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Edited by Matthias Henze and Frank Feder

The Textual History of the Bible (THB) brings together for the first time all available information regarding the manuscripts, textual history and character of each book of the Hebrew Bible and its translations as well as the deuterocanonical scriptures. In addition, THB covers the history of research, the editorial history of the Hebrew Bible, as well as other aspects of text-critical research and its subsidiary fields, such as papyrology, codicology, and the related discipline of linguistics. The THB will consist of 4 volumes.

Volume 2: Deuterocanonical Scriptures. Editors Matthias Henze and Frank Feder
Vol. 2A: overview articles
Vol. 2B: to Ezra
Vol. 2C: Jubilees to 16 Appendix
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Abraham Ibn Ezra Latinus on Nativities

A Parallel Latin-English Critical Edition of Liber Nativitatum and Liber Abraham Iudei de Nativitatibus. Abraham Ibn Ezra’s Astrological Writings, Volume 6

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Edited by Shlomo Sela

Abraham Ibn Ezra was “reborn” in the Latin West in the last decades of the thirteenth century thanks to a plethora of authored and anonymous Latin translations of his astrological writings. The present volume offers the first critical edition, accompanied by an English translation, a commentary, and an introductory study, of Liber nativitatum (Book of Nativities) and Liber Abraham Iudei de nativitatibus (Book on Nativities by Abraham the Jew), two astrological treatises in Latin that were written by Abraham Ibn Ezra or attributed to him, and whose Hebrew source-text or archetype has not survived. The first is undoubtedly an anonymous Latin translation of the second version of Ibn Ezra’s Sefer ha-moladot (Book of Nativities), whose Hebrew source text is otherwise lost. The second is the most mysterious specimen among the Latin works attributed to Ibn Ezra that have no extant Hebrew counterpart. The present volume shows not only that the Liber Abraham Iudei de nativitatibus underwent a significant metamorphosis over time and was transmitted in four significantly different versions, but also that its date of composition is not that previously accepted by modern scholarship.
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Tyler Smith

The Fourth Gospel and the Manufacture of Minds is the first book-length study of genre and character cognition in the Gospel of John. Informed by traditions of ancient literary criticism and the emerging discipline of cognitive narratology, Tyler Smith argues that narrative genres have generalizable patterns for representing cognitive material and that this has profound implications for how readers make sense of cognitive content woven into the narratives they encounter. After investigating conventions for representing cognition in ancient historiography, biography, romance, and drama, Smith offers an original account of how these conventions illuminate the Johannine narrative’s enigmatic cognitive dimension, a rich tapestry of love and hate, belief and disbelief, recognition and misrecognition, understanding and misunderstanding, knowledge, ignorance, desire, and motivation.
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Biblical Exegesis without Authorial Intention?

Interdisciplinary Approaches to Authorship and Meaning

Edited by Clarissa Breu

In Biblical Exegesis without Authorial Intention? Interdisciplinary Approaches to Authorship and Meaning, Clarissa Breu offers interdisciplinary contributions to the question of the author in biblical interpretation with a focus on “death of the author” theory. The wide range of approaches represented in the volume comprises mostly postmodern theory (e. g. Jacques Derrida, Michel Foucault, Paul de Man, Julia Kristeva and Gilles Deleuze), but also the implied author and intentio operis. Furthermore, psychology, choreography, reader-response theories and anthropological studies are reflected. Inasmuch as the contributions demonstrate that biblical studies could utilize significantly more differentiated views on the author than are predominantly presumed within the discipline, it is an invitation to question the importance and place attributed to the author.
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Targum Song of Songs and Late Jewish Literary Aramaic

Language, Lexicon, Text, and Translation

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Andrew Litke

In Targum Song of Songs and Late Jewish Literary Aramaic, Andrew W. Litke offers the first language analysis of Targum Song of Songs. The Targum utilizes grammatical and lexical features from different Aramaic dialects, as is the case with other Late Jewish Literary Aramaic (LJLA) texts. The study is laid out as a descriptive grammar and glossary, and in the analysis, each grammatical feature and lexical item is compared with the pre-modern Aramaic dialects and other exemplars of LJLA. By clearly laying out the linguistic character of this Targum in this manner, Litke is able to provide added clarity to our understanding of LJLA more broadly. Litke also provides a new transcription and translation of the Paris Héb. 110 manuscript.
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Linda M.A. Stone

Linda Stone’s analysis of the anti-Jewish polemic present in three closely-linked twelfth-century Psalms glosses brings a new source to the study of medieval Christian-Jewish relations. She reveals how its presence, within the parva, media and magna glosses compiled respectively, by Anselm of Laon, Gilbert of Poitiers and Peter Lombard, illuminates the various societal challenges facing the twelfth-century Church. She shows that, rather than a twelfth-century phenomenon, using such anti-Jewish terminology in Christian Psalms exegesis was a long-standing reflection of Christianity’s ambivalence towards Judaism. Moreover, demonstrating how her analysis of anti-Jewish terminology unravelled the Psalm glosses’ textual relationships, she suggests that analysis of its presence in other glossed books of the Bible could offer a further resource for uncovering their complexities.
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Edited by Stanley E. Porter and Christopher D. Land

In Paul and Scripture, an international group of scholars discuss a range of topics related to the Apostle Paul and his relationship(s) with Jewish Scripture. The essays represent a broad spectrum of viewpoints, with some devoted to methodological issues, others to general patterns in Paul’s uses of Scripture, and still others to specific letters or passages within the traditional Pauline canon (inclusive of the disputed letters). The end result is an overview of the various ways in which Paul the Apostle weaves into his writings the authority, content, and even wording of Jewish Scriptures.
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Barbara Baert

Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture is an anthology of the most recent works by Barbara Baert, discussing the connection between the experiences of the senses in the medieval and early modern visual culture, the hermeneutics of imagery, and the limits and possibilities of contemporary Art Sciences.
The six chapters include Pentecost, Noli me tangere, the woman with an issue of blood, the Johannesschüssel, the dancing Salome, and the role of the wind.
The reader is shown a medieval and early modern visual culture as a history of artistic solutions, as the fascinating approach between biblical texts, plastic imagination, and the art-scientific métier. This makes him a privileged guest in a unique in-between space where humans and their artistic expression can meet existentially.
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Hannah W. Matis

In The Song of Songs in the Early Middle Ages, Hannah W. Matis examines how the Song of Songs, the collection of Hebrew love poetry, was understood in the Latin West as an allegory of Christ and the church. This reading of the biblical text was passed down via the patristic tradition, established by the Venerable Bede, and promoted by the chief architects of the Carolingian reform. Throughout the ninth century, the Song of Songs became a text that Carolingian churchmen used to think about the nature of Christ and to conceptualize their own roles and duties within the church. This study examines the many different ways that the Song of Songs was read within its early medieval historical context.
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Jesus the Samaritan

Ethnic Labeling in the Gospel of John

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Stewart Penwell

In Jesus the Samaritan: Ethnic Labeling in the Gospel of John, Stewart Penwell examines how ethnic labels function in the Gospel of John. After a review of the discourse history between “the Jews” and “the Samaritans,” the dual ethnic labeling in John 4:9 and 8:48 are examined and, in each instance, members from “the Jews” and “the Samaritans” label Jesus as a member of each other’s group for deviating from what were deemed acceptable practices as a member of “the Jews.” The intra-textual links between John 4 and 8 reveal that the function of Jesus’s dual ethnic labelling is to establish a new pattern of practices and categories for the “children of God” (1:12; 11:52) who are a trans-ethnic group united in fictive kinship and embedded within the Judean ethnic group’s culture and traditions.