This extraordinary commentary by a late twelfth-century anonymous northern French exegete interprets the Song of Songs solely according to its plain meaning as a story of two young lovers and their developing relationship. The exegete pays attention to every detail of the text, offering many enlightening insights into its meaning, all the while expanding upon the “way of lovers” – the ways that young people in love go about their lovemaking. The French background of the exegete is made clear by numerous references to knights, coats of arms, weapons, chivalry, and of course, wine drinking. The edition is accompanied by an English translation and extensive introduction which analyzes the various linguistic, literary, and exegetical features of the text.
The Divine Courtroom in Comparative Perspective treat one of the most pervasive religious metaphors, that of the divine courtroom, in both its historical and thematic senses. In order to shed light on the various manifestations of the divine courtroom, this volume consists of essays by scholars of the ancient Near East, Hebrew Bible, Second Temple Judaism, early Christianity, Talmud, Islam, medieval Judaism, and classical Greek literature. Contributions to the volume primarily center upon three related facets of the divine courtroom: the role of the divine courtroom in the earthly legal system; the divine courtroom as the site of historical justice; and the divine courtroom as the venue in which God is called to answer for his own unjust acts.