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Una topología cultural del exilio
El éxodo español de 1939: Una topología cultural del exilio explores the cultural strategies employed by Spanish Republican refugees in adapting to radical changes in their environment and transforming the new spaces into habitable places. Thus the monograph highlights the centrality of the concept of place in the reconstruction of the lost home by analysing the various stages of the relocation of culture in exile: from French internment camps, on board ships, and finally to residence in Mexico.
Adopting an interdisciplinary approach, Jato contends that the experience of space in exile is relational, and that the staging posts described in each chapter have no meaning unless they are interconnected as integral parts of a cultural topology.



En El éxodo español de 1939: Una topología cultural del exilio Mónica Jato da cuenta de las variadas estrategias culturales empleadas por los refugiados republicanos españoles para adaptarse a las condiciones de sus nuevos entornos con el fin de transformarlos en lugares habitables. El libro indaga así la centralidad del concepto de lugar en la reconstrucción del hogar perdido y lo hace a través de sus diferentes etapas: en los campos de internamiento franceses, en los barcos rumbo a América y durante el asentamiento en tierras mexicanas.
La experiencia del exilio es abordada aquí desde una perspectiva interdisciplinaria que pone de manifiesto el aspecto relacional de estas pausas espaciales cuya interconexión define esta particular topología cultural.
In Negotiating Space in Latin America, edited by Patricia Vilches, contributors approach spatial practices from multidisciplinary angles. Drawing on cultural studies, film studies, gender studies, geography, history, literary studies, sociology, tourism, and current events, the volume advances innovative conceptualizations on spatiality and treats subjects that range from nineteenth century-nation formation to twenty-first century social movements.
Latin America has endured multiple spatial transformations, which contributors analyze from the perspective of the urban, the rural, the market, and the political body. The essays collected here signal how spatial processes constantly shape societal interactions and illuminate the complex relationships between humans and space, emphasizing the role of spatiality in our actions and perceptions.

Contributors: Gail A. Bulman, Ana María Burdach Rudloff, James Craine, Angela N. DeLutis-Eichenberger, Carolina Di Próspero, Gustavo Fares, Jennifer Hayward, Silvia Hirsch, Edward Jackiewicz, Magdalena Maiz-Peña, Lucía Melgar, Silvia Nagy-Zekmi, Luis H. Peña, Jorge Saavedra Utman, Rosa Tapia, Juan de Dios Torralbo Caballero, Tera Trujillo, Patricia Vilches, and Gareth Wood.
Taxonomic and Intellectual Perspectives
Exceptional Crime in Early Modern Spain accounts for the representation of violent and complex murders, analysing the role of the criminal, its portrayal through rhetorical devices, and its cultural and aesthetic impact.
Proteic traits allow for an understanding of how crime is constructed within the parameters of exception, borrowing from pre-existent forms while devising new patterns and categories such as criminography, the “star killer”, the staging of crimes as suicides, serial murders, and the faking of madness. These accounts aim at bewildering and shocking demanding readers through a carefully displayed cult to excessive behaviour. The arranged “economy of death” displayed in murder accounts will set them apart from other exceptional instances, as proven by their long-standing presence in subsequent centuries.
Puentes culturales críticos entre África, Latinoamérica y España
Trans-afrohispanismos: puentes culturales críticos entre África, Latinoamérica y España is an innovative approach to Afro-Hispanic Studies. It focuses on the connections between peoples, territories, and media of expression at the confluence of Africa and the Hispanic world. The volume’s contributors apply perspectives from their respective areas of specialization to their examination of transcultural interactions in a diverse range of contexts. These include Equatorial Guinea, Western Sahara, Spain, Morocco, Afro-descendant communities in Latin America and transnational spaces generated by digital technologies and contemporary migration. The volume offers an expanded understanding of Afro-Hispanic Studies and serves as a model of inquiry in a field whose hallmark is the mobility of people and knowledge.

