The Ancient Sefer Torah of Bologna

Features and History. European Genizah Texts and Studies, Volume Four

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Edited by Mauro Perani

The Ancient Sefer Torah of Bologna: Features and History contains studies on the most ancient, complete, Pentateuch scroll known to date, considered by the Jews of Perpignan the archetypal autograph written by Ezra the scribe. The scroll was rediscovered by Mauro Perani in 2013 at the University Library of Bologna. In this volume, leading specialists study the history, structure and different halakhot or norms adopted in the pre-Maimonidean scroll. The Hebrew text is very close to the Aleppo codex, and the scroll was probably copied in a Kabbalistic circle near Perpignan, ca. 1200, where the use of tagin and curled letters flourished, attributing to them mystical and exoteric meanings.

Anna Seghers

The Challenge of History

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Edited by Helen Fehervary, Christiane Zehl Romero and Amy Kepple Strawser

Anna Seghers: The Challenge of History features essays by leading scholars devoted to this most important German writer whose novels and stories have been read by millions worldwide. The volume is intended for teachers and students of literature and for general readers. The contributions address facets of Seghers’s large body of work which is characterized by reflections on political events shaping world history and written in a highly imaginative array of narrative styles. The first section focuses on the author’s famous novel The Seventh Cross. Articles in the next two sections analyze her reactions to crises that marked the twentieth century and her connections to other relevant thinkers of her time. The last section features new translations of Seghers’s works.

Aramaic Incantation Bowls in Museum Collections

Volume One: The Frau Professor Hilprecht Collection of Babylonian Antiquities, Jena

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James Nathan Ford and Matthew Morgenstern

The Frau Professor Hilprecht Collection of Babylonian Antiquities at Friedrich-Schiller-Universität Jena houses one of the major European collections of incantation bowls. Forty bowls bear texts written in the Jewish, Manichaean Syriac or Mandaic scripts, and most of the rest (some twenty-five objects) in the Pahlavi script or in various pseudoscripts. The present volume comprises new editions of the Aramaic (and Hebrew) bowl texts based on high-resolution photographs taken by the authors, together with brief descriptions and photographs of the remaining material. New readings are often supported with close-up photographs. The volume is intended to serve as a basis for further study of magic in late Antiquity and of the Late Eastern Aramaic dialects in which the texts were composed.
Ernst Bloch’s thought is located at the intersection of classical German philosophy and historical materialist theory. It has played a major role in materialist thought in the 20th century and continues to influence discussions, especially in continental philosophy, today. Yet, his reception has historically been limited in the Anglophone context by an absence of available translations. Bloch’s self-consciously expressionistic, creative use of language and his allusive, esoteric style go some of the way to explaining this absence. Nevertheless, Bloch is an extremely interesting thinker whose work is sought after by a wide range of scholars, theorists and general readers in the English-speaking world. Against the background of the current revival of speculative philosophy and a burgeoning contemporary interest in historical materialism, the absence of much of his work in English translation represents a significant gap in scholarship and in the publication market. The Bloch Bibliothek seeks to address this requirement by developing a series of critical editions of Bloch’s works translated into English.

The Brand of Print

Marketing Paratexts in the Early English Book Trade

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Andrea Silva

The Brand of Print offers a comprehensive analysis of the ways printers, publishers, stationers, and booksellers designed paratexts to market printed books as cultural commodities. This study traces envoys to the reader, visual design in title pages and tables of contents, and patron dedications, illustrating how the agents of print branded their markets by crafting relationships with readers and articulating the value of their labor in an increasingly competitive trade. Applying terms from contemporary marketing theory to the study of early modern paratexts, Andie Silva encourages a consideration of how print agents' labor and agency, made visible through paratextual design, continues to influence how we read, study, and digitize early modern texts.

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Edited by Jeremy Armstrong and Matthew Trundle

Brill’s Companion to Sieges in the Ancient Mediterranean is a wide-ranging exploration of sieges and siege warfare as practiced and experienced by the cultures which lived around the ancient Mediterranean basin. From Pharaonic Egypt to Renaissance Italy, and from the Neo-Assyrian Empire to Hellenistic Greece and Roman Gaul, case studies by leading experts probe areas of both synergy and divergence within this distinctive form of warfare amongst the cultures in this broadly shared environment.

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Various Authors & Editors

The first Online Collection of Brill’s flagship series in Intellectual History ( Brill’s Studies in Intellectual History) presents new approaches to history, the history of philosophy and theology, and the history of ideas. Special attention is given to the use of interdisciplinary methods and insights, such as those of cultural anthropology, semiotics and linguistic analysis. Occasionally volumes contain papers of eminent scholars and proceedings of conferences, which would otherwise be difficult to obtain.
Brill’s Studies in Intellectual History includes the subseries Brill's Studies in Art, Art History and Intellectual History and Brill's Texts and Sources in Intellectual History.
Brill´s Studies in Intellectual History Online, Supplement 2020 will include all titles published in the series Brill´s Studies in Intellectual History with copyright year 2020. The title list and free MARC records are available for download here.

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Nobuto Yamamoto

In Censorship in Colonial Indonesia, 1901–1942 Nobuto Yamamoto examines the institutionalization of censorship and its symbiosis with print culture in the former Dutch colony. Born from the liberal desire to promote the well-being of the colonial population, censorship was not practiced exclusively in repressive ways but manifested in constructive policies and stimuli, among which was the cultivation of the “native press” under state patronage. Censorship in the Indies oscillated between liberal impulse and the intrinsic insecurity of a colonial state in the era of nationalism and democratic governance. It proved unpredictable in terms of outcomes, at times being co-opted by resourceful activists and journalists, and susceptible to international politics as it transformed during the Sino-Japanese war of the 1930s.

Changer de style

Écritures évolutives aux XXe et XXIe siècles

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Edited by Sophie Jollin-Bertocchi and Serge Linarès

Cet ouvrage, coordonné par Sophie Jollin-Bertocchi et Serge Linarès, interroge pour la première fois la pratique fréquente du changement de style chez les écrivains français depuis la fin du XIXe siècle. Restituant le phénomène à son historicité, il ne vise pas à contester la notion de « style d’auteur », mais à en relativiser le caractère essentialiste, croisant la démarche stylisticienne avec d’autres approches (sociologie, poétique…). Il dessine le contexte historique et éditorial, évoque ensuite des parcours de polygraphes, appréhende la problématique sous l’angle générique (poésie, roman), met en évidence les enjeux biographiques, questionne enfin les possibilités d’une permanence derrière la disparité des manières d’écrire. À l’époque moderne, avoir du style ne se limite pas à en avoir un seul.

This collection coordinated by Sophie Jollin-Bertocchi and Serge Linarès addresses the common practice of the change of style among French authors since the end of the nineteenth century. The intention is not to challenge the notion of an author’s style but the relativization of its essentialist nature, from different approaches (sociology, poetics…) and through a variety of examples. This study delineates the historical and editorial context, brings up some surveys from the point of view of genre (poetry, novel), underlines the biographical goals. In the end it raises the question of some possibilities of a standard behind the array of different styles. During the contemporary period evidencing Style does not simply imply a one-way evidence.