Témoignage et littérature d’après Auschwitz, Fransiska Louwagie réunit des études critiques provenant de deux centres de gravité de la littérature de la Shoah et des camps nazis : les œuvres des témoins-survivants et celles des générations suivantes. Le livre explore les œuvres d’écrivains majeurs et parfois moins connus, comme celles de Robert Antelme, André Schwarz-Bart, Piotr Rawicz, Jorge Semprun et Imre Kertész d’une part, et celles de Georges Perec, Raymond Federman, Gérard Wajcman, Henri Raczymow et Michel Kichka, de l’autre. En consacrant à chaque auteur une étude critique approfondie, Fransiska Louwagie fait pleinement droit à l’individualité des œuvres, tout en dégageant des perspectives transversales sur les questions éthiques et esthétiques qui sous-tendent le témoignage et la littérature d’après Auschwitz.
Témoignage et littérature d’après Auschwitz, Fransiska Louwagie brings together two key areas of Holocaust literature, offering a rich panorama of both testimony and second generation writing. The book explores the works of major and sometimes lesser known Jewish and non-Jewish writers such as Robert Antelme, André Schwarz-Bart, Piotr Rawicz, Jorge Semprun, Imre Kertész, Georges Perec, Raymond Federman, Gérard Wajcman, Henri Raczymow and Michel Kichka. The book devotes an in-depth critical study to each of these writers with a view to drawing out the individual specificity of their works, whilst also developing transversal insights into the ethical and aesthetic questions that underlie acts of witnessing and writing ‘after Auschwitz’.
The articles in this volume focus on the legal, linguistic, historical and literary roles of Jewish women in the Islamic world of the Middle Ages. Drawing heavily on manuscript evidence from the Cairo Genizah, the authors examine the challenges involved in the identification and interpretation of women’s letters from medieval Egypt, the registers of women’s written language, the relations between Jewish women and the Muslim legal system, the conversion of women, visions of women in Hell and gendered readings in the aggadic tradition of Judaism.
Agnon’s Story is the first complete psychoanalytic biography of the Nobel-Prize-winning Hebrew writer S.Y. Agnon. It investigates the hidden links between his stories and his biography. Agnon was deeply ambivalent about the most important emotional “objects” of his life, in particular his “father-teacher,” his ailing, depressive and symbiotic mother, his emotionally-fragile wife, whom he named after her and his adopted “home-land” of Israel. Yet he maintained an incredible emotional resiliency and ability to “sublimate” his emotional pain into works of art. This biography seeks to investigate the emotional character of his literary canon, his ambivalence to his family and the underlying narcissistic grandiosity of his famous “modesty.”
In this volume, Moshe Lavee offers an account of crucial internal developments in the rabbinic corpus, and shows how the Babylonian Talmud dramatically challenged and extended the rabbinic model of conversion to Judaism. The history of conversion to Judaism has long fascinated Jews along a broad ideological continuum. This book demonstrates the rabbis in Babylonia further reworked former traditions about conversion in ever more stringent direction, shifting the focus of identity demarcation towards genealogy and bodily perspectives. By applying a reading-strategy that emphasizes late Babylonian literary developments, Lavee sheds critical light on a broader discourse regarding the nature and boundaries of Jewish identity.