The book discusses the history and the archaeology of Jerusalem in the Roman period (70-400 CE) following a chronological order, from the establishment of the Tenth Roman Legion’s camp on the ruins of Jerusalem in 70 CE, through the foundation of Aelia Capitolina by Hadrian, in around 130 CE, and the Christianization of the population and the cityscape in the fourth century. Cemeteries around the city, the rural hinterland, and the imperial roads that led to and from Aelia Capitolina are discussed as well. Due to the paucity of historical sources, the book is based on archaeological remains, suggesting a reconstruction of the city's development and a discussion of the population’s identity.
New Directions and Paradigms for the Study of Greek Architecture comprises 20 chapters by nearly three dozen scholars who describe recent discoveries, new theoretical frameworks, and applications of cutting-edge techniques in their architectural research. The contributions are united by several broad themes that represent the current directions of study in the field, i.e.: the organization and techniques used by ancient Greek builders and designers; the use and life history of Greek monuments over time; the communication of ancient monuments with their intended audiences together with their reception by later viewers; the mining of large sets of architectural data for socio-economic inference; and the recreation and simulation of audio-visual experiences of ancient monuments and sites by means of digital technologies.
The Egyptian caricature is generally studied as part of Egyptian mass culture, and mainly discussed in the context of Egypt's anti-colonial resistance to British foreign rule, as part of the forging of a “national style". In
Cartooning for a Modern Egypt, Keren Zdafee foregrounds the role that Egypt’s foreign-local entrepreneurs and caricaturists played in formulating and constructing the modern Egyptian caricature of the interwar years, that was designated for, and reflected, a colonial and cosmopolitan culture of a few. Keren Zdafee illustrates how Egyptian foreign-local caricaturists envisioned and evaluated the past, present, and future of Egyptian society, in the context of Cairo's colonial cosmopolitanism, by adopting a theoretical, semiotic, and historical approach.