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Critical Animal Studies investigates and challenges the complex dynamics of structural, institutional and discursive power formations that affect animals, humans, and the environment. By “critical” we mean that animal studies must not become a safe and sanitized discourse; it must use its unique and powerful perspective to advance a radical and oppositional dissent that engages and politicizes the many profound ethical, environmental, and social issues embedded in animal studies. With a critical orientation to the study of human-animal relationships, the series seeks to contribute to current debates and be a resource for social justice, animal advocacy and environmental movements and research as well as for humanities and social science scholars more generally. The series bridges boundaries between academic and activist knowledge development, between scholarship and citizenship, between theory and praxis, as well as between existing disciplines. We particularly invite texts that explore under researched areas such as animals and climate change, globalization, capital, colonialism, queer theory, education theory, childhood studies, labor issues, and disability studies. We welcome contributions from any discipline. For more information on Critical Animal Studies, please visit:

Possible book proposals may:
• Intervene in the animal economy of the production, science, service, experience, and culture industries;
• Critically analyze ideologies, practices and effects of the current animal welfare movements;
• Explore diverse forms and sites of human and animal resistance;
• Reappraise preexisting texts (such as Elaine Scarry’s The Body in Pain) by exploring new connects to the field of critical animal studies;
• Contribute to bold, innovative, and boundary shifting knowledge development in critical animal studies.

The series published an average of one volume per year over the last 5 years.
Series Editor: Chaime Marcuello-Servós
We are living in turbulent times in which we need to face global challenges connecting fields and perspectives. Complex social issues require complex, multidisciplinary approaches to deal with their complexity. In recent decades, sociocybernetics has developed as a distinct discipline that aims to meet this challenge. Sociocybernetics is concerned with applying first and second order cybernetics, the systems sciences and complexity science in the social sciences. Brill Research Perspectives in Sociocybernetics and Complexity disseminates advances in sociocybernetics and consolidates existing research efforts, including theory and applications. Each installment addresses developments around a specific topic; thus, besides the audience interested in developments in sociocybernetics and the complexity sciences, each installment appeals to those in other disciplines who are engaged with a particular topic. The topics addressed range from foundational issues to applications in systems modelling, the arts, social interventions, environmental problems, social work and care, public policies, and urban design, on a local or global scale. Brill Research Perspectives in Sociocybernetics and Complexity is an invaluable resource for scholars, policymakers and practitioners wishing to learn about the latest developments in sociocybernetics, as well as a useful resource for teachers and those studying the social sciences and related disciplines.

Each installment is a focused monograph of approximately 30,000-40,000 words (70-100 pages) presenting the state of the art on a specific theme in close combination with critical analysis and research.

Authors are cordially invited to submit proposals and/or full manuscripts by email to the publisher Jason Prevost. Please direct all other correspondence to Associate Editor Debbie de Wit.
Author: Arie Verhagen
In these lectures, Arie Verhagen presents a version of cognitive linguistics that adheres to both the generalization and cognitive commitments that characterized the field from the start, and a biological commitment: understanding language as adaptive behavior of (human) organisms in the niche(s) that they inhabit. Drawing on the model of biological explanation (“Tinbergen’s four why’s”), Verhagen shows how proximate (individual level) and ultimate (population level) explanations apply to several features of language, shedding new light on basic notions like conventionality and entrenchment, norms/rules and habits, etc., and their causal connections. Topics include the relation between language, culture, and thinking, the role of language in social cognition and narrative, the evolution of sound structure and grammar, semantic change, and more.
The Peopling of the World from the Perspective of Language, Genes and Material Culture
This volume provides the most up-to-date and holistic but compact account of the peopling of the world from the perspective of language, genes and material culture, presenting a view from the Himalayas. The phylogeny of language families, the chronology of branching of linguistic family trees and the historical and modern geographical distribution of language communities inform us about the spread of languages and linguistic phyla. The global distribution and the chronology of spread of Y chromosomal haplogroups appears closely correlated with the spread of language families. New findings on ancient DNA have greatly enhanced our understanding of the prehistory and provenance of our biological ancestors. The archaeological study of past material cultures provides yet a third independent window onto the complex prehistory of our species.
Series Editor: Marcel Danesi
In an age of numbers, intellectual and aesthetic partnerships between mathematicians and the contemporary arts, humanities, and entertainment worlds have become virtually routine. Movies, television shows, and websites built around, or involving, mathematics are now commonplace. Studies in Mathematics in the Arts and Humanities (MIAH) deals with all aspects of this partnership. The monographs and edited volumes of this book series explore all aspects of mathematics outside of mathematics itself, that is, as a cultural, aesthetic, and representational phenomenon. Each work examines some particular aspect, text, or event that falls under this rubric, from mathematics in natural phenomena (e.g., the Fibonacci Series), to math in myth and mysticism (e.g., the ancient Egyptian god Horus), in the arts (e.g., the golden ratio), and in pop fiction (e.g., movies, novels). The series presents mathematics as a cultural phenomenon, rather than as an abstract technical field.

