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The Sea of Chronicles is an English translation of the ninth and tenth chapters of the historiographical work entitled Muḥīṭ al-tavārīkh by Muḥammad Amīn b. Mīrzā Muḥammad Zamān Bukhārī. The work is a valuable source in particular for the study of the late seventeenth-century Central Asian political, cultural and religious history.
The ninth chapter offers accounts of the Timurid, Abulkhayrid/Shaybanid and the first four Ashatrkhanid khans. The tenth chapter which is the most original and important chapter of the work presents a detailed account of the life and time of the last great Ashatkhanid ruler, Subḥān Qulī Khān (r. 1682–1702), revealing historical information essential for the study of the period and region.
The ninth chapter offers accounts of the Timurid, Abulkhayrid/Shaybanid and the first four Ashatrkhanid khans. The tenth chapter which is the most original and important chapter of the work presents a detailed account of the life and time of the last great Ashatkhanid ruler, Subḥān Qulī Khān (r. 1682–1702), revealing historical information essential for the study of the period and region.
The Sea of Chronicles is an English translation of the ninth and tenth chapters of the historiographical work entitled Muḥīṭ al-tavārīkh by Muḥammad Amīn b. Mīrzā Muḥammad Zamān Bukhārī. The work is a valuable source in particular for the study of the late seventeenth-century Central Asian political, cultural and religious history.
The ninth chapter offers accounts of the Timurid, Abulkhayrid/Shaybanid and the first four Ashatrkhanid khans. The tenth chapter which is the most original and important chapter of the work presents a detailed account of the life and time of the last great Ashatkhanid ruler, Subḥān Qulī Khān (r. 1682–1702), revealing historical information essential for the study of the period and region.
The ninth chapter offers accounts of the Timurid, Abulkhayrid/Shaybanid and the first four Ashatrkhanid khans. The tenth chapter which is the most original and important chapter of the work presents a detailed account of the life and time of the last great Ashatkhanid ruler, Subḥān Qulī Khān (r. 1682–1702), revealing historical information essential for the study of the period and region.
Legends of the Qarakhanids
For generations, Central Asian Muslims have told legends of medieval rulers who waged war, died in battle, and achieved sainthood. Among the Uyghurs of East Turkistan (present-day Xinjiang, China), some of the most beloved legends tell of the warrior-saint Satuq Bughra Khan and his descendants, the rulers of the Qarakhanid dynasty. To this day, these tales are recited at the saints' shrines and retold on any occasion.
Warrior Saints of the Silk Road introduces this rich literary tradition, presenting the first complete English translation of the Qarakhanid narrative cycle along with an accessible commentary. At once mesmerizing, moving, and disturbing, these legends are essential texts in Central Asia's religious heritage as well as fine, enduring works of mystical literature.
Warrior Saints of the Silk Road introduces this rich literary tradition, presenting the first complete English translation of the Qarakhanid narrative cycle along with an accessible commentary. At once mesmerizing, moving, and disturbing, these legends are essential texts in Central Asia's religious heritage as well as fine, enduring works of mystical literature.
Legends of the Qarakhanids
For generations, Central Asian Muslims have told legends of medieval rulers who waged war, died in battle, and achieved sainthood. Among the Uyghurs of East Turkistan (present-day Xinjiang, China), some of the most beloved legends tell of the warrior-saint Satuq Bughra Khan and his descendants, the rulers of the Qarakhanid dynasty. To this day, these tales are recited at the saints' shrines and retold on any occasion.
Warrior Saints of the Silk Road introduces this rich literary tradition, presenting the first complete English translation of the Qarakhanid narrative cycle along with an accessible commentary. At once mesmerizing, moving, and disturbing, these legends are essential texts in Central Asia's religious heritage as well as fine, enduring works of mystical literature.
Warrior Saints of the Silk Road introduces this rich literary tradition, presenting the first complete English translation of the Qarakhanid narrative cycle along with an accessible commentary. At once mesmerizing, moving, and disturbing, these legends are essential texts in Central Asia's religious heritage as well as fine, enduring works of mystical literature.
