Browse results

Fragile Images

Jews and Art in Yugoslavia, 1918-1945

Series:

Mirjam Rajner

In Fragile Images: Jews and Art in Yugoslavia, 1918-1945, Mirjam Rajner traces the lives and creativity of seven artists of Jewish origin. The artists - Moša Pijade, Daniel Kabiljo, Adolf Weiller, Bora Baruh, Daniel Ozmo, Ivan Rein and Johanna Lutzer - were characterized by multiple and changeable identities: nationalist and universalist, Zionist and Sephardic, communist and cosmopolitan.

These fluctuating identities found expression in their art, as did their wartime fate as refugees, camp inmates, partisans and survivors. A wealth of newly-discovered images, diaries and letters highlight this little-known aspect of Jewish life and art in Yugoslavia, illuminating a turbulent era that included integration into a newly-founded country, the catastrophe of the Holocaust, and renewal in its aftermath.

Ancient Marbles in Naples in the Eighteenth Century

Findings, Collections, Dispersals

Series:

Eloisa Dodero

In Ancient Marbles in Naples in the Eighteenth Century Eloisa Dodero aims at documenting the history of numerous private collections formed in Naples during the 18th century, with particular concern for the “Neapolitan marbles” and the circumstances of their dispersal. Research has thus made it possible to formulate a synthesis of the collecting dynamics of Naples in the 18th century, to define the interest of the great European collectors, especially British, in the antiquities of the city and its territory and to draw up a catalogue which for the first time brings together the nucleus of sculptures reported in the Neapolitan collections or coming from irregular excavations, most of which shared the destiny of dispersal, in some cases here traced in definitive fashion.

Celebrating Suprematism

New Approaches to the Art of Kazimir Malevich

Series:

Christina Lodder

Celebrating Suprematism throws vital new light on Kazimir Malevich’s abstract style and the philosophical, scientific, aesthetic, and ideological context within which it emerged and developed. The essays in the collection, which have been produced by established specialists as well as new scholars in the field, tackle a wide range of issues and establish a profound and nuanced appreciation of Suprematism’s place in twentieth-century visual and intellectual culture. Complementing detailed analyses of The Black Square (1915), Malevich’s theories and statements, various developments at Unovis, Suprematism’s relationship to ether physics, and the impact that Malevich’s style had on the design of textiles, porcelain and architecture, there are also discussions of Suprematism’s relationship to Russian Constructivism and avant-garde groups in Poland and Hungary.

Series:

Gal Ventura

In Maternal Breast-Feeding and Its Substitutes in Nineteenth-Century French Art, Gal Ventura investigates the ideological concepts behind the endorsement of maternal breast-feeding in modern Western society. Using diverse visual and textual sources and surveying hundreds of artworks produced from the time of the French Revolution to the beginning of the twentieth century, Ventura reveals the historical, political, religious, and economic factors that shaped the representations of breast-feeding and its substitutes in French art. She thus sheds light on the changing attitudes toward maternal breast-feeding in nineteenth-century France, which have had a considerable impact on the glorification of breast-feeding in the Western world to this very day.