Robert Lachmann’s letters to Henry George Farmer (from 1923-38) provide insightful glimpses into his life and his progressive research projects. From an historical perspective, they offer critical data concerning the development of comparative musicology as it evolved in Germany during the early decades of the twentieth century. The fact that Lachmann sought contact with Farmer can be explained from their mutual, yet diverse interests in Arab music, particularly as they were then considered to be the foremost European scholars in the field. During the 1932 Cairo International Congress on Arab Music, they were selected as presidents of their respective committees.
This study deepens our historical understanding of the North-African Jewish and Middle Eastern Jewish experience during WWII, which is often under- or mis-represented by the media in Israel, the Arab world, France, and Italy. Public, historical and sociocultural discourse is examined to clarify whether these communities are accepted by the world as "Holocaust survivors". Further, it determines the extent to which their wartime history is revealed to Israeli society in its cultural performances. Importantly, this work addresses the reasons why the Holocaust of North African Jewry is absent from Israeli and world consciousness. Finally, the study contemplates the consequences of these phenomena for Israeli society as well as in the colonial countries of France and Italy.
Winner of the 2017 Choice Outstanding Academic Title Award
The Dispersion, Stéphane Dufoix skillfully traces how the word “diaspora”, first coined in the third century BCE, has, over the past three decades, developed into a contemporary concept often considered to be ideally suited to grasping the complexities of our current world. Spanning two millennia, from the Septuagint to the emergence of Zionism, from early Christianity to the Moravians, from slavery to the defence of the Black cause, from its first scholarly uses to academic ubiquity, from the early negative connotations of the term to its contemporary apotheosis, Stéphane Dufoix explores the historical socio-semantics of a word that, perhaps paradoxically, has entered the vernacular while remaining poorly understood.