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Chinese Wartime Literature, Art, and Film, 1937-49
In Fragmenting Modernisms, Carolyn FitzGerald traces the evolution of Chinese modernism during the War of Resistance against Japan (1937-45) and Chinese Civil War (1945-49) through a series of close readings of works of fiction, poetry, film, and visual art, produced in various locations throughout wartime China.

Showing that the culture of this period was characterized by a high degree of formal looseness, she argues that such aesthetic fluidity was created in response to historical conditions of violence and widespread displacement. Moreover, she illustrates how the innovative formal experiments of uprooted writers and artists expanded the geographic and aesthetic boundaries of Chinese modernism far beyond the coastal cities of Shanghai and Beijing.
In Gold and Jade Filled Halls: A Cognitive Linguistic Study of Financial and Economic Expressions in Chinese and German Shelley Ching-yu Hsieh offers an account of how we use financial linguistic expressions every day. They include various linguistic vehicles and cultural models that are related to the real world, such as gold, the stock market, animals, and plants. The cross-linguistic research benefits the understanding of the cultural value and model of cognition embedded in languages. It also provides useful strategies for learning language and possible social factors that influence human behaviors.
Although the preface says that the tales in this collection of supernatural stories should not be taken seriously and just aim to dispel boredom, Zibuyu is a work with different reading levels, which allows to uncover several deep trends, taboos and fantasies of late imperial intellectual circles. Disgust, surprise and laughter are constantly evoked, by continually attracting and repulsing the reader.
Yuan Mei’s approach guides the reader to an adventure in the dangerous recesses of the self. It is a sort of allegoric fantastic reflection on the relative and polyphonic essence of human beings, the multiplicity of selves from psychological perception, and a challenge to the traditional biographical and historical perspective for the unreliability of destiny. Dreams, madness, delusions and other extreme cognitive and affective conditions, abnormal events, gods and spirits, and the dark world of death lead to a reversal of perspective and destroy the Apollonian vision of the social-centered Confucian orthodoxy.
With introduction, translation and comments.
Author: Joshua A. Fogel
In the year 57 C.E., the court of Later Han dynasty presented a gold seal to an emissary from somewhere in what is now Japan. The seal soon vanished from history, only to be unearthed in 1784 in Japan. In the subsequent two-plus centuries, nearly 400 books and articles (mostly by Japanese) have addressed every conceivable issue surrounding this small object of gold. Joshua Fogel places the conferment of the seal in inter-Asian diplomacy of the first century and then traces four waves of historical analysis that the seal has undergone since its discovery, as the standards of historical judgment have changed over these years and the investment in the seal’s meaning have changed accordingly.
Editor: Zsombor Rajkai
In Family and Social Change in Socialist and Post-Socialist Societies, the authors address the social transformations of eight transitional societies in recent decades (Russia, Ukraine, Poland, Slovakia, Hungary, Romania, China and Vietnam). Each chapter discusses a different society and reveals their struggles in the reconstruction of the intimate and public spheres amid the post-Cold War period.

Making use of a semi-structured analytical framework, the respective chapters address the ambiguous relationship between familism and individualisation seen through change and continuity in demographic behaviour, family values, family solidarity, gender relations, state policy and marketisation. The volume also outlines the possibility of a modified second demographic transition theory as a correction of Western-based interpretations of current social trends.

Contributors include: Zsombor Rajkai, Yulia Gradskova, Lyudmyla Males, Tymur Sandrovych, Maƚgorzata Sikorska, Peter Guráň, Jarmila Filadelfiová, Miloš Debnár, Csaba Dupcsik, Olga Tóth, Borbála Kovács, Zhou Weihong, Liu Wenrong, Xue Yali, Nguyen Huu Minh, Chang Kyung-Sup.

