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Caught in a Whirlwind: A Cultural History of Ottoman Baghdad as Reflected in its Illustrated Manuscripts focuses on a period of great artistic vitality in the region of Baghdad, a frontier area that was caught between the rival Ottoman and the Safavid empires. In the period following the peace treaty of 1590, a corpus of more than thirty illustrated manuscripts and several single page paintings were produced. In this book Melis Taner presents a contextual study of the vibrant late sixteenth-century and early seventeenth-century Baghdad art market, opening up further avenues of research on art production in provinces and border regions.
Mouradgea d’Ohsson and His Masterpiece
Mouradgea d’Ohsson’s Tableau général de l’Empire othoman offered the Enlightenment Republic of Letters its most authoritative work on Islam and the Ottomans, also a practical reference work for kings and statesmen. Profusely illustrated and opening deep insights into illustrated book production in this period, this is also the richest collection of visual documentation on the Ottomans in a hundred years. Shaped by the author’s personal struggles, the work yet commands recognition in its own totality as a monument to inter-cultural understanding. In form one of the great taxonomic works of Enlightenment thought, this is a work of advocacy in the cause of reform and amity among France, Sweden, and the Ottoman Empire.

In: Enlightening Europe on Islam and the Ottomans
In: Enlightening Europe on Islam and the Ottomans
In: Enlightening Europe on Islam and the Ottomans
In: Enlightening Europe on Islam and the Ottomans
In: Enlightening Europe on Islam and the Ottomans
In: Enlightening Europe on Islam and the Ottomans
In: Enlightening Europe on Islam and the Ottomans
In: Enlightening Europe on Islam and the Ottomans