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Volume Editors: Marzena Zawanowska and Mateusz Wilk
King David if one of the most central figures in all of the major monotheistic traditions. He generally connotes the heroic past of the (more imagined than real) ancient Israelite empire and is associated with messianic hopes for the future. Nevertheless, his richly ambivalent and fascinating literary portrayal in the Hebrew Bible is one of the most complex of all biblical characters.
This volume aims at taking a new, critical look at the process of biblical creation and subsequent exegetical transformation of the character of David and his attributed literary composition (the Psalms), with particular emphasis put on the multilateral fertilization and cross-cultural interchanges among Jews, Christians and Muslims.
Une analyse comparée de la notion de “demon” dans la Septante et dans la Bible Hébraïque
Author: Anna Angelini
This book offers a thorough analysis of demons in the Hebrew Bible and Septuagint in the wider context of the ancient Near East and the Greek world. Taking a fresh and innovative angle of enquiry, Anna Angelini investigates continuities and changes in the representation of divine powers in Hellenistic Judaism, thereby revealing the role of the Greek translation of the Bible in shaping ancient demonology, angelology, and pneumatology. Combining philological and semantic analyses with a historical approach and anthropological insights, the author both develops a new method for analyzing religious categories within biblical traditions and sheds new light on the importance of the Septuagint for the history of ancient Judaism.

Le livre propose une analyse approfondie des démons dans la Bible Hébraïque et la Septante, à la lumière du Proche Orient Ancient et du contexte grec. Par un nouvel angle d’approche, Anna Angelini met en lumière dynamiques de continuité et de changement dans les représentations des puissances divines à l’époque hellénistique, en soulignant l’importance de la traduction grecque de la Bible pour la compréhension de la démonologie, de l’angélologie et de la pneumatologie antiques. En intégrant l’analyse philologique et sémantique avec une approche historique et des méthodes anthropologiques, l’autrice développe une nouvelle méthodologie pour analyser des catégories religieuses à l’intérieur des traditions bibliques et affirme la valeur de la Septante pour l’histoire du judaïsme antique.
The Fables of Jesus in the Gospel of Luke introduces the world of the ancient fable to biblical scholarship and argues that Jesus’s parables in Luke’s gospel belong to the ancient fable tradition.
Jesus is regarded as the first figure in history to use the parable genre with any regularity—a remarkable historical curiosity that serves as the foundation for many assumptions in New Testament scholarship. The Fables of Jesus in the Gospel of Luke challenges this consensus, situating the parables within a literary context unknown to biblical scholarship: the ancient fable. After introducing the ancient fable, the “parables” of Jesus in Luke’s gospel are used as a testing ground to demonstrate that they are identical to first-century fables. This challenges many conventional assumptions about parables, Luke’s gospel, and the relationship of Jesus to the storytelling traditions of the Mediterranean world. This study offers multitudes of new parallels to the otherwise enigmatic parable tradition, opens an exciting new venue for comparative exploration, and lays a new foundation upon which to study the fables of Jesus.