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This groundbreaking collection of essays tells the surprising story of how the American Western has shaped world literature, fueling provocative novels and reflections about national identity, settler colonialism, and violence. Containing nineteen chapters spanning Asia, Africa, the Americas, Australia, Europe, Israel, and New Zealand, as well as a guiding, critical introduction, this book opens an exciting new chapter in the study of popular culture, literature, and globalization. Through this international lens, the literary Western casts off the categories of juvenilia and formula to come into focus as a vital and creative statement about identity, power, and history.
Contributors are: Zbigniew Białas, Manuela Borzone, Flavia Brizio-Skov, Alex Calder, Neil Campbell, Christopher Conway, Samir Dayal, Joel Deshaye, Johannes Fehrle, MaryEllen Higgins, Emily Hind, Shelly Jarenski, Rachel Leket-Mor, Warren Motte, Andrew Nette, Marek Paryż, David Rio, Steffen Wöll, and Sergei Zhuk
Contributors are: Zbigniew Białas, Manuela Borzone, Flavia Brizio-Skov, Alex Calder, Neil Campbell, Christopher Conway, Samir Dayal, Joel Deshaye, Johannes Fehrle, MaryEllen Higgins, Emily Hind, Shelly Jarenski, Rachel Leket-Mor, Warren Motte, Andrew Nette, Marek Paryż, David Rio, Steffen Wöll, and Sergei Zhuk
This groundbreaking collection of essays tells the surprising story of how the American Western has shaped world literature, fueling provocative novels and reflections about national identity, settler colonialism, and violence. Containing nineteen chapters spanning Asia, Africa, the Americas, Australia, Europe, Israel, and New Zealand, as well as a guiding, critical introduction, this book opens an exciting new chapter in the study of popular culture, literature, and globalization. Through this international lens, the literary Western casts off the categories of juvenilia and formula to come into focus as a vital and creative statement about identity, power, and history.
Contributors are: Zbigniew Białas, Manuela Borzone, Flavia Brizio-Skov, Alex Calder, Neil Campbell, Christopher Conway, Samir Dayal, Joel Deshaye, Johannes Fehrle, MaryEllen Higgins, Emily Hind, Shelly Jarenski, Rachel Leket-Mor, Warren Motte, Andrew Nette, Marek Paryż, David Rio, Steffen Wöll, and Sergei Zhuk
Contributors are: Zbigniew Białas, Manuela Borzone, Flavia Brizio-Skov, Alex Calder, Neil Campbell, Christopher Conway, Samir Dayal, Joel Deshaye, Johannes Fehrle, MaryEllen Higgins, Emily Hind, Shelly Jarenski, Rachel Leket-Mor, Warren Motte, Andrew Nette, Marek Paryż, David Rio, Steffen Wöll, and Sergei Zhuk
Selected Proceedings of the First World Congress of the International American Studies Association 22-24 May 2003
How Far is America From Here? approaches American nations and cultures from a comparative and interdisciplinary perspective. It is very much at the heart of this comparative agenda that “America” be considered as a hemispheric and global matter. It discusses American identities relationally, whether the relations under discussion operate within the borders of the United States, throughout the Americas, and/or worldwide. The various articles here gathered interrogate the very notion of “America”: which, whose America, when, why now, how? What is meant by “far”—distance, discursive formations, ideals and ideologies, foundational narratives, political conformities, aberrations, inconsistencies? Where is here—positionality, geographies, spatial compressions, hegemonic and subaltern loci, disciplinary formations, reflexes and reflexivities? These questions are addressed with regard to the multiple Americas within the USA and the bi-continental western hemisphere, as part of and beyond inter-American cultural relations, ethnicities across the national and cultural plurality of America, mutual constructions of North and South, borderlands, issues of migration and diaspora. The larger contexts of globalization and America’s role within this process are also discussed, alongside issues of geographical exploration, capital expansion, integration, transculturalism, transnationalism and global flows, pre-Columbian and contemporary Native American cultures, the Atlantic slave trade, the environmental crisis, U.S. literature in relation to Canadian or Latin American literature, religious conflict both within the Americas and between the Americas and the rest of the world, with such issues as American Zionism, American exceptionalism, and the discourse of/on terror and terrorism.
