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[Mamluk Palaces and Houses in Cairo: An Archaeological and Civilizational Study]
Author: Ghazwan Yaghi
Mamluk Palaces and Houses in Cairo studies the types of extant residential buildings in Cairo from the Mamluk era (1250-1517 C.E.) and the factors affecting their design, architectural and decorative elements, and building materials. It provides an archaeological, architectural, historical, and documentary study of all the surviving palaces and houses, focussing on the structural and architectural status of its various parts. The author also discusses its present-day restoration and rehabilitation projects.
In this book, Ghazwan Yaghi presents a variety of empirical material that sheds more light on the social and economic history of the Mamluk era, as well as a glossary of archaeological and documentary terminology that could serve as a tool for further research in Islamic architecture.

القصور والبيوت المملوكية في القاهرة يدرس أنواع المباني السكنية الموجودة في القاهرة من العصر المملوكي (0521-7151 م) والعوامل المؤثرة في تصميمها، وعناصرها المعمارية والزخرفية، ومواد بناءها، إضافة لتقديم دراسة أثرية ومعمارية وتاريخية ووثائقية لكل القصور والبيوت الباقية، مع التركيز على الحالة الإنشائية والمعمارية لكافة أجزاءها، وملقية الضوء على مشاريع ترميمها وإعادة تأهيلها حتى الوقت الحالي.
في هذا الكتاب، يقدم غزوان ياغي مادة ثرية تساهم في زيادة فهمنا للتاريخ الاجتماعي والاقتصادي للعصر المملوكي، كما يوفر مسرد المصطلحات الأثرية والوثائقية مادة علمية تزيد من فهمنا للعمارة السكنية الإسلامية التي يأتي المنتج المعماري فيها معبراً بصورة دقيقة عن أصحابه سواء منهم من أمر به أو من قام بتنفيذه.
Intercultural Engagements with Architecture and Craft in the Age of Travel and Reform
Author: Mercedes Volait
The commodification of Islamic antiques intensified in the late Ottoman Empire, an age of domestic reform and increased European interference following the Tanzimat (reorganisation) of 1839. Mercedes Volait examines the social life of typical objects moving from Cairo and Damascus to Paris, London, and beyond, uncovers the range of agencies and subjectivities involved in the trade of architectural salvage and historic handicraft, and traces impacts on private interiors, through creative reuse and Revival design, in Egypt, Europe and America. By devoting attention to both local and global engagements with Middle Eastern tangible heritage, the present volume invites to look anew at Orientalism in art and interior design, the canon of Islamic architecture and the translocation of historic works of art.
A Socio-Political History of Architecture
Author: R.D. McChesney
In Central Asia, Muslim shrines have served as community centers for centuries, particularly the large urban shrines that seem, in many cases, to have served as the inspiration as well for a city’s architectural development. In Four Central Asian Shrines: A Socio-Political History of Architecture R. D. McChesney documents the histories of four such long-standing shrines—Gur-i Mir at Samarqand, Khwajah Abu Nasr Parsa Mazar at Balkh, the Noble Rawzah at Mazar-i Sharif, and the Khirqat al-Nabi at Qandahar. In all four cases the creation and evolution of the architecture of these shrines is traced through narratives about their social and political histories and in the past century and a half, through the photographic record.
Author: Moshe Sharon
Western Palestine is extremely rich in Arabic inscriptions, whose dates range from as early as CE 150 until modern times. Most of the inscriptions date from the Islamic period, for under Islam the country gained particular religious and strategic importance, even though it made up only part of the larger province of Syria.
This historical importance is clearly reflected in the hundreds of inscriptions, the texts of which cover a variety of topics: construction, dedication, religious endowments, epitaphs, Qur'anic texts, prayers and invocations, all now assembled in the Corpus Inscriptionum Arabicarum Palaestinae ( CIAP).
The CIAP follows the method established at the end of the 19th century by Max van Berchem, namely, the studying of the Arabic inscriptions 'in context'. Van Berchem managed to publish two volumes of the inscriptions from Jerusalem: the CIAP covers the entire country. The inscriptions are arranged according to site, and are studied in their respective topographical, historical and cultural context. In this way the CIAP offers more than a survey of inscriptions: it represents the epigraphical angle of the geographical history of the Holy Land.
Volume One: (A) was published in 1997, Volume Two: (B-C) in 1999, Volume Three: (D-F) in 2004, Volume Four: (G) in 2008, an Addendum in 2007, Volume Five: (H-I) in 2013, Volume Six: J (1) in 2016 and Volume Seven: J (2) Jerusalem 1 in 2021. All volumes are still available.
Dedicated to Erica Cruikshank Dodd, Art and Material Culture in the Byzantine and Islamic Worlds offers new perspectives on the Christian and Muslim communities of the east Mediterranean from medieval to contemporary times. The contributors examine how people from diverse religious backgrounds adapted to their changing political landscapes and show that artistic patronage, consumption, and practices are interwoven with constructed narratives. The essays consider material and textual evidence for painted media, architecture, and the creative process in Byzantium, Crusader-era polities, the Ottoman empire, and the modern Middle East, thus demonstrating the importance of the past in understanding the present.

