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A Pioneer of Comparative Literature and a Global Public Intellectual
Georg Brandes (1842-1927) was one of the leading literary critics in Europe of his time. His Main Currents of Nineteenth Century Literature (1872-1890) was a foundational text to the field of comparative literature and extolled by Thomas Mann as the “Bible of the young intellectual Europe at the turn of the century.” Georg Brandes eventually developed into a truly global public intellectual, living by his pen and public lectures. On the eve of World War I, he was one of the most sought-after commentators, vigorously opposing all conflicting factions. This book seeks to understand Brandes’ trajectory, to evaluate Brandes’ significance for current discussions of literary criticism and public engagement, and to introduce Brandes to an international audience. It consists of 15 original chapters commissioned from experts in the field.
A Pioneer of Comparative Literature and a Global Public Intellectual
Georg Brandes (1842-1927) was one of the leading literary critics in Europe of his time. His Main Currents of Nineteenth Century Literature (1872-1890) was a foundational text to the field of comparative literature and extolled by Thomas Mann as the “Bible of the young intellectual Europe at the turn of the century.” Georg Brandes eventually developed into a truly global public intellectual, living by his pen and public lectures. On the eve of World War I, he was one of the most sought-after commentators, vigorously opposing all conflicting factions. This book seeks to understand Brandes’ trajectory, to evaluate Brandes’ significance for current discussions of literary criticism and public engagement, and to introduce Brandes to an international audience. It consists of 15 original chapters commissioned from experts in the field.
Christian-Muslim Relations, a Bibliographical History 21 (CMR 21), covering Southern Europe, in the period 1800-1914, is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and the main body of detailed entries. These treat all the works, surviving or lost, that have been recorded. They provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous new and leading scholars, CMR 21, along with the other volumes in this series, is intended as a fundamental tool for research in Christian-Muslim relations.
Section Editors:Ines Aščerić-Todd, Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha T. Frederiks, David D. Grafton, Stanisław Grodź, Alan M. Guenther, Vincenzo Lavenia, Arely Medina, Diego Melo Carrasco, Alain Messaoudi, Gordon Nickel, Claire Norton, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Charles Tieszen, Carsten Walbiner, Catherina Wenzel.
Section Editors:Ines Aščerić-Todd, Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha T. Frederiks, David D. Grafton, Stanisław Grodź, Alan M. Guenther, Vincenzo Lavenia, Arely Medina, Diego Melo Carrasco, Alain Messaoudi, Gordon Nickel, Claire Norton, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Charles Tieszen, Carsten Walbiner, Catherina Wenzel.
Christian-Muslim Relations, a Bibliographical History 21 (CMR 21), covering Southern Europe, in the period 1800-1914, is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and the main body of detailed entries. These treat all the works, surviving or lost, that have been recorded. They provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous new and leading scholars, CMR 21, along with the other volumes in this series, is intended as a fundamental tool for research in Christian-Muslim relations.
Section Editors:Ines Aščerić-Todd, Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha T. Frederiks, David D. Grafton, Stanisław Grodź, Alan M. Guenther, Vincenzo Lavenia, Arely Medina, Diego Melo Carrasco, Alain Messaoudi, Gordon Nickel, Claire Norton, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Charles Tieszen, Carsten Walbiner, Catherina Wenzel.
Section Editors:Ines Aščerić-Todd, Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha T. Frederiks, David D. Grafton, Stanisław Grodź, Alan M. Guenther, Vincenzo Lavenia, Arely Medina, Diego Melo Carrasco, Alain Messaoudi, Gordon Nickel, Claire Norton, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Charles Tieszen, Carsten Walbiner, Catherina Wenzel.
Literary Associations and the World of Learning, 1200-1700
Performative literary culture emerged as a set of practices that shaped production and distribution of learning in late medieval and early modern Western Europe, both in Latin and the vernacular. Performative literary culture encompasses the plays, songs, and poetry performed for live audiences in (semi-)public spaces and the organizations championing performative literature through meetings and events. These organizations included chambers of rhetoric, confraternities of the Puy, joyous companies, guilds of Meistersingers, the Consistory of Joyful Knowledge, academies, companies of the Basoche and Inns of Court, and the institutions or people organizing the Spanish justas. Written by a team of experts, the contributions in this book explore how performative literary cultures shaped the exchange of public learning, knowledge, and ideas between the oral, theatrical, and literary spheres.
