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How did German composers brand their music as Venetian? How did the Other fare in other languages, when Cabeza’s Relación of colonial Americas appeared in translations? How did Altdorf emblems travel to colonial America and Sweden? What does Virtue look like in a library collection? And what was Boccaccio’s Decameron doing in the Ethica section? From representations of Sophie Charlotte, the first queen in Prussia, to the Ottoman Turks, from German wedding music to Till Eulenspiegel, from the translation of Horatian Odes and encyclopedias of heraldry, these essays by leading scholars explore the transmission, translation, and organization of knowledge in early modern Germany, contributing sophisticated insights to the history of the early modern book and its contents.
[Exegesis of Sūrat al-Fatḥ by the scholar Muḥammad Abū al-Surūr al-Bakrī al-Ṣiddīqī (d. 1007H/1598 CE)]
هذا الكتاب عبارة عن تحقيق علمي لـ«تفسير سورة الفتح» للمفسّر محمّد أبي السرور البكريّ الصدّيقيّ، العلّامة الصوفيّ المصريّ البارز في القرن السادس عشر للميلاد. يشمل هذا الكتاب أيضًا السيرة الذاتيّة للمفسّر وأسرته، آل البكريّ الصدّيقيّ. يعتمد هذا الكتاب على مخطوطةٍ تُوجد النُّسخة الأَصليّة لها في المكتبة السُّلَيْمانيّة في إسطنبول. يمثّل هذا التفسير مدرسةً في الفكر الإسلاميّ لم يُكتَب عنها كثيرًا والتي اهتمّ بها في ذلك العصر العُلماء بتأييد سلاطين الخلافة العثمانيّة. يقدّم الكتاب النصّ العربيّ الأصليّ للمخطوطة مع تحقيق وتعليق، إضافةً إلى ملخّص باللغة الإنجليزيّة.


This is a scholarly edition of Muḥammad Abū al-Surūr al-Bakrī al-Ṣiddīqī’s Exegesis of Sūrat al-Fatḥ. Al-Ṣiddīqī was a prominent Sufi scholar in Ottoman Egypt in the 16th century. The edition includes a biography and family history of its author. The book is based on a unique manuscript found in the Süleymaniye Library in Istanbul and represents a lesser-explored philosophical school of thought within Islam, which enjoyed the patronage and endorsement of the Ottoman caliphate of the time. It presents the original Arabic text and a commentary in Arabic, as well as an English introduction.
Georg Brandes (1842-1927) was one of the leading literary critics in Europe of his time. His Main Currents of Nineteenth Century Literature (1872-1890) was a foundational text to the field of comparative literature and extolled by Thomas Mann as the “Bible of the young intellectual Europe at the turn of the century.” Georg Brandes eventually developed into a truly global public intellectual, living by his pen and public lectures. On the eve of World War I, he was one of the most sought-after commentators, vigorously opposing all conflicting factions. This book seeks to understand Brandes’ trajectory, to evaluate Brandes’ significance for current discussions of literary criticism and public engagement, and to introduce Brandes to an international audience. It consists of 15 original chapters commissioned from experts in the field.
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The Latin Poems of Manilius Cabacius Rallus of Sparta presents the poetic oeuvre of a forgotten poet of Renaissance Rome. A Gr