This study deepens our historical understanding of the North-African Jewish and Middle Eastern Jewish experience during WWII, which is often under- or mis-represented by the media in Israel, the Arab world, France, and Italy. Public, historical and sociocultural discourse is examined to clarify whether these communities are accepted by the world as "Holocaust survivors". Further, it determines the extent to which their wartime history is revealed to Israeli society in its cultural performances. Importantly, this work addresses the reasons why the Holocaust of North African Jewry is absent from Israeli and world consciousness. Finally, the study contemplates the consequences of these phenomena for Israeli society as well as in the colonial countries of France and Italy.
Representation of the Experience of the Jews of North Africa and the Middle East during World War II in Israeli, European and Middle Eastern Film and Television
The Menorah, the ancient seven-armed candelabrum, was the most important Jewish symbol both in the Land of Israel and the Diaspora. The menorah was the most important of the Temple vessels and it also came to symbolize Judaism, when it was necessary to distinguish synagogues and Jewish tombs from Christian or pagan structures. This book is a continuation of Hachlili's earlier comprehensive study, The Menorah, the Ancient Seven-armed Candelabrum: Origin, Form and Significance. Brill, 2001. It entails the compilation and study of the material of the past two decades, presenting the theme of the menorah, focusing on its development, form, meaning, significance, and symbolism in antiquity.
Hasidic Art and the Kabbalah presents eight case studies of manuscripts, ritual objects, and folk art developed by Hasidic masters in the mid-eighteenth to late nineteenth centuries, whose form and decoration relate to sources in the Zohar, German Pietism, and Safed Kabbalah. Examined at the delicate and difficult to define interface between seemingly simple, folk art and complex ideological and conceptual outlooks which contain deep, abstract symbols, the study touches on aspects of object history, intellectual history, the decorative arts, and the history of religion. Based on original texts, the focus of this volume is on the subjective experience of the user at the moment of ritual, applying tenets of process philosophy and literary theory – Wolfgang Iser, Gaston Bachelard, and Walter Benjamin – to the analysis of objects.
History and Memory, Identity and Art from Vienna to the Bezalel National Museum, Jerusalem
In The Jewish Museum: History and Memory, Identity and Art from Vienna to the Bezalel National Museum, Jerusalem Natalia Berger traces the history of the Jewish museum in its various manifestations in Central Europe, notably in Vienna, Prague and Budapest, up to the establishment of the Bezalel National Museum in Jerusalem. Accordingly, the book scrutinizes collections and exhibitions and broadens our understanding of the different ways that Jewish individuals and communities sought to map their history, culture and art. It is the comparative method that sheds light on each of the museums, and on the processes that initiated the transition from collection and research to assembling a type of collection that would serve to inspire new art.