case studies are equally of interest to students of the history and art of the book, publishing, printing and book illustration.
A Short Introduction to Their History, Bibliography and Format
Understanding Japanese Woodblock-Printed Illustrated Books offers a wider understanding and appreciation of the illustrated books produced in Japan between 1603 and 1912. It is a valuable tool for scholars of early modern Japanese art and literature and a broad range of other disciplines who wish to integrate the content of Japanese illustrated books into their teaching and research. As a handbook aimed at collectors, curators and librarians, it is also an essential resource to assist in evaluating, describing and conserving the books in their care. The background essays, a detailed glossary and case studies are equally of interest to students of the history and art of the book, publishing, printing and book illustration.
Author:
This profusely illustrated volume illuminates the primacy of icons in disseminating the worship of the Medicine Master Buddha (J: Yakushi Nyorai) in Japan. Suzuki’s meticulous study explicates how the devotional cult of Yakushi, one of the earliest Buddhist cults imported to Japan from the continent, interacted and blended with local beliefs, religious dispositions, and ritual practices over the centuries, developing its own distinctive imprint on Japanese soil. Worship of the Medicine Master Buddha became most influential during the Heian period (794–1185), when Yakushi’s popularity spread to different levels of society and locales outside the capital. The large number of Heian-period Yakushi statues found all across Japan demonstrates that Yakushi worship was an integral component of Heian religious practice.
Medicine Master Buddha focuses on the ninth-century Tendai master Saichō (767–822) and his personal reverence for a standing Yakushi icon. The author proposes that, after Saichō’s death, the Tendai school played a critical role in popularizing the cult of this particular icon as a way of memorializing its founding master and strengthening its position as a major school of Japanese Buddhism. This publication offers a fresh perspective on sculptural representations of the Medicine Master Buddha (including the famous Jingoji Yakushi), and in so doing, reconsiders Yakushi worship as foundational to Heian religious and artistic culture.
Medicine Master Buddha focuses on the ninth-century Tendai master Saichō (767–822) and his personal reverence for a standing Yakushi icon. The author proposes that, after Saichō’s death, the Tendai school played a critical role in popularizing the cult of this particular icon as a way of memorializing its founding master and strengthening its position as a major school of Japanese Buddhism. This publication offers a fresh perspective on sculptural representations of the Medicine Master Buddha (including the famous Jingoji Yakushi), and in so doing, reconsiders Yakushi worship as foundational to Heian religious and artistic culture.
Author:
This profusely illustrated volume illuminates the primacy of icons in disseminating the worship of the Medicine Master Buddha (J: Yakushi Nyorai) in Japan. Suzuki’s meticulous study explicates how the devotional cult of Yakushi, one of the earliest Buddhist cults imported to Japan from the continent, interacted and blended with local beliefs, religious dispositions, and ritual practices over the centuries, developing its own distinctive imprint on Japanese soil. Worship of the Medicine Master Buddha became most influential during the Heian period (794–1185), when Yakushi’s popularity spread to different levels of society and locales outside the capital. The large number of Heian-period Yakushi statues found all across Japan demonstrates that Yakushi worship was an integral component of Heian religious practice.
Medicine Master Buddha focuses on the ninth-century Tendai master Saichō (767–822) and his personal reverence for a standing Yakushi icon. The author proposes that, after Saichō’s death, the Tendai school played a critical role in popularizing the cult of this particular icon as a way of memorializing its founding master and strengthening its position as a major school of Japanese Buddhism. This publication offers a fresh perspective on sculptural representations of the Medicine Master Buddha (including the famous Jingoji Yakushi), and in so doing, reconsiders Yakushi worship as foundational to Heian religious and artistic culture.
Medicine Master Buddha focuses on the ninth-century Tendai master Saichō (767–822) and his personal reverence for a standing Yakushi icon. The author proposes that, after Saichō’s death, the Tendai school played a critical role in popularizing the cult of this particular icon as a way of memorializing its founding master and strengthening its position as a major school of Japanese Buddhism. This publication offers a fresh perspective on sculptural representations of the Medicine Master Buddha (including the famous Jingoji Yakushi), and in so doing, reconsiders Yakushi worship as foundational to Heian religious and artistic culture.