Studies in Mathematics in the Arts and Humanities also explores such areas as the role of mathematics in new forms of art, such as digital art, and websites that present interesting facts about the interconnection between math and everyday life. These are discussed in terms of critical and genre theories that apply to any textual creation. The series is thus of interest to scholars and instructors involved in interdisciplinary work in which mathematics surfaces as an ancillary or thematic focus, including culture studies, literary criticism, anthropology, musicology, and art criticism. Furthermore, it is of interest and relevance to anyone who is interested in how mathematics is evolving in cultural spaces, new and old.

Studies in Mathematics in the Arts and Humanities is published in cooperation with The Fields Institute for Research in Mathematical Sciences.

Manuscripts should be at least 80,000 words in length (including footnotes and bibliography). Manuscripts may also include illustrations and other visual material. The editors welcome proposals for monographs written for academics and researchers in the field that are based on original scholarly research that makes a notable contribution to the subject. The series editors will also consider proposals for edited volumes that demonstrate strong thematic coherence and continuity among the contributions.

Authors are cordially invited to submit proposals and/or full manuscripts by email to the publisher Jason Prevost. Please direct all other correspondence to Associate Editor Jennifer Obdam.

Authors will find general proposal guidelines at the Brill Author Gateway.
What we hear before and/or while we eat and drink often affects our tasting experiences. The focus of Auditory Contributions to Food Perception and Consume Behaviour is to provide a state-of-the-art summary on how such music and ambient inputs can influence our expectations, our purchasing behaviour, as well as our product experience. Much of the research collected together in this volume relates to ‘sonic seasoning’: This is where music/soundscapes are especially chosen, or else designed/composed, in order to correspond to, and hence hopefully to modify the associated taste/aroma/mouthfeel/flavour in food and beverages. The various chapters collected together in this volume provide a state-of-the-art summary of this intriguing and emerging field of research, as well as highlighting some of the key directions for future research. Contributors are Sue Bastian, Thadeus L. Beekman, Jo Burzynska, Andrew Childress, Ilja Croijmans, Silvana Dakduk , Alexandra Fiegel, Apratim Guha, Ryuta Kawashima, Bruno Mesz, Kosuke Motoki, Rui Nouchi, Felipe Reinoso-Carvalho, Pablo Riera, Marijn Peters Rit, Toshiki Saito, Han-Seok Seo, Mariano Sigman, Laura J. Speed, Charles Spence, Motoaki Sugiura, Marcos Trevisan, Carlos Velasco, Johan Wagemans, and Qian Janice Wang.
Art and Science in Word and Image investigates the theme of ‘riddles of form’, exploring how discovery and innovation have functioned inter-dependently between art, literature and the sciences.

Using the impact of evolutionary biologist D’Arcy Thompson’s On Growth and Form on Modernist practices as springboard into the theme, contributors consider engagements with mysteries of natural form in painting, photography, fiction, etc., as well as theories about cosmic forces, and other fields of knowledge and enquiry. Hence the collection also deals with topics including cultural inscriptions of gardens and landscapes, deconstructions of received history through word and image artworks and texts, experiments in poetic materiality, graphic re-mediations of classic fiction, and textual transactions with animation and photography.

Contributors are: Dina Aleshina, Márcia Arbex, Donna T. Canada Smith, Calum Colvin, Francis Edeline, Philippe Enrico, Étienne Février, Madeline B. Gangnes, Eric T. Haskell, Christina Ionescu, Tim Isherwood, Matthew Jarron, Philippe Kaenel, Judy Kendall, Catherine Lanone, Kristen Nassif, Solange Ribeiro de Oliveira, Eric Robertson, Frances Robertson, Cathy Roche-Liger, David Skilton, Melanie Stengele, Barry Sullivan, Alice Tarbuck, Frederik Van Dam.