Contributors include: Francisco J. Álvarez, Adrian Armstrong, Gabriele Ball , Anita Boele, Cynthia J. Brown, Susanna de Beer, Hilde de Ridder-Symoens, Ignacio García Aguilar, Laura Kendrick, Samuel Mareel, Inmaculada Osuna, Bart Ramakers, Dylan Reid, Catrien Santing, Susie Speakman Sutch, and Arjan van Dixhoorn.
Contributors include: Francisco J. Álvarez, Adrian Armstrong, Gabriele Ball , Anita Boele, Cynthia J. Brown, Susanna de Beer, Hilde de Ridder-Symoens, Ignacio García Aguilar, Laura Kendrick, Samuel Mareel, Inmaculada Osuna, Bart Ramakers, Dylan Reid, Catrien Santing, Susie Speakman Sutch, and Arjan van Dixhoorn.
Literary Associations and the World of Learning, 1200-1700
Performative literary culture emerged as a set of practices that shaped production and distribution of learning in late medieval and early modern Western Europe, both in Latin and the vernacular. Performative literary culture encompasses the plays, songs, and poetry performed for live audiences in (semi-)public spaces and the organizations championing performative literature through meetings and events. These organizations included chambers of rhetoric, confraternities of the Puy, joyous companies, guilds of Meistersingers, the Consistory of Joyful Knowledge, academies, companies of the Basoche and Inns of Court, and the institutions or people organizing the Spanish justas. Written by a team of experts, the contributions in this book explore how performative literary cultures shaped the exchange of public learning, knowledge, and ideas between the oral, theatrical, and literary spheres.
Contributors include: Francisco J. Álvarez, Adrian Armstrong, Gabriele Ball , Anita Boele, Cynthia J. Brown, Susanna de Beer, Hilde de Ridder-Symoens, Ignacio García Aguilar, Laura Kendrick, Samuel Mareel, Inmaculada Osuna, Bart Ramakers, Dylan Reid, Catrien Santing, Susie Speakman Sutch, and Arjan van Dixhoorn.
Contributors include: Francisco J. Álvarez, Adrian Armstrong, Gabriele Ball , Anita Boele, Cynthia J. Brown, Susanna de Beer, Hilde de Ridder-Symoens, Ignacio García Aguilar, Laura Kendrick, Samuel Mareel, Inmaculada Osuna, Bart Ramakers, Dylan Reid, Catrien Santing, Susie Speakman Sutch, and Arjan van Dixhoorn.
Christian-Muslim Relations, a Bibliographical History 20 (CMR 20), covering Iran, Afghanistan, Armenia, Azerbaijan and Georgia in the period 1800-1914, is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and the main body of detailed entries. These treat all the works, surviving or lost, that have been recorded. They provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous new and leading scholars, CMR 20, along with the other volumes in this series, is intended as a fundamental tool for research in Christian-Muslim relations.
Section Editors: Ines Aščerić-Todd, Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Arely Medina, Diego Melo Carrasco, Alain Messaoudi, Gordon Nickel, Claire Norton, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Charles Tieszen, Carsten Walbiner, Catherina Wenzel.
Section Editors: Ines Aščerić-Todd, Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Arely Medina, Diego Melo Carrasco, Alain Messaoudi, Gordon Nickel, Claire Norton, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Charles Tieszen, Carsten Walbiner, Catherina Wenzel.
Christian-Muslim Relations, a Bibliographical History 20 (CMR 20), covering Iran, Afghanistan, Armenia, Azerbaijan and Georgia in the period 1800-1914, is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and the main body of detailed entries. These treat all the works, surviving or lost, that have been recorded. They provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous new and leading scholars, CMR 20, along with the other volumes in this series, is intended as a fundamental tool for research in Christian-Muslim relations.
Section Editors: Ines Aščerić-Todd, Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Arely Medina, Diego Melo Carrasco, Alain Messaoudi, Gordon Nickel, Claire Norton, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Charles Tieszen, Carsten Walbiner, Catherina Wenzel.
Section Editors: Ines Aščerić-Todd, Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Arely Medina, Diego Melo Carrasco, Alain Messaoudi, Gordon Nickel, Claire Norton, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Charles Tieszen, Carsten Walbiner, Catherina Wenzel.
Christian-Muslim Relations, a Bibliographical History 18 (CMR 18), covering the Ottoman Empire in the period 1800-1914, is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and the main body of detailed entries. These treat all the works, surviving or lost, that have been recorded. They provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous new and leading scholars, CMR 18, along with the other volumes in this series, is intended as a fundamental tool for research in Christian-Muslim relations.