Selected Proceedings of the First World Congress of the International American Studies Association 22-24 May 2003
How Far is America From Here? approaches American nations and cultures from a comparative and interdisciplinary perspective. It is very much at the heart of this comparative agenda that “America” be considered as a hemispheric and global matter. It discusses American identities relationally, whether the relations under discussion operate within the borders of the United States, throughout the Americas, and/or worldwide. The various articles here gathered interrogate the very notion of “America”: which, whose America, when, why now, how? What is meant by “far”—distance, discursive formations, ideals and ideologies, foundational narratives, political conformities, aberrations, inconsistencies? Where is here—positionality, geographies, spatial compressions, hegemonic and subaltern loci, disciplinary formations, reflexes and reflexivities? These questions are addressed with regard to the multiple Americas within the USA and the bi-continental western hemisphere, as part of and beyond inter-American cultural relations, ethnicities across the national and cultural plurality of America, mutual constructions of North and South, borderlands, issues of migration and diaspora. The larger contexts of globalization and America’s role within this process are also discussed, alongside issues of geographical exploration, capital expansion, integration, transculturalism, transnationalism and global flows, pre-Columbian and contemporary Native American cultures, the Atlantic slave trade, the environmental crisis, U.S. literature in relation to Canadian or Latin American literature, religious conflict both within the Americas and between the Americas and the rest of the world, with such issues as American Zionism, American exceptionalism, and the discourse of/on terror and terrorism.
Common Traditions and New Developments
Series:
Cross/Cultures, Volume: 66
Volume Editor:
In postcolonial theory we have now reached a new stage in the succession of key concepts. After the celebrations of hybridity in the work of Homi Bhabha and Gayatri Spivak, it is now the concept of diaspora that has sparked animated debates among postcolonial critics. This collection intervenes in the current discussion about the 'new' diaspora by placing the rise of diaspora within the politics of multiculturalism and its supercession by a politics of difference and cultural-rights theory. The essays present recent developments in Jewish negotiations of diasporic tradition and experience, discussing the reinterpretation of concepts of the 'old' diaspora in late twentieth- century British and American Jewish literature. The second part of the volume comprises theoretical and critical essays on the South Asian diaspora and on multicultural settings between Australia, Africa, the Caribbean and North America. The South Asian and Caribbean diasporas are compared to the Jewish prototype and contrasted with the Turkish diaspora in Germany. All essays deal with literary reflections on, and thematizations of, the diasporic predicament.
Common Traditions and New Developments
Series:
Cross/Cultures, Volume: 66
Volume Editor:
In postcolonial theory we have now reached a new stage in the succession of key concepts. After the celebrations of hybridity in the work of Homi Bhabha and Gayatri Spivak, it is now the concept of diaspora that has sparked animated debates among postcolonial critics. This collection intervenes in the current discussion about the 'new' diaspora by placing the rise of diaspora within the politics of multiculturalism and its supercession by a politics of difference and cultural-rights theory. The essays present recent developments in Jewish negotiations of diasporic tradition and experience, discussing the reinterpretation of concepts of the 'old' diaspora in late twentieth- century British and American Jewish literature. The second part of the volume comprises theoretical and critical essays on the South Asian diaspora and on multicultural settings between Australia, Africa, the Caribbean and North America. The South Asian and Caribbean diasporas are compared to the Jewish prototype and contrasted with the Turkish diaspora in Germany. All essays deal with literary reflections on, and thematizations of, the diasporic predicament.
Literature, Culture and Society in Prussia and Europe
On the centenary of Fontane’s death and at the turn of the century these essays take a new look at this supreme chronicler of Prussia and of the Germany that emerges after 1871. Written by scholars from different countries and disciplines, they focus on novels and theatre reviews from the perspectives of philosophy, sociology, comparative literature and translation theory, and in the contexts of topography and painting. Connections and crosscurrents emerge to reveal new aspects of Fontane’s poetics and to produce contrasting but complementary readings of his novels. He appears in the company of predecessors and contemporaries, such as Scott, Thackeray, Saar, Ibsen, Turgenev, but also in that of writers he has rarely, if ever, been seen beside, such as E.T.A. Hoffmann, Stendhal, Trollope, Henry James and Edith Wharton, Beckett and Faulkner. The historical novel and the social position of women are each a recurring focus of interest. Fontane emerges as receptive to other voices, as a precursor of developments in modern narrative, and confirmed as the novelist who brings the nineteenth-century German novel closest to the broad traditions of European realism.
