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Mapping the Pāśupata Landscape

Narrative, Place, and the Śaiva Imaginary in Early Medieval North India

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Elizabeth A. Cecil

In Mapping the Pāśupata Landscape: Narrative, Place, and the Śaiva Imaginary in Early Medieval North India, Elizabeth A. Cecil explores the sacred geography of the earliest community of Śiva devotees called the Pāśupatas. This book brings the narrative cartography of the Skandapurāṇa into conversation with physical landscapes, inscriptions, monuments, and icons in order to examine the ways in which Pāśupatas were emplaced in regional landscapes and to emphasize the use of material culture as media through which notions of belonging and identity were expressed. By exploring the ties between the formation of early Pāśupata communities and the locales in which they were embedded, this study reflects critically upon the ways in which community building was coincident with place-making in Early Medieval India.

Holy Ground: Where Art and Text Meet

Studies in the Cultural History of India

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Hans T. Bakker

The 31 selected and revised articles in the volume Holy Ground: Where Art and Text Meet, written by Hans Bakker between 1986 and 2016, vary from theoretical subjects to historical essays on the classical culture of India. They combine two mainstreams: the Sanskrit textual tradition, including epigraphy, and the material culture as expressed in works of religious art and iconography. The study of text and art in close combination in the actual field where they meet provides a great potential for understanding. The history of holy places is therefore one of the leitmotivs that binds these studies together.
One article, "The Ramtek Inscriptions II", was co-authored by Harunaga Isaacson, two articles, on "Moksadharma 187 and 239–241" and "The Quest for the Pasupata Weapon," by Peter C. Bisschop.

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Edited by Timotheus Adrianus Bodt

With Grammar of Duhumbi (Chugpa), Timotheus Adrianus (Tim) Bodt provides the first comprehensive description of any of the Western Kho-Bwa languages, a sub-group of eight linguistic varieties of the Kho-Bwa cluster (Tibeto-Burman).
Duhumbi is spoken by 600 people in the Chug valley in West Kameng district, Arunachal Pradesh, India. The Duhumbi people, known to the outside world as Chugpa or Chug Monpa, belong to the Monpa Scheduled Tribe. Despite that affiliation, Duhumbi is not intelligible to speakers of any of the other Monpa languages except Khispi (Lishpa).
The volume Grammar of Duhumbi (Chugpa) describes all aspects of the language, including phonology, morphology, lexicon, syntax and discourse. Moreover, it also contains links to additional resources freely accessible on-line.

Sociohistorical Linguistics in Southeast Asia

New Horizons for Tibeto-Burman Studies in honor of David Bradley

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Edited by Picus Sizhi Ding and Jamin Pelkey

Sociohistorical Linguistics in Southeast Asia blends insights from sociolinguistics, descriptive linguistics and historical-comparative linguistics to shed new light on regional Tibeto-Burman language varieties and their relationships across spatial, temporal and cultural differences. The approach is inspired by leading Tibeto-Burmanist, David Bradley, to whom the book is dedicated.
The volume includes twelve original research essays written by eleven Tibeto-Burmanists drawing on first-hand field research in five countries to explore Tibeto-Burman languages descended from seven internal sub-branches. Following two introductory chapters, each contribution is focused on a specific Tibeto-Burman language or sub-branch, collectively contributing to the literature on language identification, language documentation, typological analysis, historical-comparative classification, linguistic theory, and language endangerment research with new analyses, state-of-the-art summaries and contemporary applications.

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Edited by István Keul

The essays in the volume Consecration Rituals in South Asia address the ritual procedures that accompany the installation of temple images in Shaiva, Vaishnava, Buddhist and Jain contexts, in various traditions and historical periods. Through the performance of complex rites designated with the term pranapratishtha (establishment of, or infusion with, life), man-made sculptures are ritually transformed into (receptacles of) deities. The collection is thematically and methodically broad, with a large number of detailed textual studies, but also with ethnographic contributions that discuss contemporary instances of consecration rituals. Among the overarching themes are issues related to historical continuity and change, as well as transformational moments in such rituals.

Contributors are: Marie-Luce Barazer-Billoret, Marzenna Czerniak-Drożdżowicz, Ronald M. Davidson, Shingo Einoo, Marko Geslani, Dominic Goodall, Ellen Gough, István Keul, Elisabeth Raddock, S.A.S Sarma, Anna A. Ślączka, Annette Wilke.

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Edited by Vishwa Adluri and Joydeep Bagchee

Argument and Design features fifteen essays by leading scholars of the Sanskrit epics, the Mahābhārata and the Rāmāyaṇa, discussing the Mahābhārata’s upākhyānas, subtales that branch off from the central storyline and provide vantage points for reflecting on it.
Contributors include: Vishwa Adluri, Joydeep Bagchee, Greg Bailey, Adam Bowles, Simon Brodbeck, Nicolas Dejenne, Sally J. Sutherland Goldman, Robert P. Goldman, Alf Hiltebeitel, Thennilapuram Mahadevan, Adheesh Sathaye, Bruce M. Sullivan, and Fernando Wulff Alonso.

How the Brahmins Won

From Alexander to the Guptas

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Johannes Bronkhorst

This is the first study to systematically confront the question how Brahmanism, which was geographically limited and under threat during the final centuries BCE, transformed itself and spread all over South and Southeast Asia. Brahmanism spread over this vast area without the support of an empire, without the help of conquering armies, and without the intermediary of religious missionaries. This phenomenon has no parallel in world history, yet shaped a major portion of the surface of the earth for a number of centuries. This book focuses on the formative period of this phenomenon, roughly between Alexander and the Guptas.

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Christoph Senft

This study offers a comprehensive overview of Indian writing in English in the 21st century. Through ten exemplary analyses in which canonical authors stand next to less well-known and diasporic ones Christoph Senft provides deep insights into India’s complex literary world and develops an argumentative framework in which narrative texts are interpreted as transmodern re-readings of history, historicity and memory. Reconciling different postmodern and postcolonial theoretical approaches to the interpretation and construction of literature and history, Senft substitutes traditional, Eurocentric and universalistic views on past and present by decolonial and pluralistic practices. He thus helps to better understand the entanglements of colonial politics and cultural production, not only on the subcontinent.