The Cross in the Visual Culture of Late Antique Egypt Gillian Spalding-Stracey brings the design of crosses in monastic and ecclesiastical settings to the fore. Visual representations of the Holy Cross are often so ubiquitous in Christian art that they are often overlooked as artistic devices themselves. This volume offers an exploration of the variety of designs and associated imagery by which the Cross was expressed across the Egyptian landscape in late antiquity. A survey of locations and images leads to an analysis of artistic influences, possible symbolism, variance across time and place and the contextual use of the motif. Gillian Spalding-Stracey provides the reader with an art-historical perspective of the socio-cultural situation in Egypt at the time.
Visualizing Coregency, Lisa Saladino Haney explores the practice of co-rule during Egypt’s 12th Dynasty and the role of royal statuary in expressing the dynamics of shared power. Though many have discussed coregencies, few have examined how such a concept was expressed visually. Haney presents both a comprehensive accounting of the evidence for coregency during the 12th Dynasty and a detailed analysis of the full corpus of royal statuary attributed to Senwosret III and Amenemhet III. This study demonstrates that by the reign of Senwosret III the central government had developed a wide-ranging visual, textual, and religious program that included a number of distinctive portrait types designed to convey the central political and cultural messages of the dynasty.
The book discusses the history and the archaeology of Jerusalem in the Roman period (70-400 CE) following a chronological order, from the establishment of the Tenth Roman Legion’s camp on the ruins of Jerusalem in 70 CE, through the foundation of Aelia Capitolina by Hadrian, in around 130 CE, and the Christianization of the population and the cityscape in the fourth century. Cemeteries around the city, the rural hinterland, and the imperial roads that led to and from Aelia Capitolina are discussed as well. Due to the paucity of historical sources, the book is based on archaeological remains, suggesting a reconstruction of the city's development and a discussion of the population’s identity.