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Author: Celia Chazelle
The Codex Amiatinus and its “Sister” Bibles examines the full Bibles (Bibles containing every scriptural text that producers deemed canonical) made at the northern English monastery of Wearmouth–Jarrow under Abbot Ceolfrith (d. 716) and the Venerable Bede (d. 735), and the religious, cultural, and intellectual circumstances of their production. The key manuscript witness of this monastery’s Bible-making enterprise is the Codex Amiatinus, a massive illustrated volume sent toward Rome in June 716, as a gift to St. Peter. Amiatinus is the oldest extant, largely intact Latin full Bible. Its survival is the critical reason that Ceolfrith’s Wearmouth–Jarrow has long been recognized as a pivotal center in the evolution of the design, structure, and contents of medieval biblical codices.
Editors: Eyal Poleg and Laura Light
Thirteenth- and fourteenth-century Latin Bibles survive in hundreds of manuscripts, one of the most popular books of the Middle Ages. Their innovative layout and organization established the norm for Bibles for centuries to come. This volume is the first study of these Bibles as a cohesive group. Multi- and inter-disciplinary analyses in art history, liturgy, exegesis, preaching and manuscript studies, reveal the nature and evolution of layout and addenda. They follow these Bibles as they were used by monks and friars, preachers and merchants. By addressing Latin Bibles alongside their French, Italian and English counterparts, this book challenges the Latin-vernacular dichotomy to show links, as well as discrepancies, between lay and clerical audiences and their books.

Contributors include Peter Stallybrass, Diane Reilly, Paul Saenger, Richard Gameson, Chiara Ruzzier, Giovanna Murano, Cornelia Linde, Lucie Doležalová, Laura Light, Eyal Poleg, Sabina Magrini, Sabrina Corbellini, Margriet Hoogvliet, Guy Lobrichon, Elizabeth Solopova, and Matti Peikola.
Mostly remembered for his library and for his biblical criticism, Isaac Vossius (1618-1689) played a central role in the early modern European world of learning. Taking his cue from the unlikely bedfellows Joseph Scaliger and René Descartes, Vossius published on chronology, biblical criticism, optics, African geography and Chinese civilization, while collecting, annotating and selling one of the century’s most precious libraries. He was appointed an early Fellow of the Royal Society, and moved in the circles which later gave rise to the Académie Royale des Sciences. Together with Christiaan Huygens, he was considered the Dutch Republic’s foremost student of nature.
In this volume, a range of authors analyse Vossius’ participation in the full spectrum of the Republic of Letters, much of which has sadly been written out of the history of both scholarship and science.

Contributors include: Anthony Grafton, Scott Mandelbrote, Fokko Jan Dijksterhuis, Karel Davids, Thijs Weststeijn, Colette Nativel, Susan Derksen and Astrid C. Balsem
Online Reference Tool for the History of Culture
http://arkyves.org/
Arkyves is both a unique database of images and texts and a meeting place for everyone who wants to study imagery and publish about it. All visual and textual sources are made accessible with the help of the multilingual vocabulary for cultural content of the Iconclass system. By using this system it has been made possible to find and retrieve images and texts from various sources on a specific topic.
By using Arkyves it is currently possible to access almost 900.000 images, texts, etc. from libraries and museums in many countries among them the Rijksmuseum in Amsterdam, the Netherlands Institute for Art History (RKD), the Herzog August Bibliothek in Wolfenbüttel, and the university libraries of Milan, Utrecht and Glasgow . More collections will follow in the near future. The database contains a link to the images which are available in open access.
Arkyves is both a research tool for art historians and book historians, as well as a tool to facilitate the process of describing images.

Some of Arkyves’ features:
• Completely rewritten front-end: responsive design in a modern web application.
• New user interface: clear and easy to use, centered around pre-selected themes.
• Iconclass controlled vocabulary for improved powerful retrieval options.
• Iconclass searches currently possible in 9 different languages (English, Dutch, French, German, Finnish, Polish, Portuguese, Italian, Chinese)
• For partners: possibility to create dedicated Iconclass retrieval browsers, for easy inclusion in their website.
• Arkyves is now open as a platform to assist institutions and individual researchers to catalogue and publish their own datasets of images in hybrid Open Access.
• Updated back-end search, based on industry-leading ElasticSearch.


Partner Institutions:
Bayerische Staatsbibliothek; Biblia Sacra project; Bibliothèques Virtuelles Humanistes; Byvanck Illuminated Manuscript project; Cardiff University; Deutsches Hygiene-Museum, Dresden; Folger Shakespeare Library, Washington; Getty Research Institute & Provenance Index; Glasgow University Library; Herzog August Bibliothek Wolfenbüttel; Koninklijke Bibliotheek, The Hague; The Leiden Collection, New York; Museum Meermanno; RKD, Netherlands Institute for Art History; Rijksmuseum, Amsterdam; Anton Ulrich Museum, Braunschweig; University Library, Amsterdam; University Library, Utrecht; University of Milan, Marengo; University of Illinois, Urbana-Champaign



To enquire about this product, or arrange a free 30-day institutional trial, please contact our Sales Department at sales-nl@brill.com (outside the Americas) or sales-us@brill.com (the Americas).

1) Arkyves demo: Product information Information about 'Arkyves, Reference Tool for the History of Culture': what is it, how can you use it, the different tools, future developments, and more. Watch it here
2) Arkyves demo: Searching for content in Arkyves Examples of the different kinds of search possibilities in Arkyves. Watch it here