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In: Life-Practice Educology
In: Joseph Beuys and the Artistic Education
In: Joseph Beuys and the Artistic Education
In: Life-Practice Educology
In: Joseph Beuys and the Artistic Education
In: Life-Practice Educology
In: Joseph Beuys and the Artistic Education

This study articulates the epistemological underpinnings of a web banner’s visual elements featured on the webpage of the research centre, Kindergarten Knowledge Centre for Systemic Research on Diversity and Sustainable Futures (KINDknow). Through interdisciplinary work within a diverse framework including dialogical, cultural, historical, systemic, anthropological and more-than-human epistemological approaches, the research team has consolidated a common sphere of member-identifying visual representations. This work tells the story of how the research team became ‘ocular’ in developing a web banner and establishing a new research centre. The aim of the narrative is to demonstrate how visual forms, elements, symbols and metaphors can be productive in research teamwork for articulating epistemological commonplaces and commonalities. The article shows the text and visual elements used. The video attached outlines one of the metaphors that served as a productive thinking tool in the process.

In: Video Journal of Education and Pedagogy

Using digital video technology for collecting research data is becoming a popular qualitative method in social science research. This article explores how digital video technology could be an analytical tool for a researchers and how this tool supports the researcher to actively engage in children’s play. The study uses a cultural-historical methodological approach and Hedegaard’s “dialectical-interactive research approach” (2008b, p. 43) to analyse the data. Three different examples of a focus child, Apa, and the researcher’s participation in different play vignettes will be presented. It has been found that a researcher needs to be really skillful when taking the “doubleness approach” (Hedegaard 2008d, p. 203) of simultaneously taking part in the children’s play and video recording the moments of play. The findings also show that positioning the camera in a way where it can capture the play moments and participants’ expressions, enabled the researcher to be an active play participant in the play and to understand the play theme from the children’s perspectives without taking the authority away from the children. The authors argue that using digital video technology could be a useful analytical tool for the researcher to understand the participants’ perspectives and the research context itself.

In: Video Journal of Education and Pedagogy