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In this first comprehensive study of women as economic actors in medieval Norway, Susann Anett Pedersen analyses the economic agency of unmarried heiresses, wives and widows c.1400-1550. Drawing on sources such as sales contracts and private letter correspondence, the book investigates elite women’s formal and informal roles in decision making processes and their ability to make independent economic choices. In particular, the book stresses the importance of looking beyond the legal regulation of women’s economic activities and rather analyses women’s own actions, in order to better grasp the complexity of their economic agency.
Series:
The Northern World, Volume: 95
In this first comprehensive study of women as economic actors in medieval Norway, Susann Anett Pedersen analyses the economic agency of unmarried heiresses, wives and widows c.1400-1550. Drawing on sources such as sales contracts and private letter correspondence, the book investigates elite women’s formal and informal roles in decision making processes and their ability to make independent economic choices. In particular, the book stresses the importance of looking beyond the legal regulation of women’s economic activities and rather analyses women’s own actions, in order to better grasp the complexity of their economic agency.
Series:
Impact of Empire, Volume: 45
Roman women bore children not just for their husbands, but for the Roman state. This book is the first comprehensive study of the importance of fecunditas (human fertility) in Roman society, c. 100 BC - AD 300. Its focus is the cultural impact of fecunditas, from gendered assumptions about infertility, to the social capital children brought to a marriage, to the emperors’ exploitation of fecunditas to build and preserve dynasties. Using a rich range of source material - literary, juristic, epigraphic, numismatic - never before collected, it explores how the Romans shaped fecunditas into an essential female virtue.
Series:
Impact of Empire, Volume: 45
Roman women bore children not just for their husbands, but for the Roman state. This book is the first comprehensive study of the importance of fecunditas (human fertility) in Roman society, c. 100 BC - AD 300. Its focus is the cultural impact of fecunditas, from gendered assumptions about infertility, to the social capital children brought to a marriage, to the emperors’ exploitation of fecunditas to build and preserve dynasties. Using a rich range of source material - literary, juristic, epigraphic, numismatic - never before collected, it explores how the Romans shaped fecunditas into an essential female virtue.
Germany is considered a lauded land of music: outstanding composers, celebrated performers and famous orchestras exert great international appeal. Since the 19th century, the foundation of this reputation has been the broad mass of musicians who sat in orchestra pits, played in ensembles for dances or provided the musical background in silent movie theatres. Martin Rempe traces their lives and working worlds, including their struggle for economic improvement and societal recognition. His detailed portrait of the profession ‘from below’ sheds new light on German musical life in the modern era.
Germany is considered a lauded land of music: outstanding composers, celebrated performers and famous orchestras exert great international appeal. Since the 19th century, the foundation of this reputation has been the broad mass of musicians who sat in orchestra pits, played in ensembles for dances or provided the musical background in silent movie theatres. Martin Rempe traces their lives and working worlds, including their struggle for economic improvement and societal recognition. His detailed portrait of the profession ‘from below’ sheds new light on German musical life in the modern era.
Black Material Culture and the Development of a Consumer Society in South Africa, 1800-2020
Since the early nineteenth century, the things which Black South Africans have had in their homes have changed completely. They have adopted things like tables, chairs, knives, forks, spoons, plates, cups and saucers, iron pots, beds, blankets, European clothing, and later electronic apparatus. Thus they claimed modernity, respectability and political inclusion. This book is the first systematic analysis of this development. It argues that the desire to possess such goods formed a major part of the drive behind the anti-apartheid struggle, and that the demand to consume has significantly influenced both the economy and the politics of the country.
Black Material Culture and the Development of a Consumer Society in South Africa, 1800-2020
Since the early nineteenth century, the things which Black South Africans have had in their homes have changed completely. They have adopted things like tables, chairs, knives, forks, spoons, plates, cups and saucers, iron pots, beds, blankets, European clothing, and later electronic apparatus. Thus they claimed modernity, respectability and political inclusion. This book is the first systematic analysis of this development. It argues that the desire to possess such goods formed a major part of the drive behind the anti-apartheid struggle, and that the demand to consume has significantly influenced both the economy and the politics of the country.
No studies currently exist on consuls and consulates (often dismissed as lowly figures in the diplomatic process) in the Cold War. Research into the work of these overlooked 'poor relations' offers the chance of new perspectives in the field of Cold War studies, exploring their role in representing their country’s interests in far flung and unexpected places and their support for particular communities of fellow nationals and itinerant travellers in difficulties. These unnoticed actors on the international stage played far more complicated roles than one generally imagines.
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Contributors are: Tina Tamman, David Schriffl, Ariane Knuesel , Lori Maguire, Laurent Cesari, Sue Onslow, Pedro Aires Oliveira, David Lee, and Marek Hańderek.
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Contributors are: Tina Tamman, David Schriffl, Ariane Knuesel , Lori Maguire, Laurent Cesari, Sue Onslow, Pedro Aires Oliveira, David Lee, and Marek Hańderek.