Volume Editors: Adam Izdebski and Michael Mulryan
Environment and Society in the Long Late Antiquity brings together scientific, archaeological and historical evidence on the interplay of social change and environmental phenomena at the end of Antiquity and the dawn of the Middle Ages, covering the period ca. 300-800 AD. It gives a new impetus to the study of the environmental history of this crucial period of transition between two major epochs in premodern history. The volume contains both systematic overviews of the previous scholarship and available data, as well as a number of interdisciplinary case studies. It covers a wide range of topics, including the histories of landscape, climate, disease and earthquakes, all intertwined with social, cultural, economic and political developments.

Contributors are Daniel Abel-Schaad , Francesca Alba-Sánchez, Flavio Anselmetti, José Antonio López-Sáez, Daniel Ariztegui, Brunhilda Brushulli, Yolanda Carrión Marco, Alexandra Chavarría, Petra Dark, Carmen Fernández Ochoa, Martin Finné, Asuunta Florenzano, Ralph Fyfe,Didier Galop, Benjamin Graham, John Haldon, Kyle Harper, Richard Hodges, Adam Izdebski, Katarina Kouli, Inga Labuhn, Tamara Lewit, Anna Maria Mercuri, Alessia Masi, Lucas McMahon, Lee Mordechai, Mario Morellón, Timothy Newfield, Almudena Orejas Saco del Valle, Leonor Peña-Chocarro, Sebastián Pérez-Díaz, Eleonora Regattieri, Stephen Rippon, Neil Roberts, Laura Sadori, Abigail Sargent, Gaia Sinopoli, Paolo Squatriti, Giovanni Stranieri, Raymond van Dam, Bernd Wagner, Mark Whittow, Penelope Wilson, Jessie Woodbridge.

See inside the book.
Timing and Time Perception: Procedures, Measures, and Applications is a one-of-a-kind, collective effort to present the most utilized and known methods on timing and time perception. Specifically, it covers methods and analysis on circadian timing, synchrony perception, reaction/response time, time estimation, and alternative methods for clinical/developmental research. The book includes experimental protocols, programming code, and sample results and the content ranges from very introductory to more advanced so as to cover the needs of both junior and senior researchers. We hope that this will be the first step in future efforts to document experimental methods and analysis both in a theoretical and in a practical manner.

Contributors are: Patricia V. Agostino, Rocío Alcalá-Quintana, Fuat Balcı, Karin Bausenhart, Richard Block, Ivana L. Bussi, Carlos S. Caldart, Mariagrazia Capizzi, Xiaoqin Chen, Ángel Correa, Massimiliano Di Luca, Céline Z. Duval, Mark T. Elliott, Dagmar Fraser, David Freestone, Miguel A. García-Pérez, Anne Giersch, Simon Grondin, Nori Jacoby, Florian Klapproth, Franziska Kopp, Maria Kostaki, Laurence Lalanne, Giovanna Mioni, Trevor B. Penney, Patrick E. Poncelet, Patrick Simen, Ryan Stables, Rolf Ulrich, Argiro Vatakis, Dominic Ward, Alan M. Wing, Kieran Yarrow, and Dan Zakay.
Contrasting Approaches to Concepts of Forgiveness and Revenge
Demands for forgiveness, even in the face of horrific crimes, were common to the late twentieth century and remain critical aspirations for persons and communities in the early twenty-first century. Research on forgiveness and revenge has nevertheless revealed that many people hold divergent moral and pragmatic beliefs about forgiving, and most survivors express longstanding skepticism about when forgiveness is appropriate and when it is not. By taking an interdisciplinary approach to these issues, the current volume considers the complexities of forgiveness and revenge in the modern world. The chapters address some of the most critical inquiries today: How is forgiveness facilitated or obstructed? What is the role of truth, restitution, reparation or retribution? When is forgiveness without restitution appropriate? Is forgiveness in the true sense of the term even possible? Through empirical, theoretical and literary analyses, this volume addresses the power of revenge and forgiveness in human affairs and offers a unique outlook on the benefits of interdisciplinary discussions for enhancing forgiveness and deterring revenge in multiple aspects of human life.