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This volume provides an overview of the development of the Patriarchate of Constantinople from Late Antiquity to the Early Ottoman period (4th to 15th c.). It highlights continuities and changes in the organizational, dogmatic, and intellectual framework of the central ecclesiastical institution of the Byzantine Empire in the face of political and religious upheavals. The volume pays attention to the relations of the Patriarchate with other churches in the West and in the East. Across the disciplinary divide between Byzantine and Ottoman studies, the volume explains the longevity of the Patriarchate beyond the fall of Byzantium in 1453 up to modern times. A particular focus is laid on an original register book of the 14th century.

Contributors are: Claudia Rapp, Frederick Lauritzen, Tia M. Kolbaba, Johannes Preiser-Kapeller, Marie-Hélène Blanchet, Dimitrios G. Apostolopoulos, Machi Païzi-Apostolopoulou, Klaus-Peter Todt, Mihailo S. Popović, Konstantinos Vetochnikov, Ekaterini Mitsiou, Vratislav Zervan, and Christian Gastgeber.
Volume Editor: John F. Lopez
This book presents a historical overview of colonial Mexico City and the important role it played in the creation of the early modern Hispanic world. Organized into five sections, an interdisciplinary and international team of twenty scholars scrutinize the nature and character of Mexico City through the study of its history and society, religious practices, institutions, arts, and scientific, cartographic, and environmental endeavors. The Companion ultimately shows how viceregal Mexico City had a deep sense of history, drawing from all that the ancient Americas, Europe, Asia, and Africa offered but where history, culture, and identity twisted and turned in extraordinary fashion to forge a new society.

Contributors are: Matthew Restall, Luis Fernando Granados, Joan C. Bristol, Sonya Lipsett-Rivera, Frances L. Ramos, Antonio Rubial García, Alejandro Cañeque, Cristina Cruz González, Iván Escamilla González, María del Pilar Martínez López-Cano, Enrique González González, Paula S. De Vos, Barbara E. Mundy, John F. López, Miruna Achim, Kelly Donahue-Wallace, Martha Lilia Tenorio, Jesús A. Ramos-Kitrell, Amy C. Hamman, and Stacie G. Widdifield.
Volume Editor: Igor Dorfmann-Lazarev
Apocryphal traditions, often shared by Jews and Christians, have played a significant role in the history of both religions. The 26 essays in this volume examine regional and linguistic developments in Ethiopia, Egypt, Syria, Armenia, the Balkans, and Italy. Dissenting groups, such as the Samaritans, followers of John the Baptist, and mediæval dualists are also discussed. Furthermore, the book looks at interactions of Judaism and Christianity with the religions of Iran.
Seldom verified or authorized, and frequently rejected by Churches, apocryphal texts had their own process of development, undergoing significant transformations. The book shows how apocryphal accounts could become a medium of literary and artistic elaboration and mythological creativity. Local adaptations of Biblical stories indicate that copyists, authors and artists conceived of themselves as living not in a post-Biblical era, but in direct continuity with Biblical personages.
Ritual Failure and Theological Innovation in Early Christianity
Author: Peter-Ben Smit
In Felix culpa: Ritual Failure and Theological Innovation in Early Christianity, Peter-Ben Smit argues that ritual developments were key to the development of early Christianity. Focusing on rituals that go wrong, he shows precisely how ritual infelicities are a catalyst for reflection upon ritual and their development in terms of their performance as well as the meaning attributed to them. Smit discusses texts from the Pauline epistles and the Gospel of Mark, and provides a chapter on Philo of Alexandria by way of contextualization in the Greco-Roman world. By stressing the importance of ritual, the present book invites a reconsideration of all too doctrinally focused approaches to early Christian communities and identities. It also highlights the embodied and performative character of what being in Christ amounted to two millennia ago.
Imagination in Renaissance Art and Theory from Botticelli to Michelangelo
Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? Art historians have been fiercely debating this question for decades. This book starts with Ficino’s views on the imagination as a faculty of the soul, and shows how these ideas were part of a long philosophical tradition and inspired fresh insights. This approach, combined with little known historical material, offers a new understanding of whether, how and why Ficino’s Platonic conceptions of the imagination may have been received in the art of the Italian Renaissance. The discussion explores Ficino’s possible influence on the work of Botticelli and Michelangelo, and examines the appropriation of Ficino’s ideas by early modern art theorists.