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Transnational Narratives and Identities
In Franco-Maghrebi Artists of the 2000s: Transnational Narratives and Identities Ramona Mielusel offers an account of the way how young artists (writers, filmmakers, actors, singers, photographers, contemporary migrant artists) of Maghrebi origin residing in France during the last twenty years (2000-2016) contest French “national identity” in their work. Mielusel's interest lies in analyzing the impact that these “minor” artists and their chosen genres have on mainstream cultural productions. She argues that constant displacement and changes in political, social and cultural contexts have significantly transformed the dynamics that govern the relationship between the center (Metropolitan France) and the periphery (its Others). Most importantly, she seeks to position their work in the field of transnationalism, which has dominated postcolonial studies and cultural studies in the past decade.
Male homoerotic desire in francophone colonial and postcolonial literature
In Le Queer Impérial Julin Everett explores the taboo subject of male homoerotic desire between black Africans and white Europeans in francophone colonial and postcolonial literatures. Everett exposes the intersection of power and desire in blanc-noir relationships in colonial and postcolonial black Africa and postimperial Europe. Reading these literatures for their portrayals of race, gender and sexuality, Everett begins a conversation about personal and political violence in the face of forbidden desires.
In: "The Original Explosion That Created Worlds"
In: "The Original Explosion That Created Worlds"
In: "The Original Explosion That Created Worlds"
In: "The Original Explosion That Created Worlds"
In: "The Original Explosion That Created Worlds"
In: "The Original Explosion That Created Worlds"
In: "The Original Explosion That Created Worlds"
In: "The Original Explosion That Created Worlds"