The Reception of ʿAbd al-Raḥmān Jāmī’s Works in the Islamicate World, ca. 9th/15th-14th/20th Century
Jāmī in Regional Contexts: The Reception of ʿAbd Al-Raḥmān Jāmī’s Works in the Islamicate World is the first attempt to present in a comprehensive manner how ʿAbd al-Raḥmān Jāmī (d. 898/1492), a most influential figure in the Persian-speaking world, reshaped the canons of Islamic mysticism, literature and poetry and how, in turn, this new canon prompted the formation of regional traditions. As a result, a renewed geography of intellectual practices emerges as well as questions surrounding authorship and authority in the making of vernacular cultures. Specialists of Persian, Arabic, Chinese, Georgian, Malay, Pashto, Sanskrit, Urdu, Turkish, and Bengali thus provide a unique connected account of the conception and reception of Jāmī’s works throughout the Eurasian continent and maritime Southeast Asia.
The Reception of ʿAbd al-Raḥmān Jāmī’s Works in the Islamicate World, ca. 9th/15th-14th/20th Century
Jāmī in Regional Contexts: The Reception of ʿAbd Al-Raḥmān Jāmī’s Works in the Islamicate World is the first attempt to present in a comprehensive manner how ʿAbd al-Raḥmān Jāmī (d. 898/1492), a most influential figure in the Persian-speaking world, reshaped the canons of Islamic mysticism, literature and poetry and how, in turn, this new canon prompted the formation of regional traditions. As a result, a renewed geography of intellectual practices emerges as well as questions surrounding authorship and authority in the making of vernacular cultures. Specialists of Persian, Arabic, Chinese, Georgian, Malay, Pashto, Sanskrit, Urdu, Turkish, and Bengali thus provide a unique connected account of the conception and reception of Jāmī’s works throughout the Eurasian continent and maritime Southeast Asia.
In Ibāḍī Texts from the 2nd/8th Century Abdulrahman Al-Salimi and Wilferd Madelung present an edition of fourteen Ibāḍī religious texts and explain their contents and extraordinary source value for the early history of Islam. The Ibāḍīs constitutes the moderate wing of the Kharijite opposition movement to the Umayyad and ‘Abbasid caliphates. The texts edited are mostly polemical letters to opponents or exhortatory to followers by ‘Abd Allah b. Ibad , Abu l-‘Ubayda Muslim b. Abi Karima and other Ibadi leaders in Basra, Oman and Hadramawt. An epistle detailing the offences of the caliph ‘Uthman is by the early Kufan historiographer al-Haytham b. ‘Adi. By their early date and independence of the mainstream historical tradition these txts offer the modern historian of Islam an invaluable complement to the well-known literary sources.
In Ibāḍī Texts from the 2nd/8th Century Abdulrahman Al-Salimi and Wilferd Madelung present an edition of fourteen Ibāḍī religious texts and explain their contents and extraordinary source value for the early history of Islam. The Ibāḍīs constitutes the moderate wing of the Kharijite opposition movement to the Umayyad and ‘Abbasid caliphates. The texts edited are mostly polemical letters to opponents or exhortatory to followers by ‘Abd Allah b. Ibad , Abu l-‘Ubayda Muslim b. Abi Karima and other Ibadi leaders in Basra, Oman and Hadramawt. An epistle detailing the offences of the caliph ‘Uthman is by the early Kufan historiographer al-Haytham b. ‘Adi. By their early date and independence of the mainstream historical tradition these txts offer the modern historian of Islam an invaluable complement to the well-known literary sources.
Volume Editor:
Alireza Korangy
Urdu and Indo-Persian Thought, Poetics, and Belles Lettres, is a collection on the subject of Urdu poetics, Dastan, translation studies in Urdu, and Indo-Persian. The essays employ interdisciplinary perspectives for exploring the dynamic literary landscape of the South Asian subcontinent since the sixteenth century.
The individual topics in the collection depict a plausible picture of how the development of Urdu and Indo-Persian thoughts and poetics have influenced one another for centuries.
Contributors are: Satya Hedge, Prashant Keshavmurthy, Pasha M. Khan, Mehr Afshan Faruqi, David Lelyveld, Natalia Prigarina, Carla Petievich, Christina Oesterheld, Baidar Bakht, Frances Pritchett, Gail Minault, Ludmila Vassilieva.
The individual topics in the collection depict a plausible picture of how the development of Urdu and Indo-Persian thoughts and poetics have influenced one another for centuries.
Contributors are: Satya Hedge, Prashant Keshavmurthy, Pasha M. Khan, Mehr Afshan Faruqi, David Lelyveld, Natalia Prigarina, Carla Petievich, Christina Oesterheld, Baidar Bakht, Frances Pritchett, Gail Minault, Ludmila Vassilieva.
