This volume commemorating the late Armenian scholar Karen Yuzbashyan comprises studies of mediaeval Armenian culture, including the reception of biblical and parabiblical texts, theological literature, liturgy, hagiography, manuscript studies, Church history and secular history, and Christian art and material culture. Special attention is paid to early Christian and late Jewish texts and traditions preserved in documents written in Armenian. Several contributions focus on the interactions of Armenia with other cultures both within and outside the Byzantine Commonwealth: Greek, Georgian, Syriac, Coptic, Ethiopic, and Iranian. Select contributions may serve as initial reference works for their respective topics (the catalogue of Armenian khachkars in the diaspora and the list of Armenian Catholicoi in Tzovk’).
Celebrating the Memory of Karen Yuzbashian (1927–2009)
Edited by Bernard Outtier, Cornelia B. Horn, Basil Lourie and Alexey Ostrovsky
Bogdan Gabriel Bucur
Scripture Re-envisioned discusses the christological exegesis of biblical theophanies and argues its crucial importance for the appropriation of the Hebrew Bible as the Christian Old Testament. The Emmaus episode in Luke 24 and its history of interpretation serve as the methodological and hermeneutical prolegomenon to the early Christian exegesis of theophanies. Subsequent chapters discuss the reception history of Genesis 18; Exodus 3 and 33; Psalm 98/99 and 131/132; Isaiah 6; Habakkuk 3:2 (LXX); Daniel 3 and 7. Bucur shows that the earliest, most widespread and enduring reading of these biblical texts, namely their interpretation as "christophanies"— manifestations of the Logos-to-be-incarnate—constitutes a robust and versatile exegetical tradition, which lent itself to doctrinal reflection, apologetics, polemics, liturgical anamnesis and doxology
Motifs and Meanings
Emblems in the visual arts use motifs which have meanings, and in Emblems in Scotland Michael Bath, leading authority on Renaissance emblem books, shows how such symbolic motifs address major historical issues of Anglo-Scottish relations, the Reformation of the Church and the Union of the Crowns. Emblems are enigmas, and successive chapters ask for instance: Why does a late-medieval rood-screen show a jester at the Crucifixion? Why did Elizabeth I send Mary Queen of Scots tapestries showing the power of women to build a feminist City of God? Why did a presbyterian minister of Stirling decorate his manse with hieroglyphics? And why in the twentieth-century did Ian Hamilton Finlay publish a collection of Heroic Emblems?