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This groundbreaking collection of essays tells the surprising story of how the American Western has shaped world literature, fueling provocative novels and reflections about national identity, settler colonialism, and violence. Containing nineteen chapters spanning Asia, Africa, the Americas, Australia, Europe, Israel, and New Zealand, as well as a guiding, critical introduction, this book opens an exciting new chapter in the study of popular culture, literature, and globalization. Through this international lens, the literary Western casts off the categories of juvenilia and formula to come into focus as a vital and creative statement about identity, power, and history.
Contributors are: Zbigniew Białas, Manuela Borzone, Flavia Brizio-Skov, Alex Calder, Neil Campbell, Christopher Conway, Samir Dayal, Joel Deshaye, Johannes Fehrle, MaryEllen Higgins, Emily Hind, Shelly Jarenski, Rachel Leket-Mor, Warren Motte, Andrew Nette, Marek Paryż, David Rio, Steffen Wöll, and Sergei Zhuk
Contributors are: Zbigniew Białas, Manuela Borzone, Flavia Brizio-Skov, Alex Calder, Neil Campbell, Christopher Conway, Samir Dayal, Joel Deshaye, Johannes Fehrle, MaryEllen Higgins, Emily Hind, Shelly Jarenski, Rachel Leket-Mor, Warren Motte, Andrew Nette, Marek Paryż, David Rio, Steffen Wöll, and Sergei Zhuk
This groundbreaking collection of essays tells the surprising story of how the American Western has shaped world literature, fueling provocative novels and reflections about national identity, settler colonialism, and violence. Containing nineteen chapters spanning Asia, Africa, the Americas, Australia, Europe, Israel, and New Zealand, as well as a guiding, critical introduction, this book opens an exciting new chapter in the study of popular culture, literature, and globalization. Through this international lens, the literary Western casts off the categories of juvenilia and formula to come into focus as a vital and creative statement about identity, power, and history.
Contributors are: Zbigniew Białas, Manuela Borzone, Flavia Brizio-Skov, Alex Calder, Neil Campbell, Christopher Conway, Samir Dayal, Joel Deshaye, Johannes Fehrle, MaryEllen Higgins, Emily Hind, Shelly Jarenski, Rachel Leket-Mor, Warren Motte, Andrew Nette, Marek Paryż, David Rio, Steffen Wöll, and Sergei Zhuk
Contributors are: Zbigniew Białas, Manuela Borzone, Flavia Brizio-Skov, Alex Calder, Neil Campbell, Christopher Conway, Samir Dayal, Joel Deshaye, Johannes Fehrle, MaryEllen Higgins, Emily Hind, Shelly Jarenski, Rachel Leket-Mor, Warren Motte, Andrew Nette, Marek Paryż, David Rio, Steffen Wöll, and Sergei Zhuk
Author:
How do contemporary African American authors relate trauma, memory, and the recovery of the past with the processes of cultural and identity formation in African American communities?
Patricia San José analyses a variety of novels by authors like Toni Morrison, Gloria Naylor, and David Bradley and explores these works as valuable instruments for the disclosure, giving voice, and public recognition of African American collective and historical trauma.
Patricia San José analyses a variety of novels by authors like Toni Morrison, Gloria Naylor, and David Bradley and explores these works as valuable instruments for the disclosure, giving voice, and public recognition of African American collective and historical trauma.
Author:
How do contemporary African American authors relate trauma, memory, and the recovery of the past with the processes of cultural and identity formation in African American communities?
Patricia San José analyses a variety of novels by authors like Toni Morrison, Gloria Naylor, and David Bradley and explores these works as valuable instruments for the disclosure, giving voice, and public recognition of African American collective and historical trauma.
Patricia San José analyses a variety of novels by authors like Toni Morrison, Gloria Naylor, and David Bradley and explores these works as valuable instruments for the disclosure, giving voice, and public recognition of African American collective and historical trauma.
