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Barbara Baert

Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture is an anthology of the most recent works by Barbara Baert, discussing the connection between the experiences of the senses in the medieval and early modern visual culture, the hermeneutics of imagery, and the limits and possibilities of contemporary Art Sciences.
The six chapters include Pentecost, Noli me tangere, the woman with an issue of blood, the Johannesschüssel, the dancing Salome, and the role of the wind.
The reader is shown a medieval and early modern visual culture as a history of artistic solutions, as the fascinating approach between biblical texts, plastic imagination, and the art-scientific métier. This makes him a privileged guest in a unique in-between space where humans and their artistic expression can meet existentially.
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The Idea of Beauty in Italian Literature and Language

"Il buono amore è di bellezza disio"

Beauty is a central concept in the Italian cultural imagination throughout its history and in virtually all its manifestations. It particularly permeates the domains that have governed the construction of Italian identity: literature and language. The Idea of Beauty in Italian Literature and Language assesses this long tradition in a series of essays covering a wide chronological and thematic range, while crossing from historical linguistics to literary and cultural studies. It offers elements for reflection on cross-disciplinary approaches in the humanities, and demonstrates the power of beauty as a fundamental category beyond aesthetics.
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Enlightening Europe on Islam and the Ottomans

Mouradgea d’Ohsson and His Masterpiece

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Carter Vaughn Findley

Mouradgea d’Ohsson’s Tableau général de l’Empire othoman offered the Enlightenment Republic of Letters its most authoritative work on Islam and the Ottomans, also a practical reference work for kings and statesmen. Profusely illustrated and opening deep insights into illustrated book production in this period, this is also the richest collection of visual documentation on the Ottomans in a hundred years. Shaped by the author’s personal struggles, the work yet commands recognition in its own totality as a monument to inter-cultural understanding. In form one of the great taxonomic works of Enlightenment thought, this is a work of advocacy in the cause of reform and amity among France, Sweden, and the Ottoman Empire.

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Celebrating Suprematism

New Approaches to the Art of Kazimir Malevich

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Christina Lodder

Celebrating Suprematism throws vital new light on Kazimir Malevich’s abstract style and the philosophical, scientific, aesthetic, and ideological context within which it emerged and developed. The essays in the collection, which have been produced by established specialists as well as new scholars in the field, tackle a wide range of issues and establish a profound and nuanced appreciation of Suprematism’s place in twentieth-century visual and intellectual culture. Complementing detailed analyses of The Black Square (1915), Malevich’s theories and statements, various developments at Unovis, Suprematism’s relationship to ether physics, and the impact that Malevich’s style had on the design of textiles, porcelain and architecture, there are also discussions of Suprematism’s relationship to Russian Constructivism and avant-garde groups in Poland and Hungary.
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The Art Market in Rome in the Eighteenth Century

A Study on the Social History of Art

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Recent interest in the economic aspects of the history of art have taken traditional studies into new areas of enquiry. Going well beyond provenances or prices of individual objects, our understanding of the arts has been advanced by research into the demands, intermediaries and clients in the market. Eighteenth-century Rome offers a privileged view of such activities, given the continuity of remarkable investments by the local ruling class, combined with the decisive impact of external agents, largely linked to the Grand Tour. This book, the result of collaboration between international specialists, brings back into the spotlight protagonists, facts and dynamics that have remained unexplored for many years.
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Gerol’d I. Vzdornov, Valerii G. Dereviagin and Marybeth Sollins

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Gerol’d I. Vzdornov, Valerii G. Dereviagin and Marybeth Sollins

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Gerol’d I. Vzdornov, Valerii G. Dereviagin and Marybeth Sollins

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Gerol’d I. Vzdornov, Valerii G. Dereviagin and Marybeth Sollins

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Gerol’d I. Vzdornov, Valerii G. Dereviagin and Marybeth Sollins