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Author: Aziza Ouguir
In Moroccan Female Religious Agents: Old Practices and New Perspectives, Ouguir studies Moroccan female religious agents in particular historical women saints and Sufis, the way they constructed powerful saintly personalities that challenged the dominant conventional norms, and the way they are received by venerators and feminist Islamist activists of modern Morocco.

Through hagiographic and oral narratives, Ouguir examines the techniques religious women followed to achieve ethical self-formation and strong religious personalities that promoted them to leadership. She also examined the venerators’, murshidᾱt and Islamist feminists’ reception of women saints in their discourses. Ouguir states convincingly that Moroccan religious women agents in both Morocco’s past and present are to be highlighted for broader discourses on Muslim women and feminism.
Author: Patricia Leavy
Winner of the 2020 American Fiction Awards—Anthologies!

Candy Floss Collection is a set of three previously released, bestselling novels: Low-Fat Love, Blue, and Film. Together these novels create an overarching message about what it truly means to live a “big life” and the kinds of relationships we need with others and ourselves along the way. This is not a trilogy. This collection can be understood as installation art. Written with humor, cultural insight, and a wink, we follow each female protagonist and cast of offbeat characters as they search for love, friendship, and a sense of self. The characters must learn to mind the gap between their lives as they are and as they wish them to be, to chase their dreams even as they stumble on their insecurities, and to never settle for low-fat love. Along the way, characters are imaged in the glow of television and movie screens, their own stories shaped and illuminated by the stories in pop culture. Set in contemporary New York and Los Angeles, with special tributes to 1980s pop culture, each book questions and celebrates the ever-changing cultural landscape against which we live our stories, frame by frame. Candy Floss Collection can be read entirely for pleasure or used as supplemental reading in a variety of courses in women’s studies/gender studies, sociology, psychology, communication, popular culture, media studies, or qualitative inquiry. The book includes further engagement for class or book club use.
Tikim: Essays on Philippine Food and Culture by Doreen G. Fernandez is a groundbreaking work that introduces readers to the wondrous history of Filipino foodways. First published by Anvil in 1994, Tikim explores the local and global nuances of Philippine cuisine through its people, places, feasts, and flavors.

Doreen Gamboa Fernandez (1934–2002) was a cultural historian, professor, author, and columnist. Her food writing educated and inspired generations of chefs and food enthusiasts in the Philippines and throughout the world. This Brill volume honors and preserves Fernandez’s legacy with a reprinting of Tikim, a foreword by chef and educator Aileen Suzara, and an editor’s preface by historian Catherine Ceniza Choy.
Author: Patricia Leavy
Winner of the 2020 American Fiction Awards—Inspirational Fiction!
Award-Winning Finalist of the 2020 International Book Awards—Inspirational Fiction!

Film follows three women who moved to Los Angeles to pursue their dreams. Tash Daniels aspires to be a filmmaker. Her short film was rejected from festivals, she has a stack of rejected grant proposals, and she lost her internship at a studio when her boss harassed her, forcing her to take a job as a personal shopper. Lu K is a hot deejay slowly working her way up the club scene, but no one is doing her any favors. Fiercely independent, she’s at a loss when she meets Paisley, a woman who captures her heart. Monroe Preston is the glamorous wife of a Hollywood studio head. As a teenager she moved to LA in search of a “big” life, but now she wonders if reality measures up to fantasy. When a man in their circle finds sudden fame, each of these women is catapulted on a journey of self-discovery. As the characters’ stories unfold, each is forced to confront how her past has shaped her fears and to choose how she wants to live in the present. Film is a novel about the underside of dreams, the struggle to find internal strength, the power of art, and what it truly means to live a “big” life. Frequently shown bathed in the glow of the silver screen, the characters in Film show us how the arts can reignite the light within. With a tribute to popular culture, set against the backdrop of Tinseltown, Film celebrates how the art we make and consume can shape our stories, scene by scene. Although fictional, Film is loosely grounded in interview research. It can be read entirely for pleasure or used as supplemental reading in a variety of courses in women’s studies/gender studies, sociology, psychology, communication, popular culture, media studies, or qualitative inquiry. Film can be read as a stand-alone novel or as a sequel to the bestselling novel, Blue.
Banlieues, féminités et universalisme
Identités françaises interroge les notions de périphérisation et d’identité nationale à travers une étude de discours sur les banlieues françaises. L’exploration du quotidien, au détriment de l'extraordinaire, invite le lecteur à reconsidérer les représentations des périphéries, et les processus qui créent citoyenneté et marginalité dans la France républicaine. L'accent est porté sur des expériences féminines dans des œuvres produites par des écrivains et artistes issus de ces espaces. Cette attention éclaire les parcours de femmes qui concentrent un ensemble de marginalités socio-économiques ou raciales. L’étude de ces intersections illumine de nombreuses notions d’inclusion et de périphérisation. En plein débats autour d’une identité nationale une et indivisible, l’œuvre de Mame-Fatou Niang illumine des identités plurielles ancrées dans les banlieues françaises.

