In the early modern period women played a prominent role in crime. At times they even made up half of all defendants. Female criminality was a typically urban phenomenon. Why do we find so many women before the Dutch criminal courts?
Prosecuting Women Ariadne Schmidt analyses the relation between female crime and the urban context by comparing prosecution patterns in various Dutch cities.
Prosecuting Women looks beyond the bare figures, examines the personal circumstances of criminal women and shows how women's illegal activities were linked to the socio-economic context of the locality and varied over time. The local interplay between actual crime and the responses of the authorities gave every city a location-specific dynamic in its pattern of prosecuted crime.
Weyerman’s collection of artists’ biographies (1729) is exceptional for three reasons. Firstly, he includes a great number of painters not mentioned elsewhere. Secondly, he does not limit his selection to good artists only; he also discusses failed painters and their abortive careers. Thirdly, he writes as an art critic who does not hesitate to pass judgments, sometimes severe, on his chosen subjects.
In the process, Weyerman provides much information on the social and economic circumstances of art production. He found that a bohemian lifestyle was pernicious to a painter’s career, and argued that artists should live and think as merchants. In addition to analyzing Weyerman’s art critical terminology and his ideas on art theory, De Vries includes translations of two full chapters along with the original Dutch.