Volume Editor:
Alireza Korangy
Urdu and Indo-Persian Thought, Poetics, and Belles Lettres, is a collection on the subject of Urdu poetics, Dastan, translation studies in Urdu, and Indo-Persian. The essays employ interdisciplinary perspectives for exploring the dynamic literary landscape of the South Asian subcontinent since the sixteenth century.
The individual topics in the collection depict a plausible picture of how the development of Urdu and Indo-Persian thoughts and poetics have influenced one another for centuries.
Contributors are: Satya Hedge, Prashant Keshavmurthy, Pasha M. Khan, Mehr Afshan Faruqi, David Lelyveld, Natalia Prigarina, Carla Petievich, Christina Oesterheld, Baidar Bakht, Frances Pritchett, Gail Minault, Ludmila Vassilieva.
The individual topics in the collection depict a plausible picture of how the development of Urdu and Indo-Persian thoughts and poetics have influenced one another for centuries.
Contributors are: Satya Hedge, Prashant Keshavmurthy, Pasha M. Khan, Mehr Afshan Faruqi, David Lelyveld, Natalia Prigarina, Carla Petievich, Christina Oesterheld, Baidar Bakht, Frances Pritchett, Gail Minault, Ludmila Vassilieva.
Series:
Iran Studies, Volume: 14
In Memories of an Impossible Future: Mehdi Akhavān Sāles and the Poetics of Time Marie Huber traces the quest for a modern language of poetry through different figurations of temporality in the works of one of Iran’s foremost poets. Akhavān is placed in dialogue with European thinkers and emerges as an original voice in world literature.
Chapters examine aspects of rhythm and metaphor, messianism and historicity, and functions of time in Akhavān’s lyric and epic poems. Through a range of close readings Huber seeks to understand Akhavān’s texts as crystallisations of a historical moment, both rooted in the Persian tradition and pointing beyond it. Her analyses combine attention to philological detail with meditations on the philosophical significance of Akhavān’s poetics.
Chapters examine aspects of rhythm and metaphor, messianism and historicity, and functions of time in Akhavān’s lyric and epic poems. Through a range of close readings Huber seeks to understand Akhavān’s texts as crystallisations of a historical moment, both rooted in the Persian tradition and pointing beyond it. Her analyses combine attention to philological detail with meditations on the philosophical significance of Akhavān’s poetics.
Series:
Iran Studies, Volume: 14
In Memories of an Impossible Future: Mehdi Akhavān Sāles and the Poetics of Time Marie Huber traces the quest for a modern language of poetry through different figurations of temporality in the works of one of Iran’s foremost poets. Akhavān is placed in dialogue with European thinkers and emerges as an original voice in world literature.
Chapters examine aspects of rhythm and metaphor, messianism and historicity, and functions of time in Akhavān’s lyric and epic poems. Through a range of close readings Huber seeks to understand Akhavān’s texts as crystallisations of a historical moment, both rooted in the Persian tradition and pointing beyond it. Her analyses combine attention to philological detail with meditations on the philosophical significance of Akhavān’s poetics.
Chapters examine aspects of rhythm and metaphor, messianism and historicity, and functions of time in Akhavān’s lyric and epic poems. Through a range of close readings Huber seeks to understand Akhavān’s texts as crystallisations of a historical moment, both rooted in the Persian tradition and pointing beyond it. Her analyses combine attention to philological detail with meditations on the philosophical significance of Akhavān’s poetics.
Rewriting Kalila wa-Dimna in Timurid Herat
Kashefi’s Anvar-e Sohayli (15th c. A.D.) is a Persian rewriting of the timeless and influential Kalila wa-Dimna text, done at the Timurid court. Christine van Ruymbeke offers a first in-depth analysis of the contents and style of this important text and also addresses the Kalila wa-Dimna field across its full rewriting history. This analysis shows how Kashefi’s additions function as an invaluable commentary that opens up our understanding and the appreciation of this seminal text. This studies revisits several received ideas and current misapprehensions about the text and shows why it has been such an international best-seller before being unjustly relegated to children’s literature. In Van Ruymbeke’s words, Kalila wa-Dimna is a grim text, exposing the mechanisms of sophisticated psychological manipulation and exploring universal philosophical themes, known since Antiquity and still relevant today.
