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Author: Eyal Aviv
In Differentiating the Pearl from the Fish-Eye, Eyal Aviv offers an account of Ouyang Jingwu (1871-1943), a leading intellectual who revived the Buddhist scholastic movement during the early Republican period in China.

Ouyang believed that authentic Indian Buddhism was an alternative to the prevalent Chinese Buddhist doctrines of his time. Aviv shows how Ouyang’s rhetoric of authenticity won the movement well-known admirers but also influential critics. This debate shaped modern intellectual history in China and has lost none of its relevancy today.
Author: Sheng Kai
Editor: Jinhua Chen
The goal of this book is to study the ways in which Chinese Buddhists expressed their religious faiths and how Chinese Buddhists interacted with society at large since the Northern and Southern dynasties (386-589), through the Ming (1368-1644) and the Qing (1644-1911), up to the Republican era (1912-1949). The book aims to summarize and present the historical trajectory of the Sinification of Buddhism in a new light, revealing the symbiotic relationship between Buddhist faith and Chinese culture. The book examines cases such as repentance, vegetarianism, charity, scriptural lecture, the act of releasing captive animals, the Bodhisattva faith, and mountain worship, from multiple perspectives such as textual evidence, historical circumstances, social life, as well as the intellectual background at the time.
A Parallel Sanskrit-English Critical Edition of Balabhadra’s Hāyanaratna
The Jewel of Annual Astrology is an encyclopaedic treatise on Tājika or Sanskritized Perso-Arabic astrology, dealing particularly with the casting and interpretation of anniversary horoscopes. Authored in 1649 CE by Balabhadra Daivajña, court astrologer to Shāh Shujāʿ – governor of Bengal and second son of the Mughal emperor Shāh Jahān – it casts light on the historical development of the Tājika school by extensive quotations from earlier works spanning five centuries.
With this first-ever scholarly edition and translation of a Tājika text, Martin Gansten makes a significant contribution not only to the study of an important but little known knowledge tradition, but also to the intellectual historiography of Asia and the transmission of horoscopic astrology in the medieval and early modern periods.
Essays in Honour of Alexis G.J.S. Sanderson
Academic study of the tantric traditions has blossomed in recent decades, in no small measure thanks to the magisterial contributions of Alexis G. J. S. Sanderson, until 2015 Spalding Professor of Eastern Religions and Ethics at Oxford University. This collection of essays honours him and touches several fields of Indology that he has helped to shape (or, in the case of the Śaiva religions, revolutionised): the history, ritual, and philosophies of tantric Buddhism, Śaivism and Vaiṣṇavism; religious art and architecture; and Sanskrit belles lettres. Grateful former students, joined by other experts influenced by his scholarship, here offer papers that make significant contributions to our understanding of the cultural, religious, political, and intellectual histories of premodern South and Southeast Asia.

Contributors are: Peter Bisschop, Judit Törzsök, Alex Watson, Isabelle Ratié, Christopher Wallis, Péter-Dániel Szántó, Srilata Raman, Csaba Dezső, Gergely Hidas, Nina Mirnig, John Nemec, Bihani Sarkar, Jürgen Hanneder, Diwakar Acharya, James Mallinson, Csaba Kiss, Jason Birch, Elizabeth Mills, Ryugen Tanemura, Anthony Tribe, and Parul Dave-Mukherji.
The Transnational Cult of Mount Wutai explores the pan-East Asian significance of sacred Mount Wutai from the Northern Dynasties to the present day. Offering novel readings of comparatively familiar visual and textual sources and, in many cases, examining unstudied or understudied noncanonical materials, the papers collected here illuminate the roles that both local actors and individuals dwelling far beyond Mount Wutai’s borders have played in its making and remaking as a holy place for more than fifteen hundred years. The work aims to contribute to our understanding of the ways that sacred geography is made and remade in new places and times.
Knowledge and Education in Classical Islam: Religious Learning between Continuity and Change is a pioneering collection of essays on the historical developments, ideals, and practices of Islamic learning and teaching in the formative and classical periods of Islam (i.e., from the seventh to fifteenth centuries CE). Based on innovative and philologically sound primary source research, and utilizing the most recent methodological tools, this two volume set sheds new light on the challenges and opportunities that arise from a deep engagement with classical Islamic concepts of knowledge, its production and acquisition, and, of course, learning. Learning is especially important because of its relevance to contemporary communities and societies in our increasingly multicultural, “global” civilizations, whether Eastern or Western.

