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The late Professor Hossein Ziai’s interests focused on the Illuminationist ( Ishrāqī) tradition. Dedicated to his memory, this volume deals with the post-Avicennan philosophical tradition in Iran, and in particular the Illuminationist school and later philosophers, such as those associated with the School of Isfahan, who were fundamentally influenced by it. The focus of various chapters is on translations, editions, and close expositions of rationalist works in areas such as epistemology, logic and metaphysics rather than mysticism more generally, and also on specific texts rather than themes or studies of individual philosophers. The purpose of the volume is to introduce new texts into the modern canon of Islamic and Iranian philosophy. Various texts in this volume have not been previously translated nor have they been the subject of significant Western scholarship.
Author: Christian Funke
In Ästhetik, Politik und schiitische Repräsentation im zeitgenössischen Iran zeigt Christian Funke die Verflechtungen von Politik, Protest und schiitischer Materialität in der Islamischen Republik auf. Das Buch legt anschaulich und vielschichtig dar, wie die Proteste von 2009 und die ›Grüne Bewegung‹ mit umfassenderen Diskursen über Demokratie, Identität, Geschichte und Gegenwart sowie Religion und Politik verknüpft waren.

Funkes Argument fußt auf Interviews und intensiver Feldforschung und umfasst ein breites Themenfeld von Farben über Banknoten bis hin zu städtischer Raumordnung. Funke bietet einen neuen Ansatz zur Theorie und Methodologie von Religionsästhetik und wirft ein neues Licht auf die › Grüne Bewegung‹ , indem er die islamischen Ressourcen freilegt, mittels derer sich ihr Protest artikulierte.

In Aesthetics, Politics, and Shiʿi Representation in Contemporary Iran Christian Funke explores the entangled relationship between politics, protest and Shiʿi materiality in the Islamic Republic. He shows how the post-election protests of 2009 and the ‘Green Movement’ were part of larger discourses on democracy, identity, the present and the past, and religion and politics.

Funke’s argument is based on extensive fieldwork and interviews. He covers a broad array of topics, ranging from the interpretation of colours to the use of banknotes to the emergence of an urban spatial order. Funke offers a novel approach to the methodology and theory of material religion and by revealing the Islamic undercurrents in the ‘Green Movement’, his book provides a new and more appropriate picture of protest and religion in Iran.


In Aesthetics in Arabic Thought from Pre-Islamic Arabia through al-Andalus José Miguel Puerta Vílchez analyzes the discourses about beauty, the arts, and sense perception that arose within classical Arab culture from pre-Islamic poetry and the Quran (sixth-seventh centuries CE) to the Alhambra palace in Granada (fourteenth century CE). He focuses on the contributions of such great thinkers as Ibn Ḥazm, Avempace, Ibn Ṭufayl, Averroes, Ibn ʿArabī, and Ibn Khaldūn in al-Andalus, and the Brethren of Purity, al-Tawḥīdī, al-Fārābī, Avicenna, Alhazen, and al-Ghazālī in the East.
The work also explores literary criticism, calligraphy, music, belles-lettres ( adab), and erotic literature, and highlights the contribution of Arab humanism to shaping the field of Aesthetics in the West.

In: Aesthetics in Arabic Thought
In: Aesthetics in Arabic Thought
In: Aesthetics in Arabic Thought
In: Aesthetics in Arabic Thought
In: Aesthetics in Arabic Thought
In: Aesthetics in Arabic Thought
In: Aesthetics in Arabic Thought