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Author: Malcolm Walsby
Booksellers and Printers in Provincial France 1470–1600 is the first comprehensive guide to the Renaissance French book trade outside of Paris and Lyon. This volume presents short biographies for over 2700 booksellers, printers and bookbinders – over sixty of whom are identified as fictitious.
The biographies are accompanied wherever possible by the details of commercial partnerships, the type used by printers and reproductions of over a hundred signatures. The book provides the details of over six hundred women who either married into the trade or were independently active. The introductory essay analyses the nature, evolution and geographic dispersion of the members of the trade. It is an indispensable tool for understanding the French Renaissance book world.
Author: Ian Maclean
In Episodes in the Life of the Early Modern Learned Book, Ian Maclean investigates intellectual life through the prism of the history of publishing, academic institutions, journals, and the German book fairs whose evolution is mapped over the long seventeenth century. After a study of the activities of Italian book merchants up to 1621, the passage into print, both locally and internationally, of English and Italian medicine and ‘new’ science comes under scrutiny. The fate of humanist publishing is next illustrated in the figure of the Dutch merchant Andreas Frisius (1630–1675). The work ends with an analysis of the two monuments of the last phase of legal humanism: the Thesauruses of Otto (1725–44) and Gerard Meerman (1751–80).
The Relic Book in Late-Medieval Religiosity and Early Modern Aesthetics
Author: Livia Cárdenas
Translator: Kathleen Anne Simon
This study is the first fundamental analysis and synopsis of the printed relic-book genre. Printed relic books represent, both by image and text, precious reliquaries, which were presented to the faithful audience during special liturgical feasts, the display of relics. This study brings into focus the specific aesthetics of these relic books and explores the immense influence that patrons had on figuration as well as on the forms of these books. The analysis focuses on the interaction of image and text as manifestation of authenticity. This book then contributes to clarifying the complex medial role of printing with movable type in its early period and offers a novel interpretation of the cultural significance of artefacts in the Renaissance.

This book is a translation of Die Textur des Bildes: Das Heiltumsbuch im Kontext religiöser Medialität des Spätmittelalters (De Gruyter, 2013)
In: Quaerendo

Abstract

Like many wealthy citizens in the Dutch Golden Age, the Amsterdam civil servant Jacob de Wilde collected coins, gems, and small sculptures from Antiquity. Much has already been written about these collections, but De Wilde’s book collection has been largely neglected. This article focuses on his library.

In: Quaerendo

Abstract

The article (developing a paper presented at 2010 SHARP international conference) investigates the ways grand Faust editions from the 1850s and 1870s make sense as equivocal cultural objects migrating within and beyond Germany. Scholars have focused on these imposing tomes to herald the play as expression of a nation-centred claim, with Faust as heroic myth. This interpretation relied on costly plates and external characteristics for principal evidence. This article instead draws attention to circulation, transformations and fuller readings of these items, combining first-hand research in many collections. On the one hand, it looks into the editorial versions as adjustable to different audiences and cultures, using editorial data, reception evidence, and image analysis. On the other, it shows how fuller readings of a tome, based on material, symbolic and archival evidence, tell two different stories. This study of a text’s print apparel and circulation, at odds with its significance as a national myth, has implications well beyond this singular work.

In: Quaerendo
Author: Cis van Heertum

Abstract

This article discusses the survival of Adriaen Koerbagh’s Bloemhof, a controversial work confidently claimed to be rare in bibliographies and in antiquarian booksellers’ catalogues. So far, more than 70 copies have been found worldwide, in libraries and in private collections. Contemporary annotations provide additional biographical information on Koerbagh’s arrest and imprisonment. The reception of Bloemhof in Dutch and—mainly—German bibliographies is also discussed in the article. An appendix with surviving copies has been added.

In: Quaerendo
In: Quaerendo