Radical Planes? 9/11 and Patterns of Continuity, edited by Dunja M. Mohr and Birgit Däwes, explores the intersections between narrative disruption and continuity in post-9/11 narratives from an interdisciplinary transnational perspective, foregrounding the transatlantic cultural memory of 9/11. Contesting the earlier notion of a cataclysm that has changed ‘everything,’ and critically reflecting on American exceptionalism, the collection offers an inquiry into what has gone unchanged in terms of pre-9/11, post-9/11, and post-post-9/11 issues and what silences persist. How do literature and performative and visual arts negotiate this precarious balance of a pervasive discourse of change and emerging patterns of political, ideological, and cultural continuity?
Radical Planes? 9/11 and Patterns of Continuity, edited by Dunja M. Mohr and Birgit Däwes, explores the intersections between narrative disruption and continuity in post-9/11 narratives from an interdisciplinary transnational perspective, foregrounding the transatlantic cultural memory of 9/11. Contesting the earlier notion of a cataclysm that has changed ‘everything,’ and critically reflecting on American exceptionalism, the collection offers an inquiry into what has gone unchanged in terms of pre-9/11, post-9/11, and post-post-9/11 issues and what silences persist. How do literature and performative and visual arts negotiate this precarious balance of a pervasive discourse of change and emerging patterns of political, ideological, and cultural continuity?
Selected Proceedings of the First World Congress of the International American Studies Association 22-24 May 2003
How Far is America From Here? approaches American nations and cultures from a comparative and interdisciplinary perspective. It is very much at the heart of this comparative agenda that “America” be considered as a hemispheric and global matter. It discusses American identities relationally, whether the relations under discussion operate within the borders of the United States, throughout the Americas, and/or worldwide. The various articles here gathered interrogate the very notion of “America”: which, whose America, when, why now, how? What is meant by “far”—distance, discursive formations, ideals and ideologies, foundational narratives, political conformities, aberrations, inconsistencies? Where is here—positionality, geographies, spatial compressions, hegemonic and subaltern loci, disciplinary formations, reflexes and reflexivities? These questions are addressed with regard to the multiple Americas within the USA and the bi-continental western hemisphere, as part of and beyond inter-American cultural relations, ethnicities across the national and cultural plurality of America, mutual constructions of North and South, borderlands, issues of migration and diaspora. The larger contexts of globalization and America’s role within this process are also discussed, alongside issues of geographical exploration, capital expansion, integration, transculturalism, transnationalism and global flows, pre-Columbian and contemporary Native American cultures, the Atlantic slave trade, the environmental crisis, U.S. literature in relation to Canadian or Latin American literature, religious conflict both within the Americas and between the Americas and the rest of the world, with such issues as American Zionism, American exceptionalism, and the discourse of/on terror and terrorism.
Selected Proceedings of the First World Congress of the International American Studies Association 22-24 May 2003
How Far is America From Here? approaches American nations and cultures from a comparative and interdisciplinary perspective. It is very much at the heart of this comparative agenda that “America” be considered as a hemispheric and global matter. It discusses American identities relationally, whether the relations under discussion operate within the borders of the United States, throughout the Americas, and/or worldwide. The various articles here gathered interrogate the very notion of “America”: which, whose America, when, why now, how? What is meant by “far”—distance, discursive formations, ideals and ideologies, foundational narratives, political conformities, aberrations, inconsistencies? Where is here—positionality, geographies, spatial compressions, hegemonic and subaltern loci, disciplinary formations, reflexes and reflexivities? These questions are addressed with regard to the multiple Americas within the USA and the bi-continental western hemisphere, as part of and beyond inter-American cultural relations, ethnicities across the national and cultural plurality of America, mutual constructions of North and South, borderlands, issues of migration and diaspora. The larger contexts of globalization and America’s role within this process are also discussed, alongside issues of geographical exploration, capital expansion, integration, transculturalism, transnationalism and global flows, pre-Columbian and contemporary Native American cultures, the Atlantic slave trade, the environmental crisis, U.S. literature in relation to Canadian or Latin American literature, religious conflict both within the Americas and between the Americas and the rest of the world, with such issues as American Zionism, American exceptionalism, and the discourse of/on terror and terrorism.