Contributors: Evanthia Baboula, Lesley Jessop, Anthony Cutler, Jaroslav Folda, John Osborne, Glenn Peers, Annemarie Weyl Carr, Mat Immerzeel, Bas Snelders, Angela Andersen, May Farhat, Marcus Milwright, Rico Franses.
Cultural Negotiations and Artistic Translations in the Middle Ages and 19th-century Historicism
Volume Editor: Francine Giese
Mudejarismo and Moorish Revival in Europe examines key aspects related to the reception of Ibero-Islamic architecture in medieval Iberia and 19th-century Europe. It challenges prevalent readings of architecture and interiors whose creation was the result of cultural encounters. As Mudéjar and neo-Moorish architecture are closely connected to the Islamic world, concepts of identity, nationalism, religious and ethnic belonging, as well as Orientalism and Islamoscepticism significantly shaped the way in which they have been perceived over time. This volume offers art historical and socio-cultural analysis of selected case studies from Spain to Russia and opens the door to a better understanding of interconnected cultural and artistic phenomena.
Contributors are (in order of appearance) Francine Giese, Ariane Varela Braga, Michael A. Conrad, Katrin Kaufmann, Sarah Keller, Elena Paulino Montero, Luis Araus Ballesteros, Ekaterina Savinova, Christian Schweizer, Alejandro Jiménez Hernández and Laura Álvarez Acosta.
This comprehensive history of nineteenth century Kandahar, Afghanistan’s second largest city, uses not only traditional historical sources, but unpublished diaries, archived military reports, contemporary photographs, drawings, paintings, and maps of the city drawn by British soldiers, other European visitors, and Asian sources. In addition to its detailed expansion on familiar political history, he addresses the social structure, tribal and ethnic composition, religious institutions, and economic activity during this century. Central to his work is an often street-by-street description of the geographical layout of Kandahar, its key features, and how they changed over time. Both for historians and those seeking the context of contemporary issues in Central Asia, Trousdale’s work is an essential read.
Islamicate Occult Sciences in Theory and Practice brings together the latest research on Islamic occult sciences from a variety of disciplinary perspectives, namely intellectual history, manuscript studies and material culture. Its aim is not only to showcase the range of pioneering work that is currently being done in these areas, but also to provide a model for closer interaction amongst the disciplines constituting this burgeoning field of study. Furthermore, the book provides the rare opportunity to bridge the gap on an institutional level by bringing the academic and curatorial spheres into dialogue.

Contributors include: Charles Burnett, Jean-Charles Coulon, Maryam Ekhtiar, Noah Gardiner, Christiane Gruber, Bink Hallum, Francesca Leoni, Matthew Melvin-Koushki, Michael Noble, Rachel Parikh, Liana Saif, Maria Subtelny, Farouk Yahya, and Travis Zadeh.
Arabian Identity and Material Culture
Volume Editors: Ileana Baird and Hülya Yağcıoğlu
By employing the innovative lenses of ‘thing theory’ and material culture studies, this collection brings together essays focused on the role played by Arabia’s things - from cultural objects to commodities to historical and ethnographic artifacts to imaginary things - in creating an Arabian identity over time. The Arabian identity that we convey here comprises both a fabulous Arabia that has haunted the European imagination for the past three hundred years and a real Arabia that has had its unique history, culture, and traditions outside the Orientalized narratives of the West. All Things Arabia aims to dispel existing stereotypes and to stimulate new thinking about an area whose patterns of trade and cosmopolitanism have pollinated the world with lasting myths, knowledge, and things of beauty.

Contributors include: Ileana Baird, Marie-Claire Bakker, Joseph Donica, Holly Edwards, Yannis Hadjinicolaou, Victoria Hightower, Jennie MacDonald, Kara McKeown, Rana Al-Ogayyel, Ceyda Oskay, Chrysavgi Papagianni, James Redman, Eran Segal, Hülya Yağcıoğlu, and William Gerard Zimmerle.