Section editors: Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Arely Medina, Diego Melo Carrasco, Alain Messaoudi, Gordon Nickel, Claire Norton, Reza Pourjavady, Douglas Pratt, Radu Păun, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Karel Steenbrink, Charles Tieszen, Carsten Walbiner, Catherina Wenzel.
Section editors: Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Arely Medina, Diego Melo Carrasco, Alain Messaoudi, Gordon Nickel, Claire Norton, Reza Pourjavady, Douglas Pratt, Radu Păun, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Karel Steenbrink, Charles Tieszen, Carsten Walbiner, Catherina Wenzel.
Christian-Muslim Relations, a Bibliographical History 18 (CMR 18), covering the Ottoman Empire in the period 1800-1914, is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and the main body of detailed entries. These treat all the works, surviving or lost, that have been recorded. They provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous new and leading scholars, CMR 18, along with the other volumes in this series, is intended as a fundamental tool for research in Christian-Muslim relations.
Section editors: Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Arely Medina, Diego Melo Carrasco, Alain Messaoudi, Gordon Nickel, Claire Norton, Reza Pourjavady, Douglas Pratt, Radu Păun, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Karel Steenbrink, Charles Tieszen, Carsten Walbiner, Catherina Wenzel.
Section editors: Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Arely Medina, Diego Melo Carrasco, Alain Messaoudi, Gordon Nickel, Claire Norton, Reza Pourjavady, Douglas Pratt, Radu Păun, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Karel Steenbrink, Charles Tieszen, Carsten Walbiner, Catherina Wenzel.
Christian-Muslim Relations, a Bibliographical History Volume 17 (CMR 17), covering Great Britain, the Netherlands and Scandinavia in the period 1800-1914, is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and the main body of detailed entries. These treat all the works, surviving or lost, that have been recorded. They provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous leading scholars, CMR 17, along with the other volumes in this series, is intended as a tool for research in Christian-Muslim relations.
Section Editors: Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Arely Medina, Alain Messaoudi, Diego Melo Carrasco, Gordon Nickel, Claire Norton, Radu Păun, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Karel Steenbrink, Charles Tieszen, Carsten Walbiner, Catherina Wenzel
Section Editors: Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Arely Medina, Alain Messaoudi, Diego Melo Carrasco, Gordon Nickel, Claire Norton, Radu Păun, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Karel Steenbrink, Charles Tieszen, Carsten Walbiner, Catherina Wenzel
Christian-Muslim Relations, a Bibliographical History Volume 17 (CMR 17), covering Great Britain, the Netherlands and Scandinavia in the period 1800-1914, is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and the main body of detailed entries. These treat all the works, surviving or lost, that have been recorded. They provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous leading scholars, CMR 17, along with the other volumes in this series, is intended as a tool for research in Christian-Muslim relations.
Section Editors: Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Arely Medina, Alain Messaoudi, Diego Melo Carrasco, Gordon Nickel, Claire Norton, Radu Păun, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Karel Steenbrink, Charles Tieszen, Carsten Walbiner, Catherina Wenzel
Section Editors: Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Arely Medina, Alain Messaoudi, Diego Melo Carrasco, Gordon Nickel, Claire Norton, Radu Păun, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Karel Steenbrink, Charles Tieszen, Carsten Walbiner, Catherina Wenzel
From Banality to Genocide
Volume Editor:
The question of evil is one of the oldest and most intensely studied topics in intellectual history. In fiction, legend and mythology the boundary between good and evil is often depicted as clear-cut, at least to the reader or listener, who is supposed to understand such tales as lessons and warnings. Evil is something that must be avoided by the hero in some cases and vanquished in others; it is either the exact opposite of the expected good behaviour, or its complete absence. Even so, for the characters in these didactic fictions, it turns out to be deceptively easy to fall to the infernal, ‘dark’ side. This volume draws on the expertise of an interdisciplinary group of contributors to chart events and deeds of an ‘evil’ nature that have been lived in the (recent) past and have become part of history, from individual to institutionalised evil.