Identités françaises interrogates notions of marginalization and national identity through an analysis of French banlieues. The display of the quotidian, at the expense of the extraordinary, invites the reader to reconsider the most common images of these urban peripheries and the processes that create citizenship and marginality in republican France. The focus is on the female experience, in works produced by writers and artists from these peripheries. Banlieue women sit at the intersection of marginalities of race, gender and class. The study of these intersections illuminates multiple notions of identity, belonging and peripheralization. Amid the contemporary flare-ups and debates around a single and indivisible French national identity, Mame-Fatou Niang’s work brings to light plural identities rooted in France’s suburban spaces.
Cities are defined by their complex network of busy streets and the multitudes of people that animate them through physical presence and bodily actions that often differ dramatically: elegant window-shoppers and homeless beggars, protesting crowds and patrolling police. As bodies shape city life, so the city’s spaces, structures, economies, politics, rhythms, and atmospheres reciprocally shape the urban soma. This collection of original essays explores the somaesthetic qualities and challenges of city life (in Europe, Asia, Africa, and the Americas) from a variety of perspectives ranging from philosophy, urban theory, political theory, and gender studies to visual art, criminology, and the interdisciplinary field of somaesthetics. Together these essays illustrate the aesthetic, cultural, and political roles and trials of bodies in the city streets.
Women and Gender in the Early Modern Low Countries, 1500-1750 brings together research on women and gender across the Low Countries, a culturally contiguous region that was split by the Eighty Years' War into the Protestant Dutch Republic in the North and the Spanish-controlled, Catholic Hapsburg Netherlands in the South.
The authors of this interdisciplinary volume highlight women’s experiences of social class, as family members, before the law, and as authors, artists, and patrons, as well as the workings of gender in art and literature. In studies ranging from microhistories to surveys, the book reveals the Low Countries as a remarkable historical laboratory for its topic and points to the opportunities the region holds for future scholarly investigations.

Contributors: Martine van Elk, Martha Howell, Martha Moffitt Peacock, Sarah Joan Moran, Amanda Pipkin, Katlijne Van der Stighelen, Margit Thøfner, and Diane Wolfthal.
Exploring the Relationships of Bi+, Polyamorous, Kinky, Ace, Intersex, and Trans People
Expanding the Rainbow is the first comprehensive collection of research on the relationships of people who identify as bi+, poly, kinky, asexual, intersex, and/or trans that is written to be accessible to an undergraduate audience. The volume highlights a diverse range of identities, relationship structures, and understandings of bodies, sexualities, and interpersonal relationships. Contributions to the volume include original empirical research, personal narratives and reflections, and theoretical pieces that center the experiences of members of these communities, as well as teaching resources. Collectively, the chapters present a diverse, nuanced, and empirically rich picture of the variety of relationships and identities that individuals are creating in the twenty-first century.
Feminist Theory and Pop Culture (Second Edition) synthesizes feminist theory with modern portrayals of gender in media culture. This updated text provides comprehensive and interdisciplinary scholarship focused on topics related to:

– Historical examination of feminist theory.
– Application of feminist research methods.
– Feminist theoretical perspectives such as the male gaze, feminist standpoint theory, Black feminist thought, queer theory, masculinity theory, theories of feminist activism, and postfeminism.
– Contributor chapters cover a range of topics from Western perspectives on belly dance to television shows such as Girls, Scandal, and Orange is the New Black.
– Feminist theory and the wave of feminism, including a discussion of the fourth wave.
– Pedagogical features.
– Suggestions for further reading and discussion questions for classroom use.

Feminist Theory and Pop Culture was designed for classroom use and has been written with an eye toward engaging students in discussion. The book’s polished perspective on feminist theory juxtaposes popular culture with theoretical perspectives which have served as a foundation for the study of gender. This interdisciplinary text can serve as a primary or supplemental reading.
Gender and love are so intimately interconnected that it sometimes seems as though they bring each other into being. But their relationship is shifting as human society develops new understandings of identity, gender and the self. The chapters in this volume explore the convoluted and ever-changing nature of love, gender and identity from a variety of disciplines and perspectives, bearing testimony to the perennial appeal of this field of inquiry. There are chapters on the historical constructions of love and gender; the philosophical aspects; the faultlines in twenty-first-century heteronormativity; and the challenges of love from and within the margins. Gender and love are interdisciplinary and this volume will appeal to scholars from all disciplinary protocols.