Common Traditions and New Developments
Series:
Cross/Cultures, Volume: 66
Volume Editor:
In postcolonial theory we have now reached a new stage in the succession of key concepts. After the celebrations of hybridity in the work of Homi Bhabha and Gayatri Spivak, it is now the concept of diaspora that has sparked animated debates among postcolonial critics. This collection intervenes in the current discussion about the 'new' diaspora by placing the rise of diaspora within the politics of multiculturalism and its supercession by a politics of difference and cultural-rights theory. The essays present recent developments in Jewish negotiations of diasporic tradition and experience, discussing the reinterpretation of concepts of the 'old' diaspora in late twentieth- century British and American Jewish literature. The second part of the volume comprises theoretical and critical essays on the South Asian diaspora and on multicultural settings between Australia, Africa, the Caribbean and North America. The South Asian and Caribbean diasporas are compared to the Jewish prototype and contrasted with the Turkish diaspora in Germany. All essays deal with literary reflections on, and thematizations of, the diasporic predicament.
Common Traditions and New Developments
Series:
Cross/Cultures, Volume: 66
Volume Editor:
In postcolonial theory we have now reached a new stage in the succession of key concepts. After the celebrations of hybridity in the work of Homi Bhabha and Gayatri Spivak, it is now the concept of diaspora that has sparked animated debates among postcolonial critics. This collection intervenes in the current discussion about the 'new' diaspora by placing the rise of diaspora within the politics of multiculturalism and its supercession by a politics of difference and cultural-rights theory. The essays present recent developments in Jewish negotiations of diasporic tradition and experience, discussing the reinterpretation of concepts of the 'old' diaspora in late twentieth- century British and American Jewish literature. The second part of the volume comprises theoretical and critical essays on the South Asian diaspora and on multicultural settings between Australia, Africa, the Caribbean and North America. The South Asian and Caribbean diasporas are compared to the Jewish prototype and contrasted with the Turkish diaspora in Germany. All essays deal with literary reflections on, and thematizations of, the diasporic predicament.
Michelle Cliff, David Dabydeen, Opal Palmer Adisa
The two volumes on Postcolonialism and Autobiography examine the affinity of postcolonial writing to the genre of autobiography. The contributions of specialists from Northern Africa, Europe and the United States focus on two areas in which the interrelation of postcolonialism and autobiography is very prominent and fertile: the Maghreb and the Anglophone and Francophone Caribbean. The colonial background of these regions provides the stimulus for writers to launch a program for emancipation in an effort to constitute a decolonized subject in autobiographical practice. While the French volume addresses issues of the autobiographical genre in the postcolonial conditions of the Maghreb and the Caribbean with reference to France, the English volume analyzes the autobiographical writings of David Dabydeen (Guyana), Michelle Cliff, Opal Palmer Adisa, George Lamming, Wilson Harris (Jamaica), and Jamaica Kincaid (Antigua) who have maintained their cultural Caribbean origin while living in England or the United States. Critics such as William Boelhower, Leigh Gilmore, Sidonie Smith, and Gayatri Spivak reveal the many layers of different cultures (Indian, African, European, American) that are covered over by the colonial powers. The homeland, exile, the experience of migration and hybridity condition the postcolonial existence of writers and critics. The incorporation of excerpts from the writers' works is meant to show the great variety and riches of a hybrid imagination and to engage in an interactive dialogue with critics.