Contributors: Hosn Abboud, Sara Abdel-Latif, Asma Afsaruddin, Shatha Almutawa, Nuha Alshaar, Jessica Andruss, Mustafa Banister, Enrico Boccaccini, Sonja Brentjes, Michael Carter, Hans Daiber, Yoones Dehghani Farsani, Yassir El Jamouhi, Nadja Germann, Antonella Ghersetti, Sebastian Günther, Mohsen Haredy, Angelika Hartmann, Paul L. Heck, Asma Hilali, Agnes Imhof, Jamal Juda, Wadad Kadi, Mehmet Kalayci, Alexey Khismatulin, Todd Lawson, Mariana Malinova, Ulrika Mårtensson, Christian Mauder, Jane Dammen McAuliffe, Maryam Moazzen, Angelika Neuwirth, Jana Newiger, Luca Patrizi, Lutz Richter-Bernburg, Ali Rida Rizek, Mohammed Rustom, Jens Scheiner, Gregor Schoeler, Steffen Stelzer, Barbara Stowasser, Jacqueline Sublet, and Martin Tamcke.
Editor-in-Chief: Marine Carrin
Edited by Marine Carrin (Editor-in-Chief) and Michel Boivin, Paul Hockings, Raphaël Rousseleau, Tanka Subha, Harald Tambs-Lyche, Gérard Toffin (Associate editors)
Brill’s Encyclopedia of the Religions of the Indigenous People of South Asia Online strives to reflect the diversity of indigenous cultures of South Asia with its many language groups and religious traditions. Religion is taken in a broad sense and includes aspects of morality, symbolism, identity formation, environmental concerns, and art. The approach is contemporary and not a reconstruction of an anterior state, though this does not exclude talking about historical processes.
Author: Ying Zhang
Approaching the prison as a creative environment and imprisoned officials as creative subjects in Ming China (1368-1644), Ying Zhang introduces important themes at the intersection of premodern Chinese religion, poetry, and visual and material culture. The Ming is known for its extraordinary cultural and economic accomplishments in the increasingly globalized early modern world. For scholars of Chinese religion and art, this era crystallizes the essential and enduring characteristics in these two spheres. Drawing on scholarship on Chinese philosophy, religion, aesthetics, poetry, music, and visual and material culture, Zhang illustrates how the prisoners understood their environment as creative and engaged it creatively. She then offers a literature survey on the characteristics of premodern Chinese religion and art that helps situate the questions of “creative environment” and “creative subject” within multiple fields of scholarship.
Editor: Galen Amstutz
Pure Land was one of the main fields of mythopoesis and discourse among the Asian Buddhist traditions, and in Japan of central cultural importance from the Heian period right up to the present. However, its range, inconsistency, variability, and complexity have tended to be misevaluated. The pieces reproduced in this set, organized both chronologically and thematically, have been chosen as linchpin works accentuating the diversity of what evolved under this heading of Buddhism. Special attention is given to the traps into which Western observers may fall, the role of the large True Pure Land ( Jōdoshinshū) school, and the richness of Tokugawa and twentieth-century developments. These selections of previously published articles will serve as an essential starting point for anyone interested in this perhaps underestimated area of Buddhist studies.
Editor: Galen Amstutz
Pure Land was one of the main fields of mythopoesis and discourse among the Asian Buddhist traditions, and in Japan of central cultural importance from the Heian period right up to the present. However, its range, inconsistency, variability, and complexity have tended to be misevaluated. The pieces reproduced in this set, organized both chronologically and thematically, have been chosen as linchpin works accentuating the diversity of what evolved under this heading of Buddhism. Special attention is given to the traps into which Western observers may fall, the role of the large True Pure Land ( Jōdoshinshū) school, and the richness of Tokugawa and twentieth-century developments. These selections of previously published articles will serve as an essential starting point for anyone interested in this perhaps underestimated area of Buddhist studies.