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Author: Mao Huahe
Editors / Translators: Mao Yiran and Thomas M. Seay
For the first time, a work that breaks with the official Chinese government narrative concerning the petroleum industry and provides the true story as personally experienced by the author, Mao Huahe, a thirty-year veteran and executive in the oil industry. Mao witnessed first-hand the breakthrough discovery of the Daqing Oilfield, the behind-the-scenes political machinations and turmoil of the Cultural Revolution and the subsequent reform and opening period, and details the effects these events had upon China’s petroleum industry.
Proceedings of the Third Congress of the Communist International, 1921
Editor / Translator: John Riddell
Debates at world Communism’s 1921 congress reveal Lenin’s International at a moment of crisis. A policy of confrontational initiatives by a resolute minority contends with the perspective of winning majority working-class support on the road to the revolutionary conquest of power. A frank debate among many currents concludes with a classic formulation of Communist strategy and tactics. Thirty-two appendices, many never before published in any language, portray delegates’ behind-the-scenes exchanges. This newly translated treasure of 1,000 pages of source material, available for the first time in English, is supplemented by an analytic introduction, detailed footnotes, a glossary with 430 biographical entries, a chronology, and an index. The final instalment of a 4,500-page series on Communist congresses in Lenin’s time.
Chinese Contemporary Art in the Post-Mao Era
Author: Jane DeBevoise
Between State and Market: Chinese Contemporary Art in the Post-Mao Era examines the shift in the system of support for contemporary art in China between 1979 and 1993, from state patronage to the introduction of the market, and the hybrid space that developed in between. Today, soaring prices for contemporary art have triggered a debate about the deleterious effect of the market on art. Yet Jane DeBevoise argues that, in the post-Mao period, the imaginary of the marketplace was liberating, offering artists an alternative framework of legitimacy and support. Based on primary research, DeBevoise explores the entangled role of the state and the market, and how experimental artists and their champions in China negotiated to find a creative space between the two systems to produce and promote their work.