Literature, Culture and Society in Prussia and Europe
On the centenary of Fontane’s death and at the turn of the century these essays take a new look at this supreme chronicler of Prussia and of the Germany that emerges after 1871. Written by scholars from different countries and disciplines, they focus on novels and theatre reviews from the perspectives of philosophy, sociology, comparative literature and translation theory, and in the contexts of topography and painting. Connections and crosscurrents emerge to reveal new aspects of Fontane’s poetics and to produce contrasting but complementary readings of his novels. He appears in the company of predecessors and contemporaries, such as Scott, Thackeray, Saar, Ibsen, Turgenev, but also in that of writers he has rarely, if ever, been seen beside, such as E.T.A. Hoffmann, Stendhal, Trollope, Henry James and Edith Wharton, Beckett and Faulkner. The historical novel and the social position of women are each a recurring focus of interest. Fontane emerges as receptive to other voices, as a precursor of developments in modern narrative, and confirmed as the novelist who brings the nineteenth-century German novel closest to the broad traditions of European realism.
Transatlantic Dialogues, 1775-1815
The years between 1775 and 1815 constitute a crucial episode in the evolutionary history of Europe and America. Between the start of the American Revolution, with the first armed clashes between British regulars and American militiamen at Concord and Lexington, and the closing act of the French Revolution, with the eclipse of Napoleon's dreams of pan-European glory on the battlefield of Waterloo, America and Europe witnessed the rise and fall of radicalism, which left virtually no aspect of public and private life untouched. While the American colonies managed to wrench themselves away from their colonial parent, and while France careered down the stormy rapids of its own Revolution, Great Britain went through the turbulent process of redefining itself vis-à-vis both these emerging nations, and the world at large. But the period 1775 to 1815 offers more than the two ideological Revolutions that determined the face of modern America and Europe: feeding into and emanating from these Revolutions there were major watersheds in virtually all areas of cultural, intellectual and political life - varying from the rise of Romanticism to the birth of abolitionism, and from the beginnings of modern feminism to the creation of modern nationhood and its enduring cultural stereotypes.
In this collection of interdisciplinary essays, historians and literary critics from both sides of the Atlantic analyze a broad spectrum of the watersheds and faultlines that arose in this formative era of Euro-American relations. Individually, the essays trace one or more of the transatlantic patterns of intellectual, cultural or scientific cross-pollination between the Old and the New World, between pre- and post-Revolutionary modes and mores. Collectively, the essays argue that the many revolutions that produced the national ideologies, identities and ideas of state of present-day America and Europe did not merely play a role in national debates, but that they very much belonged to an intricate network of transnational and, more particularly, transatlantic dialogues.
In this collection of interdisciplinary essays, historians and literary critics from both sides of the Atlantic analyze a broad spectrum of the watersheds and faultlines that arose in this formative era of Euro-American relations. Individually, the essays trace one or more of the transatlantic patterns of intellectual, cultural or scientific cross-pollination between the Old and the New World, between pre- and post-Revolutionary modes and mores. Collectively, the essays argue that the many revolutions that produced the national ideologies, identities and ideas of state of present-day America and Europe did not merely play a role in national debates, but that they very much belonged to an intricate network of transnational and, more particularly, transatlantic dialogues.
Transatlantic Dialogues, 1775-1815
The years between 1775 and 1815 constitute a crucial episode in the evolutionary history of Europe and America. Between the start of the American Revolution, with the first armed clashes between British regulars and American militiamen at Concord and Lexington, and the closing act of the French Revolution, with the eclipse of Napoleon's dreams of pan-European glory on the battlefield of Waterloo, America and Europe witnessed the rise and fall of radicalism, which left virtually no aspect of public and private life untouched. While the American colonies managed to wrench themselves away from their colonial parent, and while France careered down the stormy rapids of its own Revolution, Great Britain went through the turbulent process of redefining itself vis-à-vis both these emerging nations, and the world at large. But the period 1775 to 1815 offers more than the two ideological Revolutions that determined the face of modern America and Europe: feeding into and emanating from these Revolutions there were major watersheds in virtually all areas of cultural, intellectual and political life - varying from the rise of Romanticism to the birth of abolitionism, and from the beginnings of modern feminism to the creation of modern nationhood and its enduring cultural stereotypes.
