Gender, Continuity, and the Shaping of Modernity in the Arts of East Asia, 16th–20th Centuries explores women’s and men’s contributions to the arts and gendered visual representations in China, Korea, and Japan from the premodern through modern eras. A critical introduction and nine essays consider how threads of continuity and exchanges between the cultures of East Asia, Europe, and the United States helped to shape modernity in this region, in the process revealing East Asia as a vital component of the trans-Pacific world. The essays are organized into three themes: representations of femininity, women as makers, and constructions of gender, and they consider examples of architecture, painting, woodblock prints and illustrated books, photography, and textiles. Contributors are: Lara C. W. Blanchard, Kristen L. Chiem, Charlotte Horlyck, Ikumi Kaminishi, Nayeon Kim, Sunglim Kim, Radu Leca, Elizabeth Lillehoj, Ying-chen Peng, and Christina M. Spiker.
A Papuan Language of Northeast New Guinea
A Grammar of Nungon is the most comprehensive modern reference grammar of a language of northeast Papua New Guinea. Nungon is a previously-undescribed Finisterre-Huon Papuan language spoken by about 1,000 people in the Saruwaged Mountains, Morobe Province. Hannah Sarvasy provides a rich description of the language in its cultural context, based on original immersion fieldwork. The exposition is extraordinarily thorough, covering phonetics, phonology, word classes, morphology, grammatical relations, switch-reference, valency, complex predicates, clause combining, possession, information structure, and the pragmatics of communication. Four complete interlinearized Nungon monologues and dialogues supplement the copious textual examples. A Grammar of Nungon sets a new standard of thoroughness for reference works on languages of this region.