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In this book, Dominus legem dat, labeled the most debated motif in early Christian art, is dealt with in all its different contexts, particularly Roman sarcophagi, where it most often occurs. In light of concurrent Roman funerary art, it offers a new understanding of the function of biblical motifs on sarcophagi, and a number of contemporary Christian texts are presented as a key for the interpretation of the so-called “traditio legis” composition. This first, richly illustrated monograph on the motif argues that it originated in Old St. Peter’s Basilica, substantiated by a broad discussion of its historical and theological context. A catalog of all occurrences is included.
This series fosters the exegesis of biblical texts through engagement with Eastern Orthodox interpretive traditions. This focus includes historical analysis, as well as critical reflection on Eastern patristics, ancient philosophy, Orthodox liturgical and artistic practice, and modern Orthodox theologians to stimulate theological interpretation.
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Re-envisioning Theodore is the first comprehensive study of Theodore of Mopsuestia's biblical interpretation in his Catechetical Homilies. It challenges the common yet reductionist view of Theodore’s exegetical approach as “historical,” offering a balanced portrayal of this exegete. Theodore is not a slave of his interpretative methodology, and he may omit the exposition of the historical setting of the Bible and introduce elements not present in the biblical narrative.Re-envisioning Theodore also reveals Theodore’s previously little known exegetical ties with Pro-Nicenes and, through them, with Origen. For the first time, this book shows that his exegesis incorporates Greco-Syrian liturgical imagery.
This volume tells the story of the Arabic translations of the Church Fathers. By tracing the history of major translation centres, such as Palestine, Sinai, and Antioch, it describes how Middle Eastern Christians translated into Arabic, preserved, and engaged with their Patristic heritage. In addition to well-known authors, such as Gregory of Nazianzus, Ephrem the Syrian, and Dionysius the Areopagite, the volume presents a Patristic treatise written in Greek but preserved only in Arabic: the Noetic Paradise. Finally, by reconstructing a lost Arabic Dionysian paraphrase used by the Muslim theologian al-Ghazali, the volume explores Patristic influences on Islamic thought.
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This is the story of the great and final city of John’s Revelation. Plumbing the first three centuries of Christian literature, this careful narrative highlights the early significance of one of the most influential, evocative, and controversial images in Christian scripture. Chronicling how dozens of early writers, from Justin and Irenaeus to Origen and Methodius, and from the "Montanists" to Tertullian, Victorinus, and Lactantius, imagined and applied the coming New Jerusalem, the study demonstrates how the city, regardless of its myriad and often competing interpretations, always pointed to the highest possible union of God and humanity both here and now and in the age to come.
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As allegiance to Jesus Christ spread across the Roman Empire in the second century, writings, practices, and ideas erupted in a creative maelstrom. Many of the patterns of practice and belief that later become normative emerged, in the midst of debate and argument with neighbours who shared or who rejected that allegiance. Authoritative texts, principles of argument, attitudes to received authority, the demands of allegiance in the face of opposition, identifying who belonged and who did not, all demanded attention. These essays explore those divergent voices, and the no-less diverse and lively debates they have inspired in recent scholarship.
Exegese von Phil 3 vor dem Hintergrund der stoischen Philosophie und der patristischen Rezeption
This volume explores the writings of Paul, Seneca, and Clement of Alexandria, providing a fresh outlook on conformity with Christ's death as illustrated in Phil 3:10. It examines Paul's concept of meditatio mortis and brings it into discussion with the Stoic tradition of Seneca in the 'West' and the theological insights of Clement of Alexandria in the 'East'. This endeavour enriches the scholarly discourse and enhances the understanding of the theological concepts within Philippians 3.

Die vorliegende Studie untersucht die Schriften von Paulus, Seneca und Clemens von Alexandrien und bietet einen neuen Blick auf die Gleichförmigkeit mit dem Tod Christi, wie sie in Phil 3,10 dargestellt wird. Im Fokus steht Paulus' Konzept der meditatio mortis, das mit der stoischen Tradition des Seneca im "Westen" und den theologischen Einsichten des Clemens von Alexandrien im "Osten" ins Gespräch gebracht wird. Dieses Bemühen fördert das Verständnis der theologischen Konzepte in Phil 3.
This volume follows the paradoxical trajectory of patristic studies in early modern Europe, from their full confessionalization in the mid-sixteenth century to the emergence of ‘fringe patristics’ within minority groups in the early eighteenth century. The appeal to the Fathers, which was meant to buttress established orthodoxies, powerfully contributed to their dissolution in the internal strifes of seventeenth-century churches, especially on grace and predestination. An ample English introduction, with rich notes, surveys the flourishing field of patristic reception and advocates for a historical, rather than theological or literary, approach.