Trans-afrohispanismos: puentes culturales críticos entre África, Latinoamérica y España es una aproximación innovadora a los Estudios Afrohispánicos. Destaca las conexiones entre gentes, territorios y medios de expresión en la confluencia de África y el mundo hispánico. Estos incluyen Guinea Ecuatorial, el Sáhara Occidental, España, Marruecos, comunidades de afrodescendientes en América Latina y los espacios transnacionales originados por las tecnologías digitales y la migración. Este libro ofrece una visión más amplia de los Estudios Afrohispánicos. Adicionalmente, sirve de modelo de investigación en un campo cuya seña de identidad es la movilidad de gentes y conocimientos.

Contributors are: Joanna Allan, Eduard Arriaga, Antonio Becerra Bolaños, Justo Bolekia Boleká, Julia Borst, Milagros Carazas, Dosinda García-Alvite, Maya García de Vinuesa, Gloria Lara Millán, Alain Lawo-Sukam, Bahia Mahmud Awah, Dorothy Odartey-Wellington, Elisa Rizo, Nayra Pérez Hernández, Juliane Tauchnitz and Kofi Yakpo.
Court Ladies and Courtly Verse in Fifteenth-Century Spain
In Secrets of Pinar’s Game, Roger Boase is the first to decipher a card game completed in 1496 for Queen Isabel, Prince Juan, her daughters and her 40 court ladies. This game offers readers access to the cultural memory of a group of educated women, revealing their knowledge of proverbs, poetry and sentimental romance, their understanding of the symbolism of birds and trees, and many facts ignored in official sources. Boase translates all verse into English, reassesses the jousting invenciones in the Cancionero general (1511), reinterprets the poetry of Pinar’s sister Florencia, and identifies Acevedo, author of some poems about festivities in Murcia c. 1507. He demonstrates that many of Pinar’s ladies reappear as prostitutes in the anonymous Carajicomedia two decades later.
The filmic commemoration of the republican guerrilla movement and its diverse phenomenology as an armed resistance against the Francoist dictatorship is one of the most privileged topics of the so called Spanish Cinema of Memory. The collection of essays in La memoria cinematográfica de la guerrilla antifranquista analyze the most emblematic films of this thematic cycle, touching on the vast scope of different filmic discourses as well as on the films’ intentions to take up a position in the still current and controversial debate about the historical memory of Francoism. The articles emphasize how this Cinema of Memory dismisses concrete historic reference, thus allowing an intense reflection not only on the ethics of resistance and dignity, but also on the power of counterfactual imagination.

La finalmente derrotada guerrilla antifranquista y su tan diversa fenomenología como resistencia armada contra la dictadura constituyen uno de los temas privilegiados del cine de memoria español. Los trabajos compilados en La memoria cinematográfica de la guerrilla antifranquista analizan las obras más emblemáticas de este ciclo de películas, incidiendo tanto en su muy variada textura cinematográfica como en su voluntad de posicionarse dentro del todavía hoy controvertido debate sobre la memoria histórica del franquismo. A la vez, tomados en su conjunto, los artículos enfatizan como este cine de memoria, partiendo de un concreto referente histórico, ha sido capaz de desarrollar una intensa reflexión no sólo sobre la ética de la resistencia y de la dignidad, sino también sobre el poder de la imaginación contrafáctica.
This book offers a critical reinterpretation of the Spanish avant-garde, focusing on narrative, transculturality, and intermediality. Narrative, because it prioritizes the analysis of prose over poetry, against the traditional use of critical literature on the subject up to this point. Transculturality, because the Spanish avant-garde simply cannot be understood without the acknowledgement of its multi-linguistic reality and the transnational scope of the experience of Modernism in Europe – of which Spain was an integral yet underexposed component. And intermediality, because the interrelations of painting, photography, film, and literature articulate a correlation and mutual affect among different media, creating a rich cultural tapestry that needs to be addressed.

