A Sea of Love presents 95 letters exchanged between Hamburg and Antebellum USA by the famous Berlin born scholar, encyclopedist, and knowledge broker Francis Lieber (1798-1872) and his wife, Hamburg born Mathilde in 1839-1845. Their letters offer rare insights in the privacy of marriage and family life, self perceptions, notions of surroundings, as well as mental settings of the spouses. Beyond genuine individual phenomena of their Atlantic emotions their epistles show ways and methods of international communication and networking. Their writings reflect general notions and ideas shared by well-educated citizens of an Atlantic Republic of Letters connected by culture, interests, and emotions.
The Atlantic Correspondence of Francis and Mathilde Lieber, 1839-1845
The possibility of both reform or revolution appear remote in the US today. Open class conflict appears to have nearly disappeared and unions are on a long decline. The country looks today much like the late 19th to early 20th century. When Workers Shot Back: Class Conflict from 1877 to 1921 explores how self-organised workers escalated their tactics to disrupt the capitalist economy. Miners, and railroad, steel, and iron workers pursued a strategy of tension that sometimes erupted into armed class struggle and general strikes. Turning common wisdom on its head, When Workers Shot Back argues that the escalation of working class conflict drives rather than reacts to the reorganization and consolidation of capital and economic and political reform. The reorganisation and consolidation of capital and the state followed in response to the violent class conflict. By studying the class composition and tactics of this period it is possible to understand why workers use tactical violence and when reform is likely to occur.
A Companion to Korean American Studies presents interdisciplinary works from a number of authors who have contributed to the field of Korean American Studies. This collection ranges from chapters detailing the histories of Korean migration to the United States to contemporary flows of popular culture between South Korea and the United States. The authors present on Korean American history, gender relations, cultural formations, social relations, and politics. Contributors are: Sohyun An, Chinbo Chong, Angie Y. Chung, Rhoanne Esteban, Sue-Je Lee Gage, Hahrie Han, Jane Hong, Michael Hurt, Rachael Miyung Joo, Jane Junn, Miliann Kang, Ann H. Kim, Anthony Yooshin Kim, Eleana Kim, Jinwon Kim, Ju Yon Kim, Kevin Y. Kim, Nadia Y. Kim, Soo Mee Kim, Robert Ji-Song Ku, EunSook Lee, Se Hwa Lee, S. Heijin Lee, Shelley Sang-Hee Lee, John Lie, Pei-te Lien, Kimberly McKee, Pyong Gap Min, Arissa H. Oh, Edward J.W. Park, Jerry Z. Park, Josephine Nock-Hee Park, Margaret Rhee and Kenneth Vaughan.
John Lachs (1934-) has been one of the most interesting American philosophers for nearly sixty years. His philosophical, educational, and public activity has been an attempt to show the relevance of philosophy to life. This is the first book dedicated to his thought. International scholars have proposed different themes in Lachs’ philosophy, so as to present its enormous potential. Lachs’ responses to his critics shows that dialogue with his critics is an inspirational activity for both sides. Lachs’ way of philosophizing can be seen as exemplary for those who want to unify and present a clear and understandable articulation of moral and philosophical messages to everyone.
Space, Narrative, Identity
In American Migrant Fictions: Space, Narrative, Identity, Sonia Weiner focuses on novels of five American migrant writers of the late twentieth and early twenty-first centuries, who construct spatial paradigms within their narratives to explore questions of linguistic diversity, identities and be-longings. By weaving visual techniques within their narratives (photography, comics, cartography) authors Aleksandar Hemon, G.B. Tran, Junot Díaz, Boris Fishman and Vikram Chandra convey a surplus of perspectives and gesture towards alternative spaces, spatial in-between-ness and transnational space.
Ethics and Aesthetics in Toni Morrison’s Fiction investigates Morrison’s aesthetics in terms of narrative’s ethical import. Morrison’s writing is concerned with ethically debatable issues and it offers a problematic representation of human experiences in African American history. Whilst previous critical studies consider ethics in relation to events in the story, Palladino explores its intersection with aesthetics. Narrativizing the moral law, Morrison’s imperative is to relate the past, and to find ways to tell what is often unspeakable. The quest for ways to narrate horrific facts is a quest for an aesthetics which includes an appeal to the reader and thus necessarily engages with the ethical. This study foregrounds the equivocal as a key feature of narrative ethics.
An Intellectual History of Anti-Intellectualism in Modern America
In The Secular Religion of Franklin Merrell-Wolff: An Intellectual History of Anti-intellectualism in Modern America, Dave Vliegenthart offers an account of the life and teachings of the modern American mystic Franklin Merrell-Wolff (1887–1985), who combined secular and religious sources from eastern and western traditions in order to elaborate and legitimate his metaphysical claim to the realization of a transcendental reality beyond reason. Using Merrell-Wolff as a typical example of a modern western guru, Vliegenthart investigates the larger sociological and historical context of the ongoing grand narrative that asserts a widespread anti-intellectualism in modern American culture, exploring developments in religious, philosophical, and psychological discourses in North America from 1800 until the present.