Michelle Cliff, David Dabydeen, Opal Palmer Adisa
The two volumes on Postcolonialism and Autobiography examine the affinity of postcolonial writing to the genre of autobiography. The contributions of specialists from Northern Africa, Europe and the United States focus on two areas in which the interrelation of postcolonialism and autobiography is very prominent and fertile: the Maghreb and the Anglophone and Francophone Caribbean. The colonial background of these regions provides the stimulus for writers to launch a program for emancipation in an effort to constitute a decolonized subject in autobiographical practice. While the French volume addresses issues of the autobiographical genre in the postcolonial conditions of the Maghreb and the Caribbean with reference to France, the English volume analyzes the autobiographical writings of David Dabydeen (Guyana), Michelle Cliff, Opal Palmer Adisa, George Lamming, Wilson Harris (Jamaica), and Jamaica Kincaid (Antigua) who have maintained their cultural Caribbean origin while living in England or the United States. Critics such as William Boelhower, Leigh Gilmore, Sidonie Smith, and Gayatri Spivak reveal the many layers of different cultures (Indian, African, European, American) that are covered over by the colonial powers. The homeland, exile, the experience of migration and hybridity condition the postcolonial existence of writers and critics. The incorporation of excerpts from the writers' works is meant to show the great variety and riches of a hybrid imagination and to engage in an interactive dialogue with critics.
Foro Hispánico is a peer-reviewed book series devoted to the study of Spanish and Spanish-American culture(s) in the global world. The series offers a forum for internationally focused research that analyses how cultural and literary practices both shape, and themselves are shaped by, global challenges in the Spanish speaking world.
Proposals are welcome for academic monographs and joint volumes, both in English and Spanish. We especially encourage studies that cross disciplines and national borders. Possible interdisciplinary topics of interest include, but are not limited to, the connections between cultural and literary practices, and immigration, race, gender, politics, art, intellectual history, travel writing, rhetoric and anthropology.
Foro Hispánico es una colección académica revisada por pares de monografías centradas en el estudio de las culturas españolas e hispanoamericanas dentro del contexto del mundo globalizado. La colección ofrece un foro para investigaciones desarrolladas en el ámbito internacional que se centren sobre cómo las prácticas culturales y literarias dan y toman forma a los desafíos globales que acontecen en el mundo de lengua española.
Son bienvenidas propuestas para monografías académicas y volúmenes científicos conjuntos escritos tanto en español como en inglés. Especialmente incentivamos estudios transdisciplinares y transnacionales. Algunos temas de posible interés interdisciplinar incluyen, pero no se limitan tan sólo a estas, las conexiones entre prácticas culturales y literarias e inmigración, género, política, arte, historia intelectual, escritura de viaje, retórica y antropología.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Pieter Boeschoten or Masja Horn
Please advise our Guidelines for a Book Proposal.
Proposals are welcome for academic monographs and joint volumes, both in English and Spanish. We especially encourage studies that cross disciplines and national borders. Possible interdisciplinary topics of interest include, but are not limited to, the connections between cultural and literary practices, and immigration, race, gender, politics, art, intellectual history, travel writing, rhetoric and anthropology.
Foro Hispánico es una colección académica revisada por pares de monografías centradas en el estudio de las culturas españolas e hispanoamericanas dentro del contexto del mundo globalizado. La colección ofrece un foro para investigaciones desarrolladas en el ámbito internacional que se centren sobre cómo las prácticas culturales y literarias dan y toman forma a los desafíos globales que acontecen en el mundo de lengua española.
Son bienvenidas propuestas para monografías académicas y volúmenes científicos conjuntos escritos tanto en español como en inglés. Especialmente incentivamos estudios transdisciplinares y transnacionales. Algunos temas de posible interés interdisciplinar incluyen, pero no se limitan tan sólo a estas, las conexiones entre prácticas culturales y literarias e inmigración, género, política, arte, historia intelectual, escritura de viaje, retórica y antropología.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Pieter Boeschoten or Masja Horn
Please advise our Guidelines for a Book Proposal.