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In The Lyon Terence Giulia Torello-Hill and Andrew J. Turner take an unprecedented interdisciplinary approach to map out the influence of Late-Antique and Medieval commentary and iconographic traditions over this seminal edition of the plays of Terence, published in Lyon in 1493, and examine its legacy. The work had a profound impact on the way Terence’s plays were read and understood throughout the sixteenth century, but its influence has been poorly recognised in modern scholarship. The authors establish the pivotal role that this book, and its editor Badius, played in the revitalisation of the theoretical understanding of Classical comedy and in the revival of the plays of Terence that foreshadowed the establishment of early modern theatre in Italy and France.
Author: Elijah Hixson
In Scribal Habits in Sixth-Century Greek Purple Codices, Elijah Hixson assesses the extent to which unique readings reveal the tendencies of the scribes who produced three luxury manuscripts of Matthew’s Gospel. The manuscripts, Codex Purpureus Petropolitanus (N 022), Codex Sinopensis (O 023) and Codex Rossanensis (Σ 042), were each copied in the sixth century from the same exemplar. Hixson compares the results of a modified singular readings method to the number of actual changes each scribe made. An edition of the lost exemplar and transcriptions of Matthew in each manuscript follow in the appendices. Of particular relevance to New Testament textual criticism is the observation that the singular readings method does not accurately reveal the habits of these three scribes.
L’affirmation de soi chez les historiens, de l’Antiquité à la fin du Moyen Age
Author: Cristian Bratu
In L’affirmation de soi chez les historiens, Cristian Bratu discusses authorial self-representations and self-promotion strategies in the works of ancient and medieval historians, from Herodotus (5th c. BC) to Philippe de Commynes (15th c. AD). After describing the emergence of an author figure in the works of ancient Greek and Roman historians, Bratu shows that, in spite of the emphasis placed by the nascent Christian civilization on humility, medieval historians were anything but self-effacing. Subsequently, he focuses on the authorial figures of French medieval historians who wrote in the vernacular between the 12th and 15th centuries. Bratu uses a variety of approaches (philology, codicology, narratology) in order to shed new light on the authorial figures of ancient and medieval historians.

Dans L’affirmation de soi chez les historiens, Cristian Bratu étudie la figure de l’auteur dans les œuvres des historiens antiques et médiévaux, d’Hérodote (Ve siècle av. J.-C.) à Philippe de Commynes (XVe siècle ap. J.-C.). Après une section dédiée à l’émergence d’une figure d’auteur chez les historiens de l’Antiquité gréco-romaine, Bratu montre que malgré l’importance accordée à l’humilité dans la civilisation chrétienne naissante, les historiens médiévaux furent tout sauf modestes. Cette étude se concentre ensuite sur les figures des historiens de langue française entre le XIIe et le XVe siècle. En s’appuyant sur différentes méthodes (philologie, codicologie, narratologie), Cristian Bratu apporte un éclairage nouveau sur la figure de l’auteur chez les historiens antiques et médiévaux.
Author: Harry Vredeveld
Hailed as “King of Poets” by Johann Reuchlin in 1514, Eobanus Hessus (1488–1540) was eager to build on his fame with a stream of new works: “Easter Hymn,” “On True Nobility,” “On the Avoidance of Drunkenness,” “Response from His Majesty Maximilian” (answering Hutten’s “Letter from Italia”), and the short epic “Christ’s Victory over the Underworld,” as well as a hitherto unknown “Inaugural Lecture” on Cicero and Plautus. In 1515 he anonymously published a mock-quodlibetical speech that applies the scholastic method of argumentation to “The Species of Drunkards.” Eobanus’ first bestseller, this brilliant satire was reprinted well into the eighteenth century. All of these texts are included in the present volume, along with annotated translations, ground-breaking introductions, and commentary.
In: The Poetic Works of Helius Eobanus Hessus
In: The Poetic Works of Helius Eobanus Hessus
In: The Poetic Works of Helius Eobanus Hessus
In: The Poetic Works of Helius Eobanus Hessus
In: The Poetic Works of Helius Eobanus Hessus