Media, Ideology and Hegemony contains a range of topics that provide readers with opportunities to think critically about the new digital world. This includes work on old and new media, on the corporate power structure in communication and information technology, and on government use of media to control citizens. Demonstrating that the new world of media is a hotly contested terrain, the book also uncovers the contradictions inherent in the system of digital power and documents how citizens are using media and information technology to actively resist repressive power. Finally, the collection is solidly grounded in a critical theoretical foundation and respects the importance of a historical understanding. Contributors are: Alfonso M. Rodríguez de Austria Giménez de Aragon, Burton Lee Artz, Arthur Asa Berger, Joseph O. Boyd-Barrett, Marco Briziarelli, Savaş Çoban, Jeff Hoffmann, Junhao Hong, Robert Jensen, Douglas Kellner, Thomas Klikauer, Peter Ludes, Tanner Mirrlees, Vincent Mosco, Victor Pickard, Padmaja Shaw, Nick Stevenson, Gerald Sussman, Minghua Xu.
The Concept of Authenticity in Celebrity and Fan Studies
Questioning what “makes” a celebrity and how celebrity is controlled, dispersed and received are aspects branching out of (Extra)Ordinary’s debate over celebrities as ordinary/extraordinary. Jade Alexander and Katarzyna Bronk, together with the authors whose chapters make up this inter-disciplinary discussion, not only utilise the existing research on celebrity and fandom, but they also go beyond the often-quoted theorists to engage in multidirectional analyses of what it means to be a celebrity, and what influence they have on the consuming public. The present book provides an avenue for exploring not just what celebrity is as a discursive construction, but also how this involves a complex interplay between celebrities, the media and the audience.
Media, Memory, and Projections of Democracy
Politics and Cultures of Liberation: Media, Memory, and Projections of Democracy focuses on mapping, analyzing, and evaluating memories, rituals, and artistic responses to the theme of “liberation.” How is the national framed within a dynamic system of intercultural contact zones highlighting often competing agendas of remembrance? How does the production, (re)mediation, and framing of narratives within different social, territorial, and political environments determine the cultural memory of liberation? The articles compiled in this volume seek to provide new interdisciplinary and intercultural perspectives on the politics and cultures of liberation by examining commemorative practices, artistic responses, and audio-visual media that lend themselves for transnational exploration. They offer a wide range of diverse intercultural perspectives on media, memory, liberation, (self)Americanization, and conceptualizations of democracy from the war years, through the Cold War era to the 21st century.
“Arise Ye Wretched of the Earth” provides a fresh account of the International Working Men’s Association. Founded in London in 1864, the First International gathered trade unions, associations, co-operatives, and individual workers across Europe and the Americas. The IWMA struggled for the emancipation of labour. It organised solidarity with strikers. It took sides in major events, such as the 1871 Paris Commune. It soon appeared as a threat to European powers, which vilified and prosecuted it. Although it split up in 1872, the IWMA played a ground-breaking part in the history of working-class internationalism. In our age of globalised capitalism, large labour migration, and rising nationalisms, much can be learnt from the history of the first international labour organisation. Contributors are: Fabrice Bensimon, Gregory Claeys, Michel Cordillot, Nicolas Delalande, Quentin Deluermoz, Marianne Enckell, Albert Garcia Balaña, Samuel Hayat, Jürgen Herres, François Jarrige, Mathieu Léonard, Carl Levy, Detlev Mares, Krzysztof Marchlewicz, Woodford McClellan, Jeanne Moisand, Iorwerth Prothero, Jean Puissant, Jürgen Schmidt, Antje Schrupp, Horacio Tarcus, Antony Taylor, Marc Vuilleumier.