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Carlos van Tongeren

In recent years, both the intellectual lucidity of melancholy and the liberating potentials of comedy, irony and humour have emerged as central preoccupations in critical theory and literary criticism. In this book, Carlos van Tongeren offers a thorough and innovative reflection on the intersections between comedy and melancholy. Through detailed readings of almost twenty novels by three key writers of detective fiction in the Spanish-speaking world, he puts diverse melancholic attitudes towards the past and the multiple “surplus” values of comedy into a clear historical perspective. As such, this book provides a profound understanding of how comedy and melancholy have shaped Hispanic detective fiction following wider political and cultural developments in the post-totalitarian contexts of Spain, Mexico and Cuba.

En años recientes, la lucidez intelectual de la melancolía y los potenciales liberadores de la comedia, la risa y el humor han emergido como preocupaciones centrales en la teoría crítica y crítica literaria. En este libro, Carlos van Tongeren ofrece una reflexión profunda e innovadora sobre las intersecciones entre la comedia y la melancolía. A través de una lectura detallada de una veintena de novelas de representantes clave de la ficción policiaca en el mundo hispanohablante, el autor muestra cómo la comedia y la melancolía han influido en la ficción policiaca en español, de acuerdo con cambios políticos y culturales más amplios en los contextos postotalitarios de España, México y Cuba.
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Christ, Mary and the Saints

Reading Religious Subjects in Medieval and Renaissance Spain

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Edited by Andrew M. Beresford and Lesley K. Twomey

The last decade has witnessed a striking upsurge of interest in Iberian hagiography. In painting and the fine arts through to poetic and narrative treatments composed in Castilian and Catalan, the legacies of Christ, Mary, and the saints have been approached from a range of perspectives and subjected to detailed critical scrutiny. This book, which focuses specifically on the application of theoretical and methodological approaches to analysis, asks what scholars of early Iberian hagiography can bring to the analysis of the sacred past and how the study of the discipline can be taken forward innovatively in the future. Its fourteen essays, each focusing on a different aspect of composition, seek in particular to explore interdisciplinary methodologies and the ways in which they intersect with broader discourses in other branches of research.
Contributors are Carme Arronis Llopis, Fernando Baños Vallejo, Andrew M. Beresford, Sarah Jane Boss, Sarah V. Buxton, Marinela Garcia Sempere, Ryan D. Giles, Ariel Guiance, Lluís Ramon i Ferrer, Rebeca Sanmartín Bastida, Connie L. Scarborough, and Lesley K. Twomey.
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A Companion to Medieval Toledo

Reconsidering the Canons

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Edited by Yasmine Beale-Rivaya and Jason Busic

A Companion to Medieval Toledo. Reconsidering the Canons explores the limits of “Convivencia” through new and problematized readings of material familiar to specialists and offers a thoughtful initiation for the non-specialist into the historical, cultural, and religious complexity of the iconic city of Toledo. The volume seeks to understand the history and cultural heritage of the city as a result of fluctuating coexistence. Divided into three themed sections,- the essays consider additional material, new transcriptions, and perspectives that contribute to more nuanced understandings of traditional texts or events. The volume places this cultural history and these new readings into current scholarly debates and invites its readers to do the same.
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Volume-editor Yasmine Beale-Rivaya and Jason Busic