Rewriting Kalila wa-Dimna in Timurid Herat
Kashefi’s Anvar-e Sohayli (15th c. A.D.) is a Persian rewriting of the timeless and influential Kalila wa-Dimna text, done at the Timurid court. Christine van Ruymbeke offers a first in-depth analysis of the contents and style of this important text and also addresses the Kalila wa-Dimna field across its full rewriting history. This analysis shows how Kashefi’s additions function as an invaluable commentary that opens up our understanding and the appreciation of this seminal text. This studies revisits several received ideas and current misapprehensions about the text and shows why it has been such an international best-seller before being unjustly relegated to children’s literature. In Van Ruymbeke’s words, Kalila wa-Dimna is a grim text, exposing the mechanisms of sophisticated psychological manipulation and exploring universal philosophical themes, known since Antiquity and still relevant today.
Abū Manṣūr al-Thaʿālibī and His Yatīmat al-dahr
Why did premodern authors in the Arabic-Islamic culture compile literary anthologies, and why were these works remarkably popular? How can an anthology that consists of reproduced material be original and creative, and serve various literary and political ends? How did anthologists select their material, then record and arrange it?
This book examines the life and works of Abū Manṣūr al-Thaʿālibī (350–429/961–1039), an eminent anthologist from Nīshāpūr, paying special attention to his magnum opus, Yatīmat al-dahr (The Unique Pearl), and its sequel, Tatimmat al-Yatīma (The Completion of the Yatīma). This book is a direct window on to an anthologist’s workshop in the second half of the fourth/tenth century. It examines the methodological consciousness expressed in Thaʿālibī’s selection and arrangement, and his sophisticated system of internal references and cross-references to other works; how he selected from his contemporaries’ oeuvres; how he sought, recorded, memorized, misplaced, and sometimes lost or forgot his selections; how he scrutinized the authenticity of material, accepting, questioning, or rejecting its attribution; and the errors and inconsistencies that resulted from this process.
This book examines the life and works of Abū Manṣūr al-Thaʿālibī (350–429/961–1039), an eminent anthologist from Nīshāpūr, paying special attention to his magnum opus, Yatīmat al-dahr (The Unique Pearl), and its sequel, Tatimmat al-Yatīma (The Completion of the Yatīma). This book is a direct window on to an anthologist’s workshop in the second half of the fourth/tenth century. It examines the methodological consciousness expressed in Thaʿālibī’s selection and arrangement, and his sophisticated system of internal references and cross-references to other works; how he selected from his contemporaries’ oeuvres; how he sought, recorded, memorized, misplaced, and sometimes lost or forgot his selections; how he scrutinized the authenticity of material, accepting, questioning, or rejecting its attribution; and the errors and inconsistencies that resulted from this process.
Abū Manṣūr al-Thaʿālibī and His Yatīmat al-dahr
Why did premodern authors in the Arabic-Islamic culture compile literary anthologies, and why were these works remarkably popular? How can an anthology that consists of reproduced material be original and creative, and serve various literary and political ends? How did anthologists select their material, then record and arrange it?
This book examines the life and works of Abū Manṣūr al-Thaʿālibī (350–429/961–1039), an eminent anthologist from Nīshāpūr, paying special attention to his magnum opus, Yatīmat al-dahr (The Unique Pearl), and its sequel, Tatimmat al-Yatīma (The Completion of the Yatīma). This book is a direct window on to an anthologist’s workshop in the second half of the fourth/tenth century. It examines the methodological consciousness expressed in Thaʿālibī’s selection and arrangement, and his sophisticated system of internal references and cross-references to other works; how he selected from his contemporaries’ oeuvres; how he sought, recorded, memorized, misplaced, and sometimes lost or forgot his selections; how he scrutinized the authenticity of material, accepting, questioning, or rejecting its attribution; and the errors and inconsistencies that resulted from this process.
This book examines the life and works of Abū Manṣūr al-Thaʿālibī (350–429/961–1039), an eminent anthologist from Nīshāpūr, paying special attention to his magnum opus, Yatīmat al-dahr (The Unique Pearl), and its sequel, Tatimmat al-Yatīma (The Completion of the Yatīma). This book is a direct window on to an anthologist’s workshop in the second half of the fourth/tenth century. It examines the methodological consciousness expressed in Thaʿālibī’s selection and arrangement, and his sophisticated system of internal references and cross-references to other works; how he selected from his contemporaries’ oeuvres; how he sought, recorded, memorized, misplaced, and sometimes lost or forgot his selections; how he scrutinized the authenticity of material, accepting, questioning, or rejecting its attribution; and the errors and inconsistencies that resulted from this process.