Selected Essays on Chinese Philosophy
Editor: Jason Clower
In Late Works of Mou Zongsan, Jason Clower publishes English translations of this most famous and influential of modern Chinese philosophers for the first time. In essays chosen for their clarity and approachability, this leading contemporary Confucian speaks on the topics that best define his career: the future of Chinese culture and philosophy, the unique achievements of Confucianism, the place of Buddhism and Daoism in Chinese culture, and the possibility of a new partnership between Chinese and Western thought.
Seven Essays on Art and Literature
Patchwork: Seven Essays on Art and Literature presents in English translation a number of essays written by the Chinese literary scholar and novelist Qian Zhongshu (1910-1998). One of the great minds of the twentieth century, Qian, with his characteristic erudition and wit, addresses here aspects of the classical literary and artistic traditions of China. Better known, as a scholar, for his magisterial Limited Views: Essays on Ideas & Letters (Guanzhui bian) (1979-80) and, as a novelist, for his Fortress Besieged (Weicheng) (1947), these essays, first written during the period 1948-83 and much revised over the years, allow readers insight into Qian’s abiding concern with “striking connections” between disparate literary, historical, and intellectual traditions, ancient and modern, Chinese and Western.

Dr. Duncan Campbell was awarded the China Book Award for Special Contributions at the 23rd Beijing International Book Fair. Dr. Campbell received this award for his translation of this volume.
Evolution, Ethics and Sociality in Modern Chinese Literature and Film
Author: Xinmin Liu
In Signposts of Self-Realization, Xinmin Liu offers an ontological study of education and development of the individual self through the prisms of ethical progress and social evolution in the context of modern Chinese literature and film.

Did self-realization in the Chinese modern follow the law of Social Darwinism: the biggest ego always won out? Is individualism always self-regarding, never other-regarding? How did the Greater I evolve out of the Lesser I socially and ethically? Confronting these questions, the author navigates through the terrains of paraphrastic translation, Buddhist nonself, lyrical epiphany, redemptive memory and ethnic orality to map out an alternative path for the growth of a modern Chinese self.
Zheng He’s Maritime Voyages (1405-1433) and China’s Relations with the Indian Ocean World: A Multilingual Bibliography provides a multidisciplinary guide to publications on this great navigator’s activities and their impact on Chinese and world history. Admiral Zheng He commanded the fifteenth-century world’s largest fleet. In the course of seven voyages made between 1405 and 1433, his massive ships visited over thirty present-day countries in Asia and Africa. Those voyages reflected and reinforced the development of complex networks of trade, migration, cultural exchange, and political interactions between China and the Indian Ocean world.
This bibliography lists sources in thirteen languages, including both scholarly studies and popular works like Gavin Menzies’s controversial bestsellers claiming the Chinese sailed around the world before Columbus. Relevant translations, transliterations and annotations are provided to aid the reader.

Qian Zhongshu, Yang Jiang, and the World of Letters
Editor: Christopher Rea
China’s Literary Cosmopolitans offers a comprehensive introduction to the literary oeuvres of Qian Zhongshu (1910-98) and Yang Jiang (b. 1911). It assesses their novels, essays, stories, poetry, plays, translations, and criticism, and discusses their reception as two of the most important Chinese scholar-writers of the twentieth century.

In addition to re-evaluating this married couple’s intertwined literary careers, the book also explains why they have come to represent such influential models of Chinese literary cosmopolitanism. Uncommonly well-versed in Western languages and literatures, Qian and Yang chose to live in China and write in Chinese. China’s Literary Cosmopolitans argues for their artistic importance while analyzing their works against
the modern cultural imperative that Chinese literature be worldly.

Christopher Rea (Ph.D., Columbia) is Associate Professor of Asian Studies at the University of British Columbia. He is the author of The Age of Irreverence: A New History of Laughter in China (California, 2015), co-editor of The Business of Culture: Cultural Entrepreneurs in China and Southeast Asia, 1900-65 (ubc Press, 2015), and editor of Humans, Beasts, and Ghosts: Stories and Essays by Qian Zhongshu(Columbia, 2011).