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Author: Steven J. Cody
Over the course of his career, Andrea del Sarto (1486-1530) created altarpieces rich in theological complexity, elegant in formal execution, and dazzlingly brilliant in chromatic impact. This book investigates the spiritual dimensions of those works, focusing on six highly-significant panels. According to Steven J. Cody, the beauty and splendor of Andrea’s paintings speak to a profound engagement with Christian theories of spiritual renewal—an engagement that only intensified as Andrea matured into one of the most admired artists of his time. From this perspective, Andrea del Sarto — Splendor and Renewal in the Renaissance Altarpiece not only shines new light on a painter who has long deserved more scholarly attention; it also offers up fresh insights regarding the Renaissance altarpiece itself.
The history of Twelver Shīʿī Islam is a history of attempts to ‎deal with the ‎abrupt loss of the Imam. In Encounters with the Hidden Imam in Early and Pre-‎Modern Twelver Shīʿī Islam, ‎Omid Ghaemmaghami demonstrates that in the early years of what came to be known as the Greater Occultation, Shīʿī authorities maintained that all contact with the Imam had been sundered, forcing him to remain incommunicado ‎until his (re)appearance‎. This position, however, proved ‎untenable to maintain. Almost a ‎century after the start of the Greater Occultation, prominent scholars ‎began to concede the ‎possibility that some Shīʿa can meet the Hidden Imam. Accounts of encounters with the Imam from the Greater Occultation soon began to appear, adumbrating their exponential growth in later centuries.
In: Encounters with the Hidden Imam in Early and Pre-Modern Twelver Shīʿī Islam
In: Encounters with the Hidden Imam in Early and Pre-Modern Twelver Shīʿī Islam
In: Encounters with the Hidden Imam in Early and Pre-Modern Twelver Shīʿī Islam
In: Encounters with the Hidden Imam in Early and Pre-Modern Twelver Shīʿī Islam
A civilising process ? (Sixteenth-Twenty-First Centuries)
Adab is a concept situated at the heart of Arabic and Islamic civilisation. Adab is etiquette, ethics, and literature. It is also a creative synthesis, a relationship within a configuration. What became of it, towards modernity ? The question of the "civilising process" (Norbert Elias) helps us reflect on this story. During the modern period, maintaining one's identity while entering into what was termed "civilisation" ( al-tamaddun) soon became a leitmotiv. A debate on what was or what should be culture, ethics, and norms in Middle Eastern societies accompanied this evolution. The resilient notion of adab has been in competition with the Salafist focus on mores ( akhlāq). Still, humanism, poetry, and transgression are constants in the history of adab.

Contributors: Francesca Bellino, Elisabetta Benigni, Michel Boivin, Olivier Bouquet, Francesco Chiabotti, Stéphane Dudoignon, Anne-Laure Dupont, Stephan Guth, Albrecht Hofheinz, Katharina Ivanyi, Felix Konrad, Corinne Lefevre, Cathérine Mayeur-Jaouen, Astrid Meier, Nabil Mouline, Samuela Pagani, Luca Patrizi, Stefan Reichmuth, Iris Seri-Hersch, Chantal Verdeil, Anne-Sophie Vivier-Muresan.
In: Adab and Modernity