Editor:
Islam Dayeh
Philological Encounters is dedicated to the historical and philosophical critique of philology.
The journal welcomes global and comparative perspectives that integrate textual scholarship and the study of language from across the world. Alongside four issues a year, monographs and/ or collected volumes will occasionally be published as supplements to the journal in the book series Philological Encounters Monographs.
The journal is open to contributions in all fields studying the history of textual practices, hermeneutics and philology, philological controversies, and the intellectual and global history of writing, archiving, tradition-making and publishing. Neither confined to any discipline nor bound by any geographical or temporal limits, Philological Encounters takes as its point of departure the growing concern with the global significance of philology and the potential of historically conscious and politically critical philology to challenge exclusivist notions of the self and the canon. Philological Encounters welcomes innovative and critical contributions in the form of articles as well as review articles, usually of two or three related books, and preferably from different disciplines.
Philological Encounters is a publication of the research program Zukunftsphilologie (Forum Transregionale Studien Berlin).
The journal welcomes global and comparative perspectives that integrate textual scholarship and the study of language from across the world. Alongside four issues a year, monographs and/ or collected volumes will occasionally be published as supplements to the journal in the book series Philological Encounters Monographs.
The journal is open to contributions in all fields studying the history of textual practices, hermeneutics and philology, philological controversies, and the intellectual and global history of writing, archiving, tradition-making and publishing. Neither confined to any discipline nor bound by any geographical or temporal limits, Philological Encounters takes as its point of departure the growing concern with the global significance of philology and the potential of historically conscious and politically critical philology to challenge exclusivist notions of the self and the canon. Philological Encounters welcomes innovative and critical contributions in the form of articles as well as review articles, usually of two or three related books, and preferably from different disciplines.
Philological Encounters is a publication of the research program Zukunftsphilologie (Forum Transregionale Studien Berlin).
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Texts and Traditions of the Farāmarznāme and the Persian Epic Cycle
In Farāmarz, the Sistāni Hero Marjolijn van Zutphen discusses the manuscripts, storylines and main themes of the shorter and the longer Farāmarznāme (c. 1100), in relation to Ferdowsi’s Shāhnāme and several other later maṡnawis about the warriors from Sistān (the Persian Epic Cycle). Farāmarz, a secondary figure of the Shāhnāme, gained importance in later epic traditions and as the invincible protagonist of both Farāmarznāmes reached a status that equalled, if not surpassed, that of his famous father Rostam.
Van Zutphen further shows how Farāmarz displays parallels to the fictional figures of Garshāsp (his ancestor) and Eskandar and argues that some story elements of Farāmarz’s Indian conquest may be rooted in historical events from both the Parthian and the Ghaznawid period.
Van Zutphen further shows how Farāmarz displays parallels to the fictional figures of Garshāsp (his ancestor) and Eskandar and argues that some story elements of Farāmarz’s Indian conquest may be rooted in historical events from both the Parthian and the Ghaznawid period.
Texts and Traditions of the Farāmarznāme and the Persian Epic Cycle
In Farāmarz, the Sistāni Hero Marjolijn van Zutphen discusses the manuscripts, storylines and main themes of the shorter and the longer Farāmarznāme (c. 1100), in relation to Ferdowsi’s Shāhnāme and several other later maṡnawis about the warriors from Sistān (the Persian Epic Cycle). Farāmarz, a secondary figure of the Shāhnāme, gained importance in later epic traditions and as the invincible protagonist of both Farāmarznāmes reached a status that equalled, if not surpassed, that of his famous father Rostam.
Van Zutphen further shows how Farāmarz displays parallels to the fictional figures of Garshāsp (his ancestor) and Eskandar and argues that some story elements of Farāmarz’s Indian conquest may be rooted in historical events from both the Parthian and the Ghaznawid period.
Van Zutphen further shows how Farāmarz displays parallels to the fictional figures of Garshāsp (his ancestor) and Eskandar and argues that some story elements of Farāmarz’s Indian conquest may be rooted in historical events from both the Parthian and the Ghaznawid period.
Page:12