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Translator: Katharina Tobisch
The sociology of sport is a relatively new scientific discipline, which has spread rapidly and developed in different directions across the world. It investigates social behavior, social processes, and social structures in sport, as well as the relationship between sport and society. The book Introduction to the Sociology of Sport aims to give its readers a comprehensive overview of this fascinating topic. For this purpose, it shows the interrelations between sport and identity, social class, gender, socialization, social groups, (mass) communication, the economy, and politics. In addition, the book introduces a new, innovative theory that helps readers understand the social specificity and worldwide popularity of sport.
Volume Editors: Jacque Lynn Foltyn and Laura Petican
For the contributors to In Fashion: Culture, Commerce, Craft, and Identity being “in fashion” is about self-presentation; defining how fashion is presented in the visual, written, and performing arts; and about design, craft, manufacturing, packaging, marketing and archives. The book’s international cast of authors engage “in” fashion from various disciplinary, professional, and creative perspectives; i.e., anthropology, archaeology, art history, cultural studies, design, environmental studies, fashion studies, history, international relations, literature, marketing, philosophy, sociology, technology, and theatre.

In Fashion has five sections:
• Fashioning Representations: Texts, Images, and Performances;
• Fashionable: Shopping, Luxury, and Vintage;
• Fashion’s Materials: Craft, Industry, and Innovation;
• Museum Worthy: Fashion and the Archive;
• Fashioning Cultural Identities: Case Studies.
Volume Editors: Natalie Khazaal and Núria Almiron
The contributors of Like an Animal challenge most fundamental concepts in the fields of racism, dehumanization, borders, displacement, and refugees that rest on the assumption of humanism. They show how we can bend the arc of the moral universe toward justice at the border. The goal of this interdisciplinary collection is twofold. First, to invite border/migration studies to consider a broader social justice perspective that includes nonhuman animals. Second, to start a discussion if nonhumans maybe refugees of a kind and how humans can address nonhumans’ interests and needs from the perspective of addressing refugee issues. As capitalism and the climate crisis are taking a catastrophic toll on the planet, this timely volume exposes the alternative origins of violence that lie at the heart of the planet’s destruction.
Author: Rafael Bernabe
Walt Whitman and His Caribbean Interlocutors: José Martí, C.L.R. James, and Pedro Mir explores the writings of Whitman (1819-1892) and of three Caribbean authors who engaged with them: the Cuban poet, essayist and revolutionary José Martí (1853-1895); the Trinidadian activist, historian and cultural critic C.L.R. James (1901-1989), and the Dominican poet Pedro Mir (1913-2000). Whitman and his Caribbean interlocutors are discussed against the background of the contradictions of capitalist modernity, as exemplified by the United States between the 1840s and the 1940s. Marx's exploration of the liberating and oppressive dimensions of capitalist expansion frames the discussion of each author and of Martí's, James's and Mir's responses to Whitman and, more generally, to North American capitalist and industrial civilisation and its imperial projections.
Portada Hispánica is a book series that is dedicated to Hispanic Studies. It aims to be a broad forum of essential contributions to research in Spanish and Latin-American language, culture and literature. Scholars from all over the world are invited to submit their manuscript at the publisher. The series accepts monographs and collections, and is published in Spanish and English.
Critical Studies seeks to foster cross-disciplinarity and thus to participate in the ongoing reconfiguration of the Humanities and Social Sciences, while challenging received conceptual frames and perspectives, be they entrenched or 'current'.
To this aim, it publishes guest-edited, multi-authored collections of essays by scholars and intellectuals coming from various disciplinary and cultural backgrounds.
The series welcomes volumes dealing with a vast range of topics, from the most enduring to the most contemporary, such as future and emerging technologies.
Whether topics initially pertain to the fields of gender studies, media studies, postcolonial studies or studies in post-humanism, to name just a few, special consideration is given to collections that:
1. seriously attempt to produce innovative cross-disciplinary analyses by involving multiple theoretical languages and/or cultural areas;
2. do not content themselves with applying methodologies or theories but submit their own gestures and presuppositions to critical scrutiny;
3. endeavor to open new questions and to posit new objects for investigation on the basis of their methodological and theoretical innovation.

The series published two volumes over the last 5 years.
(Formerly: GDR-Monitor)
Editor: Laura Bradley
German Monitor (founded in 1979) is a series for themed edited volumes on literature, culture and politics in the German-speaking world since 1945. Our approach is inclusive: some volumes focus on single authors, political figures or genres; other volumes explore themes such as narratives of trauma, German left-wing terrorism, local/global narratives, and the roles that Germany, Austria, and Switzerland play in Europe today.

We welcome proposals for interdisciplinary volumes as well as those with a specifically literary, cultural or political focus. Many of our contributors are based in German Studies, others in disciplines such as Comparative Literature, Film Studies, Musicology, History, Museum Studies, and Political Science.

The book series has a system of double peer-reviewing. We publish volumes in German or English.

Authors are cordially invited to submit proposals to the publisher at BRILL, Christa Stevens.
Questions about your manuscript and proposals can also be directed to the Editor in Chief, Laura Bradley.

The series published an average of one volume per year over the last 5 years.