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Jane Kate Leonard

In a new study of the Qing government’s 1826 experiment in sea transport of government grain in response to the collapse of the Grand Canal (1825), Jane Kate Leonard highlights how the Daoguang Emperor, together with Yinghe, his chief fiscal adviser, and Qishan, Governor-General of Liangjiang, devised and implemented this innovative plan by temporarily stretching the Qing bureaucracy to include local “assistant” officials and ad hoc bureaus ( ju) and by recruiting ( zhaoshang) private organizations, such as merchant shippers, dockside porters, and lighterage fleets. This is significant because it explains how the Qing leadership was able to respond successfully to crises and change without permanently expanding the reach and expense of the permanent bureaucracy.
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Developmentalist Cities addresses the missing urban story in research on East Asian developmentalism and the missing developmentalist story in studies of East Asian urbanization. It does so by promoting inter-disciplinary research into the subject of urban developmentalism: a term that editors Jamie Doucette and Bae-Gyoon Park use to highlight the particular nature of the urban as a site of and for developmentalist intervention. The contributors to this volume deepen this concept by examining the legacy of how Cold War and post-Cold War geopolitical economy, spaces of exception (from special zones to industrial districts), and diverse forms of expertise have helped produce urban space in East Asia.

Contributors: Carolyn Cartier, Christina Kim Chilcote, Young Jin Choi, Jamie Doucette, Eli Friedman, Jim Glassman, Heidi Gottfried, Laam Hae, Jinn-yuh Hsu, Iam Chong Ip, Jin-Bum Jang, Soo-Hyun Kim, Jana Kliebert, Kah Wee Lee, Seung-Ook Lee, Christina Moon, Bae-Gyoon Park, Hyun Bang Shin.
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This edited volume explores the complex roles that Christian ideas and institutions played in the construction of modern womanhood in East Asia. While contributing to gender dynamics that disprivileged women in China, Japan, and Korea, Christianity was also instrumental in women’s efforts to empower themselves and participate in the public sphere. Many literate East Asian women mobilized Christian beliefs, knowledge, institutions, and networks to raise the profile of “The Woman Question,” frame the contours of the related debate, and craft original responses. These chapters examine East Asian women who were markedly influenced by Christianity as students, trainees, educators, professionals, and activists. Using their increased visibility and resources, they addressed the dilemmas and promises of modernity for women in their countries.
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Production, Distribution and Appreciation

New Aspects of East Asian Lacquer Ware

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This volume evolved from a panel on East Asian lacquer ware that was part of the first conference of the European Association of Asian Art and Archaeology (EAAA) in Olomouc, Czech Republic, in 2014. It focuses on various aspects of East Asian lacquer art ranging from the 2nd century BCE to the 17th century CE. Recent excavations of lacquer ware from tombs in China, distribution of lacquer objects throughout the Eurasian region, the significance of lacquer ware in everyday life, technical aspects of lacquer production in Korea, and the appreciation of Japanese lacquer in Asia and Europe are analyzed by international experts in the field.
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Zinc for Coin and Brass

Bureaucrats, Merchants, Artisans, and Mining Laborers in Qing China, ca. 1680s–1830s

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Hailian Chen

Hailian Chen’s pioneering study presents the first comprehensive history of Chinese zinc—an essential base metal used to produce brass and coin and a global commodity—over the long eighteenth century. Zinc, she argues, played a far greater role in the Qing economy and in integrating China into an emerging global economy, than has previously been recognized. Using commodity chain analysis and exploring over 5,800 items of archival documents, Chen demonstrates how this metal was produced, transported, traded, and consumed by human agents. Situating the zinc story within the human-environment framework, this book covers a broad and interdisciplinary range of political economy, material culture, environment, technology, and society, which casts new light on our understanding of early modern China.
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Jim Glassman

In Drums of War, Drums of Development, Jim Glassman analyses the geopolitical economy of industrial development in East and Southeast Asia during the Vietnam War era, showing how it was shaped by the collaborative planning of US and Asian elites. Challenging both neo-liberal and neo-Weberian accounts of East Asian development, Glassman offers evidence that the growth of industry (the 'East Asian miracle') was deeply affected by the geopolitics of war and military spending (the 'East Asian massacres'). Thus, while Asian industrial development has been presented as providing models for emulation, Glassman cautions that this industrial dynamism was a product of Pacific ruling class manoeuvring which left a contradictory legacy of rapid growth, death, and ongoing challenges for development and democracy.
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Receptions of Greek and Roman Antiquity in East Asia is an interdisciplinary, collaborative, and global effort to examine the receptions of the Western Classical tradition in a cross-cultural context. The inclusion of modern East Asia in Classical reception studies not only allows scholars in the field to expand the scope of their scholarly inquiries but will also become a vital step toward transcending the meaning of Greco-Roman tradition into a common legacy for all of human society.
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Culture in Common

Wang Yiting’s Art of Exchange with Japan

Walter Davis

Culture in Common explores the transnational history of traditionalist art in modern East Asia through a contextualist account of a Chinese artist’s engagement with Japan. Crossing national and disciplinary divides, Walter Davis illuminates how Wang Yiting (1867-1938) mediated Sino-Japanese cooperation in fields to which he contributed importantly—art, business, philanthropy, and religion—adapting traditional forms of expression to projects and concerns of a modern, international milieu.

Grounded in the Japanese archive, Culture in Common expands our understanding of Wang Yiting’s oeuvre and artistic practices, reveals origins, accomplishments, promises, and limitations of the cross-cultural exchanges he espoused in an era of increasing international tensions, and draws attention to the historical importance and shifting historiographical fortunes of twentieth-century Sino-Japanese visual culture.