This study traces the chequered history of
Peter von Danzig, a French caravel which was inadvertently taken over by Gdańsk (Danzig). Beata Możejko charts the fluctuating and often dramatic fortunes of the caravel, from her arrival in Gdańsk as a merchantman in 1462 to her demise near La Rochelle in 1475. The author examines the caravel’s role as a warship during the Anglo-Hanseatic conflict, and her most famous operation, when she was used by Gdańsk privateer Paul Beneke to capture a Burgundian galley with a rich cargo that included Hans Memling’s Last Judgement triptych.
Using literary and archival sources, Możejko provides a comprehensive overview and analysis of the information available about the caravel and her colourful career.
This is the concluding volume presenting results of the author’s fieldwork spread over more than fifty years concerning the Archaeology and Topography of Ancient Boiotia that includes also discussions of the distribution within the topography of certain ancient cults, especially those of Artemis, Herakles and the Horseman Hero. Within the more purely topographic section there is much discussion of regional defense systems, all set against the history of the Boiotian League, especially its early coinage, its origins and its confrontation with Sparta and the pivotal battle of Leuktra.
The excavated foundations of a ninth-century sacral building in the northeastern suburb of Pohansko, an important centre of Great Moravia, and especially the find of the nobleman’s grave H 153, has focused scholarly attention onto the nature of the Mojmirid state and the reasons behind its sudden disintegration. In this volume, a group of archaeologists, historians and a natural scientist aim to incorporate this remarkable discovery into the wider frameworks of Moravian power, society, and culture, and thereby arrive at some surprising conclusions.
Contributors: are Stefan Eichert, David Kalhous, Pavel Kouřil, Jiří Macháček, Vladimír Sládek, Ivo Štefan, Martin Wihoda, Roman Zehetmayer.
In this book, Georgios Kardaras offers a global view of the contacts between the Byzantine Empire and the Avar Khaganate, emphasizing the reconstruction of these contacts after 626 (when, in contrast to archaeological evidence, written sources are very few) and the definition of the possible channels of communication between the two powers. The author scrutinizes the political and diplomatic framework, and critically examines issues such as mutual influence on material culture and on warfare, reaching the conclusion that significant contact between Byzantium and the Avars can be proved up until 775.
Artillery in the Era of the Crusades provides a detailed examination of the use of mechanical artillery in the Levant through the twelfth and thirteenth centuries. Rather than focus on a selection of sensational anecdotes, Michael S. Fulton explores the full scope of the available literary and archaeological evidence, reinterpreting the development of trebuchet technology and the ways in which it was used during this period. Among the arguments put forward, Fulton challenges the popular perception that the invention of the counterweight trebuchet was responsible for the dramatic transformation in the design of fortifications around the start of the thirteenth century.
Politics and Cultures of Liberation: Media, Memory, and Projections of Democracy focuses on mapping, analyzing, and evaluating memories, rituals, and artistic responses to the theme of “liberation.” How is the national framed within a dynamic system of intercultural contact zones highlighting often competing agendas of remembrance? How does the production, (re)mediation, and framing of narratives within different social, territorial, and political environments determine the cultural memory of liberation? The articles compiled in this volume seek to provide new interdisciplinary and intercultural perspectives on the politics and cultures of liberation by examining commemorative practices, artistic responses, and audio-visual media that lend themselves for transnational exploration. They offer a wide range of diverse intercultural perspectives on media, memory, liberation, (self)Americanization, and conceptualizations of democracy from the war years, through the Cold War era to the 21st century.
Representing Wars from 1860 to the Present examines representations of war in literature, film, photography, memorials, and the popular press. The volume breaks new ground in cutting across disciplinary boundaries and offering case studies on a wide variety of fields of vision and action, and types of conflict: from civil wars in the USA, Spain, Russia and the Congo to recent western interventions in Afghanistan and Iraq. In the case of World War Two,
Representing Wars emphasises idiosyncratic and non-western perspectives – specifically those of Japanese writers Hayashi and Ooka.
A central concern of the thirteen contributors has been to investigate the ethical and ideological implications of specific representational choices.
Contributors are: Claire Bowen, Catherine Ann Collins, Marie-France Courriol, Éliane Elmaleh, Teresa Gibert, William Gleeson, Catherine Hoffmann, Sandrine Lascaux, Christopher Lloyd, Monica Michlin, Guillaume Muller, Misako Nemoto, Clément Sigalas.