Browse results

You are looking at 1 - 10 of 327 items for :

  • Early Modern Philosophy x
  • Search level: Titles x
Clear All
Science, Technology, and the Urban Space  
Early Modern Fire offers new perspectives on the history of fire in early modern Europe (ca. 1600-1800). Far from the background role that scholarship has traditionally assigned to fire, the essays in this volume demonstrate its centrality to understanding the entangled histories of science, technology, and society in the pre-industrial period.

Analysing case studies ranging from alchemy to cooking, from firefighting to fireworks, the contributors show that the history of fire is not only one of change and progress, but also of continuity, characterised by the persistence of traditional know-how, small-scale innovation, and the coexistence of different paradigms.

Contributors include: Gianenrico Bernasconi, Catherine Denys, Hannah Elmer, Liliane Hilaire-Pérez, Olivier Jandot, Cyril Lacheze, Andrew M.A. Morris, Cornelia Müller, Bérengère Pinaud, Stefano Salvia, Marco Storni, Marie Thébaud-Sorger, and Simon Werrett
European and Global Histories, 1400-1800
Was the emperor as sovereign allowed to seize the property of his subjects? Was this handled differently in late medieval Roman law and in the practice and theory of zabt in Mughal India? How is political sovereignty relating to the church´s powers and to trade? How about maritime sovereignty after Grotius? How was the East India Company as a ´corporation´ interacting with an Indian Nawab? How was the Shogunate and the emperor negotiating ´sovereignty´ in early modern Japan?
The volume addresses such questions through thoroughly researched historical case studies, covering the disciplines of History, Political Sciences, and Law.
Contributors include: Kenneth Pennington, Fabrice Micallef, Philippe Denis, Sylvio Hermann De Franceschi, Joshua Freed, David Dyzenhaus, Michael P. Breen, Daniel Lee, Andrew Fitzmaurice and Kajo Kubala, Nicholas Abbott, Tiraana Bains, Cornel Zwierlein, Mark Ravina.
Leonardo da Vinci war kein gläubiger Christ. Er schrieb um 1500: „Seele und Leben sind unglaubwürdige Dinge… Gegen das Wesen Gottes und der Seele sträuben sich die Sinne“. Die Seele ist bei Leonardo eine visuell dominante Wahrnehmungsseele, eng verbunden mit dem Gemeinsinn, dem sensus communis, und mit der mittelalterlichen Lehre von den Hirnkammern. Sein Konzept geht von physiologischen Funktionen der Seele aus und verzichtet auf jegliche Metaphysik. Für seine eigene Seele lässt Leonardo die Frage nach ihrem Wesen (che cosa è anima?) unbeantwortet. Erstmals befasst sich eine Monographie mit Leonardos Konzept der Seele. In klarer und ansprechender Sprache geschrieben, mit zahlreichen Abbildungen, einer ausführlichen Bibliographie und einem Personen- und Sachregister versehen, bereichert das vorliegende Buch die Leonardo-Forschung um substantielle neue Erkenntnisse.
Erasmus of Rotterdam is not typically associated with the discipline of philosophy. Yet, he would himself employ the category of philosophia Christi in the sense of authentic Christianity which had not been contaminated by the abstractness and pedanticism of paganized mediaeval scholasticism. Does this reveal a contrarian attitude to philosophy in general or rather a special understanding of what a “true’ philosophy as a way of life should be? This study attempts to answer this question by assembling and closely studying from Erasmus’ extensive oeuvre his scant and occasional remarks on the concept of philosophy.
Eine Studie zu Fortunio Licetis (1577-1657) De vita und dem philosophischen Kontext
Author:
What is the place of the concept of life in philosophy of nature and metaphysics? How does this concept give structure to our thinking about nature and to nature itself? In this first monographic treatment of Fortunio Liceti, these questions are addressed. Central to this project is the inquiry into the explanatory capability of hylomorphism, which is examined in the form of Liceti’s philosophy. The study highlights the work of Liceti, whose philosophy, despite his influence on the development of atomism and his acquaintance with Galileo Galilei, has largely been neglected.
Series:  Aries Book Series
This is a 4-volume work entitled The Mage’s Images. The work provides the first in-depth examination of the life and works of Heinrich Khunrath (1560-1605), ‘one of the great Hermetic philosophers’, whose Amphitheatre of Eternal Wisdom (1595/1609) has been described as ‘one of the most important books in the whole literature of theosophical alchemy and the occult sciences’. Khunrath is best known for his novel combination of ‘scripture and picture’ in the complex engravings in his Amphitheatre. In this richly illustrated monograph, Forshaw analyses occult symbolism, with previously unpublished material, offering insight into Khunrath’s insistence on the necessary combination of alchemy, magic, and cabala in ‘Oratory and Laboratory’.
Prologue: Bio-Bibliography and Introduction to Khunrath’s Images
This is the 1st volume in a 4-volume work entitled The Mage’s Images. The work provides the first in-depth examination of the life and works of Heinrich Khunrath (1560-1605), ‘one of the great Hermetic philosophers’, whose Amphitheatre of Eternal Wisdom (1595/1609) has been described as ‘one of the most important books in the whole literature of theosophical alchemy and the occult sciences’. Khunrath is best known for his novel combination of ‘scripture and picture’ in the complex engravings in his Amphitheatre. In this richly illustrated monograph, Forshaw analyses occult symbolism, with previously unpublished material, offering insight into Khunrath’s insistence on the necessary combination of alchemy, magic, and cabala in ‘Oratory and Laboratory’.
This is the 2nd volume in a 4-volume work entitled The Mage’s Images. The work provides the first in-depth examination of the life and works of Heinrich Khunrath (1560-1605), ‘one of the great Hermetic philosophers’, whose Amphitheatre of Eternal Wisdom (1595/1609) has been described as ‘one of the most important books in the whole literature of theosophical alchemy and the occult sciences’. Khunrath is best known for his novel combination of ‘scripture and picture’ in the complex engravings in his Amphitheatre. In this richly illustrated monograph, Forshaw analyses occult symbolism, with previously unpublished material, offering insight into Khunrath’s insistence on the necessary combination of alchemy, magic, and cabala in ‘Oratory and Laboratory’.