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Territoriality, Ideology and Creative Identity in Literature and Film
Spaces of Longing and Belonging offers the reader theoretical and interpretative studies of spatiality centered on a variety of literary and cultural contexts. It brings new and complementary insights to bear on creative uses of spatiality in artistic texts and generally into the field of spatiality as a cultural phenomenon, especially, although not exclusively, in terms of literary space. Ranging over questions of aesthetics, politics, sociohistorical concerns, issues of postcoloniality, transculturality, ecology and features of interpersonal spaces, among others, the essays provide a considerable collection of innovative pieces of scholarship on important questions relating to literary spatiality generally, as well as detailed analyses of particular works and authors. The volume includes ground-breaking theoretical investigations of crucial dimensions of spatiality in a context of increased global awareness.
This series focuses on contemporary contributions in Germanistik / German Studies. Essay collections and monographs are welcome in either German or English.

The Amsterdamer Beiträge zur neueren Germanistik (founded in 1972) is a series for themed-anthologies and monographs offering state-of-the-art research in the field of German-language literature(s) and cultural studies from 1700 onwards. Our mission remains to publish high quality research including new discussions of established authors, research on heretofore neglected masterpieces, as well as the consideration of German literary studies as a discipline both within and beyond the academy. Consequently, the series offers a venue for a variety of genres rediscovered in literature and cultural studies, including the study of the essay, literary biographies and periodicals. We also welcome studies in which German literature is treated in connection with other disciplines such as media studies, the fine arts, as well as the natural sciences.

All submissions are subject to a double blind peer review process prior to publication.


Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.


The series published an average of 1,5 volumes per year over the last 5 years.
Studies in German Literature and Cultural Studies
This series focuses on contemporary contributions in Germanistik / German Studies. Essay collections and monographs are welcome in either German or English.

The Amsterdamer Beiträge zur neueren Germanistik (founded in 1972) is a series for themed-anthologies and monographs offering state-of-the-art research in the field of German-language literature(s) and cultural studies from 1700 onwards. Our mission remains to publish high quality research including new discussions of established authors, research on heretofore neglected masterpieces, as well as the consideration of German literary studies as a discipline both within and beyond the academy. Consequently, the series offers a venue for a variety of genres rediscovered in literature and cultural studies, including the study of the essay, literary biographies and periodicals. We also welcome studies in which German literature is treated in connection with other disciplines such as media studies, the fine arts, as well as the natural sciences.

All submissions are subject to a double blind peer review process prior to publication.


Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.


The series published an average of 1,5 volumes per year over the last 5 years.
A Critical Journal
Editor-in-Chief: Savaş Arslan
Studies in World Cinema: A Critical Journal offers a platform to examine, rethink and reinvent the notion of “world cinema”. What do we understand by “world cinema”, and how useful or enabling is this term? Taking the world as a space of signification in which we continually reproduce its meanings, this journal opens up inquiries about films and cinematic practices that engender novel senses of the world.
The journal welcomes research on traveling cinematic tropes, transnational practices, remakes and adaptations, translation cultures, migrant and diasporic films and film cultures, postcolonial and accented cinemas, collaborations and exchanges among filmmakers, co-productions and multinational filmmaking practices and networks, and early cinematic practices. Together we aim to develop a fruitful and more enriching understanding of our world cinema.

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