Contributors: Rosa Berland, Jennifer Duprey, Marcos Eymar, Regina Galasso, Eduardo Gregori, Juan Herrero-Senés, John McCulloch, Andrés Pérez-Simón, Lynn Purkey, Domingo Ródenas de Moya, Evelyn Scaramella and Antonio Sáez Delgado.
Maps and Narratives of Spanish Exploration (1567-1606)
Producing the Pacific offers the reader an interdisciplinary reading of the maps, narratives and rituals related to the three Spanish voyages to the South Pacific that took place between 1567 and 1606. These journeys were led by Álvaro de Mendaña, Pedro Fernández de Quirós and Isabel Barreto, the first woman ever to become admiral of and command a fleet.
Mercedes Maroto Camino presents a cultural analysis of these journeys and takes issue with some established notions about the value of the past and the way it is always rewritten from the perspective of the present. She highlights the social, political and cultural environment in which maps and narratives circulate, suggesting that their significance is always subject to negotiation and transformation. The tapestry created by the interpretation of maps, narratives and rituals affords a view not only of the minds of the first men and women who traversed the Pacific but also of how they saw the ocean, its islands and their peoples. Producing the Pacific should, therefore, be of relevance to those interested in history, voyages, colonialism, cartography, anthropology and cultural studies.
The study of these cultural products contributes to an interpretive history of colonialism at the same time that it challenges the beliefs and assumptions that underscore our understanding of that history.
Cities, Spaces and Architectures in Latin America
Transculturation: Cities, Spaces and Architectures in Latin America explores the critical potential inherent in the notion of “transculturation” in order to understand contemporary architectural practices and their cultural realities in Latin America. Despite its enormous theoretical potential and its importance within Latin American cultural theory, the term transculturation had never permeated into architectural debates. In fact, none of the main architectural theories produced in and about Latin America during the second half of the twentieth century engaged seriously with this notion as a way to analyze the complex social, cultural and political circumstances that affect the development of the continent’s cities, its urban spaces and its architectures. Therefore, this book demonstrates, for the first time, that the term transculturation is an invaluable tool in dismantling the essentialist, genealogical and hierarchical perspectives from which Latin American architectural practices have been viewed. Transculturation: Cities, Spaces and Architectures in Latin America introduces new readings and interpretations of the work of well-known architects, new analyses regarding the use of architectural materials and languages, new questions to do with minority architectures, gender and travel, and, from beginning to end, it engages with important political and theoretical debates that have rarely been broached within Latin American architectural circles.
Der vorliegende Band versammelt die Arbeiten von spanischen und österreichischen Literaturwissenschaftlern, die im Rahmen eines von Marisa Siguán (Universität Barcelona) und Karl Wagner (Universität Wien) geleiteten bilateralen Forschungsprojekts intertextuelle und interkulturelle Beziehungen zwischen österreichischer und spanischer Literatur im 19. und 20. Jahrhundert erforscht haben.
Die Beiträge des Bandes konzentrieren auf folgende symptomatische Aspekte der literarisch-kulturellen Entwicklung in Spanien und Österreich:
- auf Differenzen, Besonderheiten und unterschiedliche Prozesse, die Epochenbegriffe wie Realismus und Fin de siècle nachhaltig transformiert haben.
- auf das dynamische Verhältnis von Zentrum und Peripherie in den literarischen Manifestationen, das in besonderer Weise vergleichende Kultur-Analysen herausfordert.
- auf Bewältigungsversuche des Horrors der Geschichte in der Literatur beider Länder, die ein fundamentales Thema für die Literatur der zweiten Hälfte des 20. Jahrhunderts darstellt. Dabei interessiert insbesondere auch die Frage, inwieweit sich bei den Tätern und deren Nachfahren ein Bewusstsein von dem gebildet hat, was sie taten; Versuchen, die Monstrosität der je eigenen Vergangenheit revisionistisch zu verharmlosen und mit einer selbstzufriedenen Geschichtslosigkeit kompatibel zu machen, gilt besondere kritische Aufmerksamkeit.