Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture is an anthology of the most recent works by Barbara Baert, discussing the connection between the experiences of the senses in the medieval and early modern visual culture, the hermeneutics of imagery, and the limits and possibilities of contemporary Art Sciences.
The six chapters include Pentecost,
Noli me tangere, the woman with an issue of blood, the
Johannesschüssel, the dancing Salome, and the role of the wind.
The reader is shown a medieval and early modern visual culture as a history of artistic solutions, as the fascinating approach between biblical texts, plastic imagination, and the art-scientific métier. This makes him a privileged guest in a unique in-between space where humans and their artistic expression can meet existentially.
Scripture Re-envisioned discusses the christological exegesis of biblical theophanies and argues its crucial importance for the appropriation of the Hebrew Bible as the Christian Old Testament. The Emmaus episode in Luke 24 and its history of interpretation serve as the methodological and hermeneutical prolegomenon to the early Christian exegesis of theophanies. Subsequent chapters discuss the reception history of Genesis 18; Exodus 3 and 33; Psalm 98/99 and 131/132; Isaiah 6; Habakkuk 3:2 (LXX); Daniel 3 and 7. Bucur shows that the earliest, most widespread and enduring reading of these biblical texts, namely their interpretation as "christophanies"— manifestations of the Logos-to-be-incarnate—constitutes a robust and versatile exegetical tradition, which lent itself to doctrinal reflection, apologetics, polemics, liturgical anamnesis and doxology