From Banality to Genocide
Volume Editor:
The question of evil is one of the oldest and most intensely studied topics in intellectual history. In fiction, legend and mythology the boundary between good and evil is often depicted as clear-cut, at least to the reader or listener, who is supposed to understand such tales as lessons and warnings. Evil is something that must be avoided by the hero in some cases and vanquished in others; it is either the exact opposite of the expected good behaviour, or its complete absence. Even so, for the characters in these didactic fictions, it turns out to be deceptively easy to fall to the infernal, ‘dark’ side. This volume draws on the expertise of an interdisciplinary group of contributors to chart events and deeds of an ‘evil’ nature that have been lived in the (recent) past and have become part of history, from individual to institutionalised evil.
Imitation and Variation in Renaissance Italy (1350-1580)
Series:
Metaforms, Volume: 15
Volume Editor:
Building the Canon through the Classics. Imitation and Variation in Renaissance Italy (1350-1580) provides a comprehensive reappraisal of the construction of a literary canon in Renaissance Italy by exploring the multiple reuses of classical authorities. The volume reshapes current debate on the notion of canon by intertwining two perspectives: analyzing when and in what form a canon emerged, and determining the ways in which an ancient literary canon interacts with the urge to bestow a similar authority on some later and contemporaneous authors. Each chapter makes an original contribution to its selected topic, but the collective strength of the volume relies on its simultaneous appeal to readers in Italian Studies, intellectual history, comparative studies and classical reception studies.
Imitation and Variation in Renaissance Italy (1350-1580)
Series:
Metaforms, Volume: 15
Volume Editor:
Building the Canon through the Classics. Imitation and Variation in Renaissance Italy (1350-1580) provides a comprehensive reappraisal of the construction of a literary canon in Renaissance Italy by exploring the multiple reuses of classical authorities. The volume reshapes current debate on the notion of canon by intertwining two perspectives: analyzing when and in what form a canon emerged, and determining the ways in which an ancient literary canon interacts with the urge to bestow a similar authority on some later and contemporaneous authors. Each chapter makes an original contribution to its selected topic, but the collective strength of the volume relies on its simultaneous appeal to readers in Italian Studies, intellectual history, comparative studies and classical reception studies.
Studies on European Cultural Sainthood
Winner of the Excellence Award for Collaborative Research granted by the European Society of Comparative Literature (ESCL)
In Great Immortality, twenty scholars from considerably different cultural backgrounds explore the ways in which certain poets, writers, and artists in Europe have become major figures of cultural memory. Through individual case studies, many of the contributors expand and challenge the concepts of cultural sainthood and canonization as developed by Marijan Dović and Jón Karl Helgason in National Poets, Cultural Saints: Canonization and Commemorative Cults of Writers in Europe (Brill, 2017). Even though the major focus of the book is the nineteenth-century cults of national poets, the volume examines a wide variety of cases in a very broad temporal and geographical framework – from Dante and Petrarch to the most recent attempts to sanctify artists by both the Catholic and Orthodox churches, and from the rise of a medieval Icelandic author of sagas to the veneration of a poet and national leader in Georgia.
Contributors are: Bojan Baskar, Marijan Dović, Sveinn Yngvi Egilsson, David Fishelov, Jernej Habjan, Simon Halink, Jón Karl Helgason, Harald Hendrix, Andraž Jež, Marko Juvan, Alenka Koron, Roman Koropeckyj, Joep Leerssen, Christian Noack, Jaume Subirana, Magí Sunyer, Andreas Stynen, Andrei Terian, Bela Tsipuria, and Luka Vidmar.
In Great Immortality, twenty scholars from considerably different cultural backgrounds explore the ways in which certain poets, writers, and artists in Europe have become major figures of cultural memory. Through individual case studies, many of the contributors expand and challenge the concepts of cultural sainthood and canonization as developed by Marijan Dović and Jón Karl Helgason in National Poets, Cultural Saints: Canonization and Commemorative Cults of Writers in Europe (Brill, 2017). Even though the major focus of the book is the nineteenth-century cults of national poets, the volume examines a wide variety of cases in a very broad temporal and geographical framework – from Dante and Petrarch to the most recent attempts to sanctify artists by both the Catholic and Orthodox churches, and from the rise of a medieval Icelandic author of sagas to the veneration of a poet and national leader in Georgia.
Contributors are: Bojan Baskar, Marijan Dović, Sveinn Yngvi Egilsson, David Fishelov, Jernej Habjan, Simon Halink, Jón Karl Helgason, Harald Hendrix, Andraž Jež, Marko Juvan, Alenka Koron, Roman Koropeckyj, Joep Leerssen, Christian Noack, Jaume Subirana, Magí Sunyer, Andreas Stynen, Andrei Terian, Bela Tsipuria, and Luka Vidmar.
