Browse results

You are looking at 1 - 10 of 225 items for :

  • History of the Book x
  • Upcoming Publications x
  • Just Published x
Clear All
Muʾallafāt Yūsuf b. Ḥasan b. ʿAbd al-Hādī wa-Musāhamatuhu fī Ḥifẓ al-Turāth al-Fikrī
On the basis of a newly discovered manuscript this book offers the most comprehensive bibliography of the enormous output of the fifteenth-century scholar Ibn ʿAbd al-Hādī – enlarging our view of his scholarly contribution and correcting numerous mistakes in this regard. This book is thus essential reading for all those interested in the writerly world of Damascus and the scholarly world of the late fifteenth century, especially with regard to the Ḥanbalī tradition and ḥadīth scholarship. In particular, linking the titles of his books with the extant manuscripts in libraries around the world opens new perspectives to these scholarly worlds. At the same time this book offers a new framework to studying social history with reference to documents and the material culture of the book.

في اكتشاف جديد لمخطوطة تسمية كتب يوسف بن حسن بن عبد الهادي، يُقدِّم سعيد الجوماني وكونراد هيرشلر أضبط قائمة ببليوغرافية بمؤلفاته الشخصيَّة وبخط يده؛ فنبَّهت هذه القائمة إلى جزءٍ من إنتاجه الفكري كان مجهولاً تماماً، وصححت الكثير من أخطاء القراءة في القوائم السابقة. ونشرها سيدعم الأبحاث العاملة بحقل حركة التأليف بدمشق والحياة الفكريّة فيها نهاية القرن التاسع الهجريّ، خاصّةً ما يتعلق بالتراث الحنبليّ وعلم الحديث. وسيفتح الربط بين المؤلفات المذكورة في تسمية الكتب من جهة ووقف كتب ابن عبد الهادي من جهة ثانية والمخطوطات الموجودة في مكتبات العالم من جهة ثالثة باباً جديداً إلى دراسة التراث الفكري في مدينة دمشق أواخر العهد المملوكي. وتقترح هذه الدراسة إطاراً جديداً لدراسة التاريخ الاجتماعي اعتماداً على الوثائق الشخصيَّة والهيئات الماديّة للمخطوطات الشخصيّة.
Print, in the early modern period, could make or break power. This volume addresses one of the most urgent and topical questions in early modern history: how did European authorities use a new medium with such tremendous potential? The eighteen contributors develop new perspectives on the relationship between the rise of print and the changing relationships between subjects and rulers by analysing print’s role in early modern bureaucracy, the techniques of printed propaganda, genres, and strategies of state communication. While print is often still thought of as an emancipating and destabilizing force of change in early modern societies, the resulting picture shows how instrumental print was in strengthening existing power structures.
Author: Heiko Droste
Translator: Madeleine Hurd
In the seventeenth century news was an investment in social relationships, a resource that concerned the interests of members of functional elites. Exchanging news entailed different forms of participation in functional elites and, thus, privilege. This business was part of the elites’ internal social structures; it constituted the fabric of all public institutions.
This book questions notions of a print-based public sphere in the seventeenth century. It is based on contemporary tracts on newspapers, the court culture, and letter-writers, as well as news correspondences and other material from archives in the Baltic Sea Region and beyond.

This book is a translation of: Das Geschäft mit Nachrichten: Ein barocker Markt für soziale Ressourcen (Bremen: edition lumière, 2018).
The Handpress World explores the impact of the invention of printing by moveable type from the first experiments of the incunabula age through to the end of the eighteenth century. In this crucial period of book history the new technology both transformed established markets for scholarly and religious literature and found a new public through the rise of the pamphlet and later the newspaper. The series will investigate every aspect of this cultural transformation, from the promotion in print of the great intellectual movements of the day through to the birth of the public library.
This book attends to the most essential, lucrative, and overlooked business activity of early modern Europe: the trade of paper. Despite the well-known fact that paper was crucial to the success of printing and record-keeping alike, paper remains one of the least studied areas of early modern history. Organised into three sections, ‘Hotspots and Trade Routes’, ‘Usual Dealings’, and ‘Recycling Economies’, the chapters in the collection shed light on the practices, materials, and networks of the paper trade. Altogether, the collection uncovers the actors involved in the networks of paper production, transportation, purchase, and reuse, between the thirteenth and nineteenth centuries and across the central and peripheral papermaking regions of Europe.
This book offers a survey of the constitution of the French memoir tradition, and explores in detail the works of four representative authors: Philippe de Commynes, Louise de Savoie, Philippe de Cheverny, and François de Bassompierre. Works of self-writing were usually printed under the title of “memoirs” and have been often considered a uniform genre. These early forms of self-writing were in fact highly heterogenous works at the crossroads of multiple genres, from the account book to the astrological diary. Their writing, printing, and circulation challenge modern notions of autobiographical genres: their authorship is often questionable and collective, and they tended to be compiled in large collections for political ends, without regard to the authors’ intention.
Volume Editors: Clifford Davidson and Sophie Oosterwijk
This edition of John Lydgate’s Dance of Death offers a detailed comparison of the different text versions, a new scholarly edition and translation of Guy Marchant’s 1485 French Danse Macabre text, and an art-historical analysis of its woodcut illustrations.
It addresses the cultural context and historical circumstances of Lydgate’s poem and its model, the mural of 1424-25 with accompanying French poem in Paris, as well as their precursors, notably the Vado mori poems and the Legend of the Three Living and the Three Dead. It discusses authorship, the personification and vizualisation of Death, and the wider dissemination of the Dance. The edited texts include commentaries, notes, and a glossary.
News in Times of Conflict traces the development and spread of the newspaper and the development of the printing industry in Germany in the first half of the seventeenth century. Based on an inspection of all printed newspapers of this period, the book offers an overview over the regional and thematic reporting and the development of journalistic styles and ethics.
It offers an examination of the coverage of two major events: the death of the Swedish king Gustavus Adolphus, and the execution of King Charles I of England. These case studies provide the opportunity for a comparison with the newspaper markets in France, England and the Low Countries, and with the provision of news through manuscript newsletters.
Civil War and the Emergence of a Transnational News Culture in France and the Netherlands, 1561–1598
This book explores the reception of foreign news during the late sixteenth-century civil wars in France and the Netherlands. Analysing a large body of French and Dutch chronicles, Rosanne Baars innovatively demonstrates that the wider public was well aware of events abroad, though interest in foreign conflicts was far from constant. She sheds new light on the connections between the Dutch Revolt and the French Wars of Religion: contemporaries were gradually more inclined to see these wars as part of an international struggle. Baars argues that these times of civil war made inhabitants of both countries more apt at distinguishing rumour from reliable reports, thus contributing to the emergence of a public of critical news consumers.
Over the past few decades, a growing number of studies have highlighted the importance of the ‘School of Salamanca’ for the emergence of colonial normative regimes and the formation of a language of normativity on a global scale. According to this influential account, American and Asian actors usually appear as passive recipients of normative knowledge produced in Europe. This book proposes a different perspective and shows, through a knowledge historical approach and several case studies, that the School of Salamanca has to be considered both an epistemic community and a community of practice that cannot be fixed to any individual place. Instead, the School of Salamanca encompassed a variety of different sites and actors throughout the world and thus represents a case of global knowledge production.

Contributors are: Adriana Álvarez, Virginia Aspe, Marya Camacho, Natalie Cobo, Thomas Duve, José Luis Egío, Dolors Folch, Enrique González González, Lidia Lanza, Esteban Llamosas, Osvaldo R. Moutin, and Marco Toste.