In this collection of interdisciplinary essays, historians and literary critics from both sides of the Atlantic analyze a broad spectrum of the watersheds and faultlines that arose in this formative era of Euro-American relations. Individually, the essays trace one or more of the transatlantic patterns of intellectual, cultural or scientific cross-pollination between the Old and the New World, between pre- and post-Revolutionary modes and mores. Collectively, the essays argue that the many revolutions that produced the national ideologies, identities and ideas of state of present-day America and Europe did not merely play a role in national debates, but that they very much belonged to an intricate network of transnational and, more particularly, transatlantic dialogues.
In this collection of interdisciplinary essays, historians and literary critics from both sides of the Atlantic analyze a broad spectrum of the watersheds and faultlines that arose in this formative era of Euro-American relations. Individually, the essays trace one or more of the transatlantic patterns of intellectual, cultural or scientific cross-pollination between the Old and the New World, between pre- and post-Revolutionary modes and mores. Collectively, the essays argue that the many revolutions that produced the national ideologies, identities and ideas of state of present-day America and Europe did not merely play a role in national debates, but that they very much belonged to an intricate network of transnational and, more particularly, transatlantic dialogues.
Michelle Cliff, David Dabydeen, Opal Palmer Adisa
The two volumes on Postcolonialism and Autobiography examine the affinity of postcolonial writing to the genre of autobiography. The contributions of specialists from Northern Africa, Europe and the United States focus on two areas in which the interrelation of postcolonialism and autobiography is very prominent and fertile: the Maghreb and the Anglophone and Francophone Caribbean. The colonial background of these regions provides the stimulus for writers to launch a program for emancipation in an effort to constitute a decolonized subject in autobiographical practice. While the French volume addresses issues of the autobiographical genre in the postcolonial conditions of the Maghreb and the Caribbean with reference to France, the English volume analyzes the autobiographical writings of David Dabydeen (Guyana), Michelle Cliff, Opal Palmer Adisa, George Lamming, Wilson Harris (Jamaica), and Jamaica Kincaid (Antigua) who have maintained their cultural Caribbean origin while living in England or the United States. Critics such as William Boelhower, Leigh Gilmore, Sidonie Smith, and Gayatri Spivak reveal the many layers of different cultures (Indian, African, European, American) that are covered over by the colonial powers. The homeland, exile, the experience of migration and hybridity condition the postcolonial existence of writers and critics. The incorporation of excerpts from the writers' works is meant to show the great variety and riches of a hybrid imagination and to engage in an interactive dialogue with critics.
Michelle Cliff, David Dabydeen, Opal Palmer Adisa
The two volumes on Postcolonialism and Autobiography examine the affinity of postcolonial writing to the genre of autobiography. The contributions of specialists from Northern Africa, Europe and the United States focus on two areas in which the interrelation of postcolonialism and autobiography is very prominent and fertile: the Maghreb and the Anglophone and Francophone Caribbean. The colonial background of these regions provides the stimulus for writers to launch a program for emancipation in an effort to constitute a decolonized subject in autobiographical practice. While the French volume addresses issues of the autobiographical genre in the postcolonial conditions of the Maghreb and the Caribbean with reference to France, the English volume analyzes the autobiographical writings of David Dabydeen (Guyana), Michelle Cliff, Opal Palmer Adisa, George Lamming, Wilson Harris (Jamaica), and Jamaica Kincaid (Antigua) who have maintained their cultural Caribbean origin while living in England or the United States. Critics such as William Boelhower, Leigh Gilmore, Sidonie Smith, and Gayatri Spivak reveal the many layers of different cultures (Indian, African, European, American) that are covered over by the colonial powers. The homeland, exile, the experience of migration and hybridity condition the postcolonial existence of writers and critics. The incorporation of excerpts from the writers' works is meant to show the great variety and riches of a hybrid imagination and to engage in an interactive dialogue with critics.