Studies on European Cultural Sainthood
Winner of the Excellence Award for Collaborative Research granted by the European Society of Comparative Literature (ESCL)
In Great Immortality, twenty scholars from considerably different cultural backgrounds explore the ways in which certain poets, writers, and artists in Europe have become major figures of cultural memory. Through individual case studies, many of the contributors expand and challenge the concepts of cultural sainthood and canonization as developed by Marijan Dović and Jón Karl Helgason in National Poets, Cultural Saints: Canonization and Commemorative Cults of Writers in Europe (Brill, 2017). Even though the major focus of the book is the nineteenth-century cults of national poets, the volume examines a wide variety of cases in a very broad temporal and geographical framework – from Dante and Petrarch to the most recent attempts to sanctify artists by both the Catholic and Orthodox churches, and from the rise of a medieval Icelandic author of sagas to the veneration of a poet and national leader in Georgia.
Contributors are: Bojan Baskar, Marijan Dović, Sveinn Yngvi Egilsson, David Fishelov, Jernej Habjan, Simon Halink, Jón Karl Helgason, Harald Hendrix, Andraž Jež, Marko Juvan, Alenka Koron, Roman Koropeckyj, Joep Leerssen, Christian Noack, Jaume Subirana, Magí Sunyer, Andreas Stynen, Andrei Terian, Bela Tsipuria, and Luka Vidmar.
In Great Immortality, twenty scholars from considerably different cultural backgrounds explore the ways in which certain poets, writers, and artists in Europe have become major figures of cultural memory. Through individual case studies, many of the contributors expand and challenge the concepts of cultural sainthood and canonization as developed by Marijan Dović and Jón Karl Helgason in National Poets, Cultural Saints: Canonization and Commemorative Cults of Writers in Europe (Brill, 2017). Even though the major focus of the book is the nineteenth-century cults of national poets, the volume examines a wide variety of cases in a very broad temporal and geographical framework – from Dante and Petrarch to the most recent attempts to sanctify artists by both the Catholic and Orthodox churches, and from the rise of a medieval Icelandic author of sagas to the veneration of a poet and national leader in Georgia.
Contributors are: Bojan Baskar, Marijan Dović, Sveinn Yngvi Egilsson, David Fishelov, Jernej Habjan, Simon Halink, Jón Karl Helgason, Harald Hendrix, Andraž Jež, Marko Juvan, Alenka Koron, Roman Koropeckyj, Joep Leerssen, Christian Noack, Jaume Subirana, Magí Sunyer, Andreas Stynen, Andrei Terian, Bela Tsipuria, and Luka Vidmar.
Chinese Utopian Fiction at the End of Empire, 1902–1910
Author:
In Hundred Days’ Literature, Lorenzo Andolfatto explores the landscape of early modern Chinese fiction through the lens of the utopian novel, casting new light on some of its most peculiar yet often overshadowed literary specimens. The wutuobang or lixiang xiaoshuo, by virtue of its ideally totalizing perspective, provides a one-of-a-kind critical tool for the understanding of late imperial China’s fragmented Zeitgeist. Building upon rigorous close reading and solid theoretical foundations, Hundred Days’ Literature offers the reader a transcultural critical itinerary that links Edward Bellamy’s Looking Backward to Wu Jianren’s Xin Shitou ji via the writings of Liang Qichao, Chen Tianhua, Bihe Guanzhuren, and Lu Shi’e. The book also includes the first English translation of Cai Yuanpei’s short story “New Year’s Dream.”
Chinese Utopian Fiction at the End of Empire, 1902–1910
Author:
In Hundred Days’ Literature, Lorenzo Andolfatto explores the landscape of early modern Chinese fiction through the lens of the utopian novel, casting new light on some of its most peculiar yet often overshadowed literary specimens. The wutuobang or lixiang xiaoshuo, by virtue of its ideally totalizing perspective, provides a one-of-a-kind critical tool for the understanding of late imperial China’s fragmented Zeitgeist. Building upon rigorous close reading and solid theoretical foundations, Hundred Days’ Literature offers the reader a transcultural critical itinerary that links Edward Bellamy’s Looking Backward to Wu Jianren’s Xin Shitou ji via the writings of Liang Qichao, Chen Tianhua, Bihe Guanzhuren, and Lu Shi’e. The book also includes the first English translation of Cai Yuanpei’s short story “New Year’s Dream.”