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Cities, Erudition, and National Identity in Early Modern France
Historical Communities reveals the importance of urban history writing in early modern France, from the 1560s to the 1660s, both for individual towns and the French kingdom. Grounded in published and manuscript works, archival sources, correspondence, and research notes, the book demonstrates how historical traditions mattered to city inhabitants and how local elites combined historical narratives with social and political objectives. Numerous conflicts emerged, including debates regarding city origins, the early French Church, noble genealogies, and the memory of the French Wars of Religion. Simultaneously, provincial scholars maintained active contacts within the Republic of Letters, grounding local research and writing in developing erudite methodologies and making them integral to the ongoing process of forging a French historical identity.
Volume Editors: Clifford Davidson and Sophie Oosterwijk
This edition of Lydgate’s Dance of Death offers a detailed comparison of the different text versions, a new scholarly edition and translation of Marchant’s 1485 French Danse Macabre and an art-historical analysis of its woodcuts.
It addresses the cultural context and historical circumstances of Lydgate’s poem and its model, the mural of 1424-25 with accompanying French poem in Paris, as well as their precursors, notably the Vado mori poems and the Legend of the Three Living and the Three Dead. It discusses authorship, the personification and visualisation of Death, and the wider dissemination of the Dance. The edited texts include commentaries, notes and a glossary.
Volume Editors: Winfried Rudolf and Susan Irvine
The Anonymous Old English Homily: Sources, Composition, and Variation offers important essays on the origins, textual transmission, and (re)use of early English preaching texts between the ninth and the late twelfth centuries. Associated with the Electronic Corpus of Anonymous Homilies in Old English project, these studies provide fresh insights into one of the most complex textual genres of early medieval literature. Contributions deal with the definition of the anonymous homiletic corpus in Old English, the history of scholarship on its Latin sources, and the important unedited Pembroke and Angers Latin homiliaries. They also include new source and manuscript identifications, and in-depth studies of a number of popular Old English homilies, their themes, revisions, and textual relations.

Contributors are: Aidan Conti, Robert Getz, Thomas N. Hall, Susan Irvine, Esther Lemmerz, Stephen Pelle, Thijs Porck, Winfried Rudolf, Donald G. Scragg, Robert K. Upchurch, Jonathan Wilcox, Charles D. Wright, Samantha Zacher.
Author: Malcolm Walsby
Booksellers and Printers in Provincial France 1470-1600 is the first comprehensive guide to the Renaissance French book trade outside of Paris and Lyon. This volume presents short biographies for over 2700 booksellers, printers and bookbinders – over sixty of whom are identified as fictitious.
The biographies are accompanied wherever possible by the details of commercial partnerships, the type used by printers and reproductions of over a hundred signatures. The book provides the details of over 600 women who either married into the trade or were independently active. The introductory essay analyses the nature, evolution and geographic dispersion of the members of the trade. It is an indispensable tool for understanding the French Renaissance book world.
Early Modern Universities: Networks of Higher Education publishes twenty essays on early modern institutional academic networks and the history of the book. The case studies examine universities, schools, and academies across a wide geographical range throughout Europe, and in Central America. The volume suggests pathways for future research into institutional hierarchies, cultural ties, and how networks of policy makers were embedded in complex scholarly and scientific developments. Topics include institutions and political entanglements; locality and mobility, especially the movement of scholars and scholarship between institutions; communication, collaboration, and the circulation of academic knowledge. The essays use studies of print and book cultures to provide insights into cooperative interregional markets, travel and trade.
Literature and History in an Age of “Nothing Said Too Soon”
In The Politics of Print During the French Wars of Religion, Gregory Haake examines how, in late sixteenth-century France, authors and publishers used the new medium of the printed text to control the terms of public discourse and determine history, or at least their narrative of it.
The creativity of the Renaissance ushered in new instability of discourse and a decline of traditional centres of authority. Gregory Haake shows that poets, authors, printers, and polemicists — including historians, such as Simon Goulart; the great poets of the time, such as Pierre de Ronsard or Agrippa d’Aubigné; or anonymous authors of polemical texts — rushed in to take advantage of discursive uncertainty to discredit their enemies and shape the meaning of history as it unfolded.
Editors: Lucy R. Nicholas and Ceri Law
The life of Roger Ascham (1515/16-1568) coincided with the reigns of four Tudor monarchs, the rise and death of Luther, the Council of Trent and the wholesale division of Christendom. He operated in arenas including Cambridge University, the court, the continent and the capital, and his writings engaged with the most important intellectual concerns of his age, including humanism, educational reform, religion and politics. In this volume historians, literary specialists and classicists have worked together both to re-evaluate more familiar territory in Ascham’s life and work, and to illuminate previously untapped sources. Their essays reveal Ascham as a considerably more significant figure than previous scholarship has suggested. Two appendices provide valuable further biographical and bibliographical material.
In The Lyon Terence Giulia Torello-Hill and Andrew J. Turner take an unprecedented interdisciplinary approach to map out the influence of Late-Antique and Medieval commentary and iconographic traditions over this seminal edition of the plays of Terence, published in Lyon in 1493, and examine its legacy. The work had a profound impact on the way Terence’s plays were read and understood throughout the sixteenth century, but its influence has been poorly recognised in modern scholarship. The authors establish the pivotal role that this book, and its editor Badius, played in the revitalisation of the theoretical understanding of Classical comedy and in the revival of the plays of Terence that foreshadowed the establishment of early modern theatre in Italy and France.
In: The Lyon Terence
In: The Lyon Terence